More width, more speed, more air – England attack faces tough Pumas test

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Quilter Nations Series: England v Argentina

Venue: Allianz Stadium, Twickenham Date: Sunday, 23 November Kick-off: 16:10 GMT

The baggage is unavoidable.

So Clarin, Argentina’s biggest newspaper, steered straight into it.

In the first two lines of their preview of Sunday’s match, “history, politics, the Falklands War and England’s persistent imperialist views” were all referenced.

The story of a teenage Federico Mendez ironing out England second row Paul Ackford with a blindside haymaker 35 years ago was retold.

On Thursday, Franco Molina threw in another piece of the Anglo-Argentine back story.

“It was a goal, the referee gave it, it was a goal!,” the Argentina second row said, recalling Diego Maradona’s contentious ‘Hand of God’ goal in the 1986 quarter-final meeting at the football World Cup.

But it was all with a smile.

If all that history is being brewed up as pep-talk kerosene, Molina, who spent last season playing for Exeter, hid it well.

For him there was too much to get excited about in the 80 minutes to come, without dredging up the past.

“It is a big game, just because of the context of the international game,” he said.

“It is really special playing at Twickenham.

“It is going to be a really physical game and every English team is tidy in what they do, all the kicks from the field, all the play with the ball in hand.

England scrum-half Jack van Poortvliet looks dejected as Argentina players celebrate behind himGetty Images

As an assessment of England, it was pretty accurate.

The hosts are on a roll of 10 straight wins. Like Molina, England fans are pretty excited about Sunday too.

Attack coach Lee Blackett, originally seconded from Bath for the summer tour of the Americas and now in the post permanently, has overseen the past six wins, adding some slickness and variety with ball in hand.

Since his appointment, England have moved the ball more widely, more accurately and more quickly than they did in the first part of this year.

The proportion of attacking phases in which the ball is moved 20 metres laterally from the previous breakdown has nearly doubled.

While England have kicked slightly less during Blackett’s time in the set-up, the proportion in which they have contested the regather with the opposition has more than trebled.

There is a caveat to this.

It is easier to play high tempo, ambitious rugby on a summer tour and against southern hemisphere opposition than in the depths of a Six Nations dogfight.

But, after beating the All Blacks in style and comfort, it is impossible to deny England have taken a big step forward during 2025.

They are playing with more confidence, flow and consistency, using the depth built in the absence of their British and Irish Lions this summer to outlast teams in the final 20 minutes if they cannot outplay them in the first hour.

This weekend, Blackett will be attempting to coax more of the same from a rejigged backline.

Max Ojomoh, who he worked with at Bath, wins his second cap at inside centre.

Elliot Daly and Henry Slade return as starters to both win their 74th caps, with the versatile Saracens back having fallen foul of injury and Slade having been out of favour since the summer tour.

In the forwards, Asher Opoku-Fordjour makes his second Test start.

If the personnel changes and upward trajectory continue, it will complete a hugely promising 2025 and add more options and intrigue to Borthwick’s hand.

But a year bookended by defeats is also a real possibility for the hosts.

Molina reckons Argentina need an 80-minute performance at Allianz Stadium.

Last weekend, they were connected and precise for about half an hour, but that was still enough to sweep back from 21 points down and beat Scotland at Murrayfield.

In September, an hour’s dominance did for Australia in Sydney.

    • 1 day ago
    • 2 days ago

This Argentina team have bona fide stars, a passionate heart and the ability to beat anyone if they get into their groove.

France-based stars Marcos Kremer and Juan Cruz Mallia, who missed the two Test defeats by England in July, are back in harness, while eight of the starting XV are established Prem performers.

“Argentina are a quality side – I play with a number of them, they are extremely talented,” said England captain Maro Itoje.

“We have seen what they have done in the Rugby Championship and they beat us here a couple of years ago [2022’s 30-29 defeat].

“We know their danger and quality and they can definitely hurt us.”

England’s vulnerabilities are shrinking though.

