In a statement, Northumbria Police said: “At about 8.27pm yesterday (20 June) police attended a property in Medburn, Ponteland, where sadly a 32-year-old woman was found deceased.
“There are not believed to be any suspicious circumstances surrounding her death. A report will now be prepared for the coroner.”
Gradon has previously spoken about her struggle with depression and anxiety.
In August 2016, she responding to a question on Twitter about whether she would recommend applying for Love Island, saying: “Not if you suffer from anxiety or depression. It’s a VERY testing environment.”
A few months later she also tweeted: “Feel so guilty when my anxiety takes over, for not wanting to see or speak to anyone.
“Some days I get so overwhelmed I just want to nap.”
And in September last year she said she was “battling a little bit of depression”, adding she had tried hypnotherapy and meditation.
She added: “I urge everyone to be kind to every person they meet and speak with on social media and in person… you really don’t know the battles they go through every single day.”
Gradon, who had more than 400,000 followers on Instagram, took part in a talk earlier this year about the impact of social media on children. Psychologist Emma Kenny, who took part in the same event, described her as an “utterly lovely woman”.
Kim Kardashian in these braids is exhausting. The most annoying part is that at this point she knows what she’s doing, she knows what cultural appropriation is and that it upsets people yet she still chooses to do it because she knows it doesn’t upset the right ppl or cost her $$
A vocal supporter of President Donald Trump, Ms Barr received support from the White House in the ensuing scandal.
The Conners will start in the autumn and is expected to have Roseanne’s daughter Darlene, played by Sara Gilbert, as the main protagonist.
Aside from Ms Gilbert, core cast members John Goodman, Laurie Metcalf, Lecy Goranson and Michael Fishman will also star in the 10-episode season.
In a joint statement the five said their characters “not only have a place in our hearts, but in the hearts and homes of our audience,
“We are so happy to have the opportunity to return with the cast and crew to continue to share those stories through love and laughter.”
For her part, Ms Barr expressed “regret” for her removal, saying in a statement she agreed to a settlement with ABC “in order that 200 jobs of beloved cast and crew could be saved” and wished the best for all involved.
The north of England has always been a place of big imaginations and ingenuity. That pedigree is being celebrated with The Great Exhibition of the North, an 80-day festival of art, design and innovation that is billed as “the country’s biggest event in 2018”.
It begins in Newcastle and Gateshead on Friday, and visitors can see objects like Robert Stephenson’s Rocket, John Lennon’s piano and Helen Sharman’s space suit.
As well as items that have shaped our past, there will be the chance to examine ideas and technologies that might shape our future, and the work of artists who are based in the north today.
Here, three artists talk about how the north feeds their work, and what it means to them.
“There’s a lot of freedom,” Liverpool-based Disley says when asked why the north is a good place to make art.
She spent seven years in London, but a city like Liverpool doesn’t have the fixed pecking orders and expectations of the capital’s art establishment. What it does have is a go-ahead ethos, she says.
“Nobody turns their nose up if somebody says, ‘OK I’m sick of nothing happening – I’m going to set up a gallery and do something’ or ‘I’ve not been busy for a while – I’m going to put a show on’. Lots of DIY things can happen.”
Disley is showing two “activated” paintings (which come to life when a performer appears as part of the work) at the Baltic 39 gallery as part of the Great Exhibition of the North.
The cheaper cost of living in Liverpool, compared with London, gives artists more security and makes it easier to focus on their work. “You’re not having to work six jobs and it’s not exhausting,” she says.
Despite that, many graduates decide to move on to brighter lights – but there is “a really supportive community”.
“I think that feeds into the work because you’re not necessarily afraid of somebody being really critical, so there’s some room to make some awful things and play without being scrutinised 100%. That blank canvas is really useful.”
The north has “this weird dual state of feeling both superior and inferior”, according to Leeds-based Meadley.
“You have this sense that northerners do feel like we are ‘better than’, and we shouldn’t have to play into the rules as set by what’s perceived as a London-based establishment.
“But all that stuff no-one really cares about. It’s very internalised and does hold a lot of people back and in different ways had held me back at times, all of which is ultimately unhelpful.”
The 30-year-old lived in the capital for two years before moving back to Leeds and has decided that the art scene in the north is on an equal footing.
“What I had to do was see the north of England as a whole as an equivalent to London,” he says. “It’s an hour or two to get around from one part to another – it’s exactly the same.
“If you view the entire area of the north of England, it is an equivalent in terms of the number of institutions, the number of opportunities and the number of people doing things – it’s just slightly more stretched out.”
At Baltic 39, Meadley is showing a video work – a fly-on-the wall look at another project he’s doing, which is an attempt to exhibit Rochdale Council’s entire fine art collection.
The cheaper costs mean artists can be more experimental outside the capital, he says. “There’s no way I could be in the position I am now and working the way I am now in London,” he says. “If you fit into an easier commercial [art] model, then maybe it’s possible – but even then for most that’s not a reality.”
Between two pawn shops on Gateshead High Street, in the window of a shop that was once home to Woolworths and Poundland, Becky Peach is putting the finishing touches to her contribution to The Great Exhibition of the North.
The shop has been taken over by The Newbridge Project, which was set up in 2010 to support and exhibit emerging artists, and Peach’s installation has taken inspiration from the local surroundings.
“I’m interested in little snippets of shapes of textures around the area that we may be not quite so aware of,” the 28-year-old says. “I tend to blow them up or distort them.”
So she has made wallpaper using double yellow lines from the streets outside, the “o” from the Woolworths logo, images of brickwork and Perspex and window frames, all twisted and reshaped.
“Part of it is to do with the fact we’ve become so immersed in technology you can really miss out on a lot of your surroundings,” she says.
Peach is based in Liverpool and is director of The Royal Standard, a studio and gallery complex in the city.
“It’s just got such a do it yourself attitude,” she says. “If things don’t exist there then people make them happen. And it’s a really affordable place to be working as an artist. My rent’s really cheap and I’ve been able to keep practising since uni for those reasons.”
What is the Great Exhibition of the North?
It’s lots of hands-on events, performances and exhibitions in venues and on the streets of Newcastle and Gateshead
Organisers hope it will be seen by three million people – including visitors and “virtual audiences”
It was dreamed up by former Chancellor George Osborne in 2014 as part of his Northern Powerhouse plans