Wild celebrations but Wales face reality check

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In the end, in the moment, it was just all about the win for Wales.

There were wild celebrations at the Principality Stadium as replacement fly-half Jarrod Evans stepped up to kick the match-winning penalty against Japan.

The elation and relief was evident as Evans was mobbed by his team-mates with the players reacting as if they had won a major tournament, while head coach Steve Tandy and director of rugby Dave Reddin embraced.

There were stories of supporters among the 61,000 crowd in tears at a victory snatched from the jaws of defeat.

The extreme emotion demonstrated how rare a Welsh win is these days – especially in Cardiff – as Wales ended a record run of 10 successive home Test defeats that stretched back to August 2023.

“It’s a burden off our backs,” said Tandy after his first win as Wales boss.

“We don’t talk about it, but it does sit there. That burden of not winning here for more than two years, it’s huge for them.

    • 6 hours ago
    • 15 hours ago

Over the top or justified celebrations?

The immediate reaction has produced an interesting debate on social media, with some labelling it over the top and others saying they should savour the win.

The scenes were understandable given this was only a second victory in 21 Tests, with some of these players having never before experienced a Wales home win.

Once the euphoria dies down, the cold hard facts are that Wales were very lucky to have beaten Japan by one point.

Wales players and fans were celebrating this feat on the same day England defeated New Zealand and Ireland managed a record win against Australia.

Wales demonstrated why they are battling with Japan for 12th place in the world rankings and not competing with the world’s top 10.

Did the better team lose?

Japan head coach Eddie Jones at a press conferenceHuw Evans Picture Agency

Japan had double the number of carries and forced Wales to make almost 100 more tackles than the visitors.

The Brave Blossoms were the more impressive team on show, although head coach Eddie Jones avoided a couple of attempts to say that afterwards.

“The only thing anybody ever remembers is the scoreboard,” said Jones. “That tells the story and is all that matters.”

Jones has suffered previous defeats in Cardiff inflicted by superior Welsh sides and has close-up knowledge of the current squad, having played them three times this year.

“Having spoken to a few people, the big thing Wales has to look at is the development system,” said Jones.

“Coaches can only coach the players they have got and Wales for a long period of time had a strong and tough team under Warren Gatland.

“It is obvious the young players have not been developed enough or as quickly as you would like, because now you have a gap in the team.”

Jones believes Wales can return to rugby’s top table.

“There are plenty of good players in Wales,” said Jones.

“Wales is one of the traditional hotbeds of rugby in the world, albeit it’s a small country.

Reality bites as discipline suffers

Kind words but that prediction currently seems a long way off based on Saturday’s dire display.

Tandy is only in his second game in charge and has had just three weeks with his squad.

They demonstrated resilience by beating Japan but Tandy recognised performance levels need to improve markedly.

“It’s frustrating as I know what this group can be,” said Tandy.

“There’s lots to love about them and massive pride but I was expecting more in our performance.

“We need to add a ruthless nature. There’s a lot of good in our game, but we need more and to be more consistent.

“So I know there’ll be disappointment with the performance.”

Wales were pedestrian in attack as they failed to break down 13 men in the first half.

The hosts also lacked discipline with a 20-minute red card given to wing Josh Adams for a dangerous clearout.

Tandy labelled that decision harsh but the incident occurred a week after Ben Thomas was sin-binned for kicking out at Argentina flanker Pablo Matera.

“We’ve played 40 minutes with 14 men, it’ll catch up with you,” said Tandy.

Holding out for a hero

Jarrod Evans, who plays his club rugby with Harlequins, kicks the winning penalty against JapanHuw Evans Picture Agency

However poorly Wales performed, the win gave Tandy his first victory and secured a top-12 place in the world rankings before the 2027 World Cup pool draw is made in December.

There were also a couple of encouraging individual performances as number eight Olly Cracknell was named player-of-the-match in his first start, while flanker Alex Mann produced a dynamic display in the seven shirt left vacant by the injury to skipper Jac Morgan.

Fly-half Dan Edwards showed glimpses of his talents, while Wales had its own home hero.

Evans stepped off the bench in the 79th minute to replace Edwards and win the game.

“As a kicker throughout your career, you get a lot of shots at goal but very few times do you have moments like that,” former Wales fly-half James Hook told the Scrum V podcast.

“Big-pressure kicks with seconds to go to win the game, especially for your country.

All Blacks await

New Zealand will arrive in Wales smarting from a defeat against England at Twickenham which ended hopes of completing a grand slam of wins against the home unions.

The All Blacks will aim to finish their season on a winning note, while Wales will chase a first victory against New Zealand since 1953.

“We won’t beat the All Blacks or South Africa but we can hope for a better performance,” said Hook.

“It was a step back from Argentina what we saw Wales produce against Japan.”

Former Wales number eight Gareth Delve gave a stark warning.

“It is damage limitation over the next two weeks and the boys are going to have to show some character,” said Delve.

So the message is clear. Do not expect to see the same wild celebrations in Cardiff next weekend.