Related topics

  • England Rugby Union
  • Rugby Union

More on this story

    • 2 days ago
    Michelle Orange

More width, more speed, more air – England attack faces tough Pumas test

Getty Images
  • 7 Comments

Quilter Nations Series: England v Argentina

Venue: Allianz Stadium, Twickenham Date: Sunday, 23 November Kick-off: 16:10 GMT

The baggage is unavoidable.

So Clarin, Argentina’s biggest newspaper, steered straight into it.

In the first two lines of their preview of Sunday’s match, “history, politics, the Falklands War and England’s persistent imperialist views” were all referenced.

The story of a teenage Federico Mendez ironing out England second row Paul Ackford with a blindside haymaker 35 years ago was retold.

On Thursday, Franco Molina threw in another piece of the Anglo-Argentine back story.

“It was a goal, the referee gave it, it was a goal!,” the Argentina second row said, recalling Diego Maradona’s contentious ‘Hand of God’ goal in the 1986 quarter-final meeting at the football World Cup.

But it was all with a smile.

If all that history is being brewed up as pep-talk kerosene, Molina, who spent last season playing for Exeter, hid it well.

For him there was too much to get excited about in the 80 minutes to come, without dredging up the past.

“It is a big game, just because of the context of the international game,” he said.

“It is really special playing at Twickenham.

“It is going to be a really physical game and every English team is tidy in what they do, all the kicks from the field, all the play with the ball in hand.

England scrum-half Jack van Poortvliet looks dejected as Argentina players celebrate behind himGetty Images

As an assessment of England, it was pretty accurate.

The hosts are on a roll of 10 straight wins. Like Molina, England fans are pretty excited about Sunday too.

Attack coach Lee Blackett, originally seconded from Bath for the summer tour of the Americas and now in the post permanently, has overseen the past six wins, adding some slickness and variety with ball in hand.

Since his appointment, England have moved the ball more widely, more accurately and more quickly than they did in the first part of this year.

The proportion of attacking phases in which the ball is moved 20 metres laterally from the previous breakdown has nearly doubled.

While England have kicked slightly less during Blackett’s time in the set-up, the proportion in which they have contested the regather with the opposition has more than trebled.

There is a caveat to this.

It is easier to play high tempo, ambitious rugby on a summer tour and against southern hemisphere opposition than in the depths of a Six Nations dogfight.

But, after beating the All Blacks in style and comfort, it is impossible to deny England have taken a big step forward during 2025.

They are playing with more confidence, flow and consistency, using the depth built in the absence of their British and Irish Lions this summer to outlast teams in the final 20 minutes if they cannot outplay them in the first hour.

This weekend, Blackett will be attempting to coax more of the same from a rejigged backline.

Max Ojomoh, who he worked with at Bath, wins his second cap at inside centre.

Elliot Daly and Henry Slade return as starters to both win their 74th caps, with the versatile Saracens back having fallen foul of injury and Slade having been out of favour since the summer tour.

In the forwards, Asher Opoku-Fordjour makes his second Test start.

If the personnel changes and upward trajectory continue, it will complete a hugely promising 2025 and add more options and intrigue to Borthwick’s hand.

But a year bookended by defeats is also a real possibility for the hosts.

Molina reckons Argentina need an 80-minute performance at Allianz Stadium.

Last weekend, they were connected and precise for about half an hour, but that was still enough to sweep back from 21 points down and beat Scotland at Murrayfield.

In September, an hour’s dominance did for Australia in Sydney.

    • 1 day ago
    • 2 days ago

This Argentina team have bona fide stars, a passionate heart and the ability to beat anyone if they get into their groove.

France-based stars Marcos Kremer and Juan Cruz Mallia, who missed the two Test defeats by England in July, are back in harness, while eight of the starting XV are established Prem performers.

“Argentina are a quality side – I play with a number of them, they are extremely talented,” said England captain Maro Itoje.

“We have seen what they have done in the Rugby Championship and they beat us here a couple of years ago [2022’s 30-29 defeat].

“We know their danger and quality and they can definitely hurt us.”

England’s vulnerabilities are shrinking though.