Related topics

  • Welsh Rugby
  • Wales Rugby Union
  • Rugby Union

Wild celebrations but Wales face reality check

PA Media
  • 88 Comments

In the end, in the moment, it was just all about the win for Wales.

There were wild celebrations at the Principality Stadium as replacement fly-half Jarrod Evans stepped up to kick the match-winning penalty against Japan.

The elation and relief was evident as Evans was mobbed by his team-mates with the players reacting as if they had won a major tournament, while head coach Steve Tandy and director of rugby Dave Reddin embraced.

There were stories of supporters among the 61,000 crowd in tears at a victory snatched from the jaws of defeat.

The extreme emotion demonstrated how rare a Welsh win is these days – especially in Cardiff – as Wales ended a record run of 10 successive home Test defeats that stretched back to August 2023.

“It’s a burden off our backs,” said Tandy after his first win as Wales boss.

“We don’t talk about it, but it does sit there. That burden of not winning here for more than two years, it’s huge for them.

    • 6 hours ago
    • 15 hours ago

Over the top or justified celebrations?

The immediate reaction has produced an interesting debate on social media, with some labelling it over the top and others saying they should savour the win.

The scenes were understandable given this was only a second victory in 21 Tests, with some of these players having never before experienced a Wales home win.

Once the euphoria dies down, the cold hard facts are that Wales were very lucky to have beaten Japan by one point.

Wales players and fans were celebrating this feat on the same day England defeated New Zealand and Ireland managed a record win against Australia.

Wales demonstrated why they are battling with Japan for 12th place in the world rankings and not competing with the world’s top 10.

Did the better team lose?

Japan head coach Eddie Jones at a press conferenceHuw Evans Picture Agency

Japan had double the number of carries and forced Wales to make almost 100 more tackles than the visitors.

The Brave Blossoms were the more impressive team on show, although head coach Eddie Jones avoided a couple of attempts to say that afterwards.

“The only thing anybody ever remembers is the scoreboard,” said Jones. “That tells the story and is all that matters.”

Jones has suffered previous defeats in Cardiff inflicted by superior Welsh sides and has close-up knowledge of the current squad, having played them three times this year.

“Having spoken to a few people, the big thing Wales has to look at is the development system,” said Jones.

“Coaches can only coach the players they have got and Wales for a long period of time had a strong and tough team under Warren Gatland.

“It is obvious the young players have not been developed enough or as quickly as you would like, because now you have a gap in the team.”

Jones believes Wales can return to rugby’s top table.

“There are plenty of good players in Wales,” said Jones.

“Wales is one of the traditional hotbeds of rugby in the world, albeit it’s a small country.

Reality bites as discipline suffers

Kind words but that prediction currently seems a long way off based on Saturday’s dire display.

Tandy is only in his second game in charge and has had just three weeks with his squad.

They demonstrated resilience by beating Japan but Tandy recognised performance levels need to improve markedly.

“It’s frustrating as I know what this group can be,” said Tandy.

“There’s lots to love about them and massive pride but I was expecting more in our performance.

“We need to add a ruthless nature. There’s a lot of good in our game, but we need more and to be more consistent.

“So I know there’ll be disappointment with the performance.”

Wales were pedestrian in attack as they failed to break down 13 men in the first half.

The hosts also lacked discipline with a 20-minute red card given to wing Josh Adams for a dangerous clearout.

Tandy labelled that decision harsh but the incident occurred a week after Ben Thomas was sin-binned for kicking out at Argentina flanker Pablo Matera.

“We’ve played 40 minutes with 14 men, it’ll catch up with you,” said Tandy.

Holding out for a hero

Jarrod Evans, who plays his club rugby with Harlequins, kicks the winning penalty against JapanHuw Evans Picture Agency

However poorly Wales performed, the win gave Tandy his first victory and secured a top-12 place in the world rankings before the 2027 World Cup pool draw is made in December.

There were also a couple of encouraging individual performances as number eight Olly Cracknell was named player-of-the-match in his first start, while flanker Alex Mann produced a dynamic display in the seven shirt left vacant by the injury to skipper Jac Morgan.

Fly-half Dan Edwards showed glimpses of his talents, while Wales had its own home hero.

Evans stepped off the bench in the 79th minute to replace Edwards and win the game.

“As a kicker throughout your career, you get a lot of shots at goal but very few times do you have moments like that,” former Wales fly-half James Hook told the Scrum V podcast.

“Big-pressure kicks with seconds to go to win the game, especially for your country.

All Blacks await

New Zealand will arrive in Wales smarting from a defeat against England at Twickenham which ended hopes of completing a grand slam of wins against the home unions.

The All Blacks will aim to finish their season on a winning note, while Wales will chase a first victory against New Zealand since 1953.

“We won’t beat the All Blacks or South Africa but we can hope for a better performance,” said Hook.

“It was a step back from Argentina what we saw Wales produce against Japan.”

Former Wales number eight Gareth Delve gave a stark warning.

“It is damage limitation over the next two weeks and the boys are going to have to show some character,” said Delve.