Related topics

  • England Rugby Union
  • Rugby Union

More on this story

    • 2 days ago
    Michelle Orange

Amanda Redman says she’s ‘become choosier about parts’ as she opens up on new role

EXCLUSIVE: Amanda Redman stars in Murder Before Evensong, a new ecclesiastical crime drama, and says she’s ‘become choosier about the parts I’ll accept’ as she opens up on her new role

Amanda Redman’s nickname is Wysiwyg – short for “what you see is what you get” – and her latest character has a personality to match. A far cry from New Tricks’ DS Sandra Pullman, Audrey Clement is a dispenser of tough love with a stiff upper lip honed in wartime.

She is the mother of Canon Daniel Clement, the protagonist of Murder Before Evensong, an adaptation of the Rev Richard Coles’ best-selling ecclesiastical crime novel. And she gets all the best lines. “She’s a wonderful character,” says Amanda, 68. “And such fun to play.

“Parts like that don’t come along very often. She’s a woman, not unlike myself, who speaks her mind. Women like her just had to shut up and put up, as they say. I think that’s a very healthy attitude. She doesn’t suffer fools gladly. She just gets on with it. There’s a line in the book I like: If she hadn’t been a housewife, she’d be running the United Nations.”

READ MORE: Rochelle Humes unveils new Christmas party collection with Next – and we love it all

To play the role, the eternally glamorous Amanda had to don a permed wig and somewhat matronly outfits. She adds: “I always enjoy playing non-glamorous parts, perhaps more than any others.

“It forces you to concentrate on the character, gives you something to get your teeth into. I’ve become choosier about the parts I’ll accept. But I can’t think of anything more soul-destroying than retiring.”

The Rev Coles’ Canon Clement series now runs to four books. And the second, A Death in the Parish, has already been optioned for screen.

“Oh, I do hope so,” she says when asked if there is more to come from Audrey. “I loved the whole job, a really lovely gig, although perhaps next time, it’ll be filmed later in the year. It was shot in January and it was freezing.”

Fortunately, there was something else – nothing to do with the day job – guaranteed to warm her heart. “On day three, my daughter, Emily, gave birth to my first grandchild – a little girl called Cora,” she says. “I knew I’d be thrilled when the baby arrived, but the moment I first saw her at the hospital in Emily’s arms, I was overwhelmed by a tidal wave of love. I was shocked. It almost knocked me off my feet.”

Emily’s father is actor Robert Glenister, brother of Life on Mars star Philip, while Amanda is married to second husband Damian Schnabel.

Unlike many actresses whose careers run out of momentum in their middle years, Amanda has enjoyed a seamless run: As Diana Dors in The Blonde Bombshell; as Deedee Dove opposite Ray Winstone in Sexy Beast; as lottery winner Alison in At Home With the Braithwaites and as Lydia Fonseca in The Good Karma Hospital.

The acting profession has smiled on her and she has been happy to repay that good fortune. The Artists Theatre School, which she ran near her home in Ealing, West London, closed this year and morphed into the ATS Foundation, dedicated to raising money to help actors looking for work.

Her objective is to persuade City institutions to donate money to bankroll productions involving these young performers. She is a keen follower of TV drama, in particular thriller series Slow Horses.

And she adds: “I’ve never been interested in reality television, but I did watch Celebrity Traitors because a lot of my friends told me to. I was immediately hooked. For the last five minutes, I was literally on the edge of my seat. Alan Carr was a revelation although I was rather hoping Nick Mohammed and Joe Marler would win. I’d love to be on it.”

Article continues below

Amanda Redman says she’s ‘become choosier about parts’ as she opens up on new role

EXCLUSIVE: Amanda Redman stars in Murder Before Evensong, a new ecclesiastical crime drama, and says she’s ‘become choosier about the parts I’ll accept’ as she opens up on her new role

Amanda Redman’s nickname is Wysiwyg – short for “what you see is what you get” – and her latest character has a personality to match. A far cry from New Tricks’ DS Sandra Pullman, Audrey Clement is a dispenser of tough love with a stiff upper lip honed in wartime.

She is the mother of Canon Daniel Clement, the protagonist of Murder Before Evensong, an adaptation of the Rev Richard Coles’ best-selling ecclesiastical crime novel. And she gets all the best lines. “She’s a wonderful character,” says Amanda, 68. “And such fun to play.

“Parts like that don’t come along very often. She’s a woman, not unlike myself, who speaks her mind. Women like her just had to shut up and put up, as they say. I think that’s a very healthy attitude. She doesn’t suffer fools gladly. She just gets on with it. There’s a line in the book I like: If she hadn’t been a housewife, she’d be running the United Nations.”

READ MORE: Rochelle Humes unveils new Christmas party collection with Next – and we love it all

To play the role, the eternally glamorous Amanda had to don a permed wig and somewhat matronly outfits. She adds: “I always enjoy playing non-glamorous parts, perhaps more than any others.

“It forces you to concentrate on the character, gives you something to get your teeth into. I’ve become choosier about the parts I’ll accept. But I can’t think of anything more soul-destroying than retiring.”

The Rev Coles’ Canon Clement series now runs to four books. And the second, A Death in the Parish, has already been optioned for screen.

“Oh, I do hope so,” she says when asked if there is more to come from Audrey. “I loved the whole job, a really lovely gig, although perhaps next time, it’ll be filmed later in the year. It was shot in January and it was freezing.”

Fortunately, there was something else – nothing to do with the day job – guaranteed to warm her heart. “On day three, my daughter, Emily, gave birth to my first grandchild – a little girl called Cora,” she says. “I knew I’d be thrilled when the baby arrived, but the moment I first saw her at the hospital in Emily’s arms, I was overwhelmed by a tidal wave of love. I was shocked. It almost knocked me off my feet.”

Emily’s father is actor Robert Glenister, brother of Life on Mars star Philip, while Amanda is married to second husband Damian Schnabel.

Unlike many actresses whose careers run out of momentum in their middle years, Amanda has enjoyed a seamless run: As Diana Dors in The Blonde Bombshell; as Deedee Dove opposite Ray Winstone in Sexy Beast; as lottery winner Alison in At Home With the Braithwaites and as Lydia Fonseca in The Good Karma Hospital.

The acting profession has smiled on her and she has been happy to repay that good fortune. The Artists Theatre School, which she ran near her home in Ealing, West London, closed this year and morphed into the ATS Foundation, dedicated to raising money to help actors looking for work.

Her objective is to persuade City institutions to donate money to bankroll productions involving these young performers. She is a keen follower of TV drama, in particular thriller series Slow Horses.

And she adds: “I’ve never been interested in reality television, but I did watch Celebrity Traitors because a lot of my friends told me to. I was immediately hooked. For the last five minutes, I was literally on the edge of my seat. Alan Carr was a revelation although I was rather hoping Nick Mohammed and Joe Marler would win. I’d love to be on it.”

Article continues below

Northern Australia assesses damage after Tropical Cyclone Fina

White’s UK hopes ended by Szubarczyk, 14, as Pullen makes 147

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Jimmy White was beaten by 14-year-old Michal Szubarczyk in the first round of qualifying for this year’s UK Championship.

White, the 1992 UK champion, lost 6-2 in Wigan to the highly rated Polish teenager, who is the youngest professional on the World Snooker Tour.

A break of 92 from 63-year-old Englishman White in the second frame levelled the match before Szubarczyk pulled clear by winning four frames in a row.

The youngster will play Northern Ireland’s Jordan Brown, the 2021 Welsh Open champion, in the next round.

Elsewhere in round one of qualifying on Saturday, world number 86 Liam Pullen made a 147 break in the sixth frame of his 6-1 victory over fellow English player Kaylan Patel.

It was the 15th maximum break of 2025-26, equalling the record for the most ever made in a season.

Women’s world champion Bai Yulu of China and England’s 12-time women’s world champion Reanne Evans also made it through to the second qualifying round.

Four rounds of qualifying will be played before the tournament begins in York on Saturday.

Related topics

  • Snooker