So the message is clear. Do not expect to see the same wild celebrations in Cardiff next weekend.

Related topics

  • Welsh Rugby
  • Wales Rugby Union
  • Rugby Union

How Palestinian artists carry the New Visions spirit of resilience

In the quiet of his Ramallah studio in the occupied West Bank, Palestinian artist Nabil Anani works diligently on artworks deeply rooted in a movement he helped create during the political tumult of the late 1980s.

Cofounded in 1987 by Anani and fellow artists Sliman Mansour, Vera Tamari and Tayseer Barakat, the New Visions art movement focused on using local natural materials while eschewing Israeli supplies as a form of cultural resistance. The movement prioritised self-sufficiency at a time of deep political upheaval across occupied Palestine.

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“[New Visions] emerged as a response to the conditions of the Intifada,” Anani said. “Ideas like boycott and self-reliance inspired a shift in our artistic practice at the time.”

Each of the founding members chose to work with a specific material, developing new artistic styles that fit the spirit of the time. The idea caught on, and many exhibitions followed locally, regionally and internationally.

Nearly four decades later, the principles of New Visions – self-sufficiency, resistance and creation despite scarcity – continue to shape a new generation of Palestinian artists for whom making art is both an expression and an act of survival.

Anani, now 82, and the other founding members are helping keep the movement’s legacy alive.

Nabil Anani [Courtesy of Zawyeh Gallery]

Why ‘New Visions’?

“We called it New Visions because, at its core, the movement embraced experimentation, especially through the use of local materials,” Anani said, noting how he had discovered the richness of sheepskins, their textures and tones and began integrating them into his art in evocative ways.

In 2002, Tamari, now 80, started planting ceramic olive trees for every real one an Israeli settler burned down to form a sculptural installation called Tale of a Tree. Later, she layered watercolours over ceramic pieces, mediums that usually do not mix, defying the usual limits of each material, and melded in elements of family photos, local landscapes and politics.

Sixty-six-year-old Barakat, meanwhile, created his own pigments and then began burning forms into wood, transforming surface damage into a visual language.

“Other artists began to embrace earth, leather, natural dyes – even the brokenness of materials as part of the story,” Mansour, 78, said, adding that he had personally reached a kind of “dead end” with his work before the New Visions movement emerged, spending years creating works centred around national symbols and identity that had started to feel repetitive.

“This was different. I remember being anxious at first, worried about the cracks in the clay I was using,” he said, referring to his use of mud. “But, in time, I saw the symbolism in those cracks. They carried something honest and powerful.”

An art piece with geometric designs rendered on a wood panel, the mud is in different colours, making a mosaic
Sliman Mansour’s Mud on Wood 2 [Courtesy of Sliman Mansour]

In 2006, the group helped create the International Academy of Art Palestine in Ramallah, which was open for 10 years before being integrated into Birzeit University as the Faculty of Art, Music and Design. The academy’s main goal was to help artists transition from older ways of thinking to more contemporary approaches, particularly by using local and diverse materials.

“A new generation emerged from this, raised on these ideas, and went on to hold numerous exhibitions, both locally and internationally, all influenced by the New Visions movement,” Anani said.

A legacy maintained but tested

The work of Lara Salous, a 36-year-old Palestinian artist and designer based in Ramallah, echoes the founding principles of the movement.

“I am inspired by [the movement’s] collective mission. My insistence on using local materials comes from my belief that we must liberate and decolonise our economy.”

“We need to rely on our natural resources and production, go back to the land, boycott Israeli products and support our local industries,” Salous said.

Through Woolwoman, her social enterprise, Salous works with local materials and a community of shepherds, wool weavers and carpenters to create contemporary furniture, like wool and loom chairs, inspired by ancient Bedouin techniques.

A traditional wooden loom
A traditional loom used by the artisans Lara Salous works with [Courtesy of Lara Salous, photo by Greg Holland]

But challenges like the increasing number of roadblocks and escalating settler violence against Palestinian Bedouin communities, who rely on sheep grazing as a basic source of income, have made working and living as an artist in the West Bank increasingly difficult.

“I collaborate with shepherds and women who spin wool in al-Auja and Masafer Yatta,” said Salous, referring to two rural West Bank areas facing intense pressure from occupation and settlement expansion.

“These communities face daily confrontations with Israeli settlers who often target their sheep, prevent grazing, cut off water sources like the al-Auja Spring, demolish wells and even steal livestock,” she added.

In July, the Reuters news agency reported an incident in the West Bank’s Jordan Valley, where settlers killed 117 sheep and stole hundreds of others in an overnight attack on one such community.

Such danger leaves Palestinian women who depend on Woolwoman for their livelihoods vulnerable. Several female weavers working with Salous and supporting her enterprise have become their families’ sole breadwinners, especially after their spouses lost jobs due to Israeli work permit bans following the Hamas-led attacks on southern Israel on October 7, 2023, and the start of the Gaza war.

Visiting the communities where these wool suppliers live has become nearly impossible for Salous, who fears attacks by Israeli settlers.

mixed media depicting a group of Palestinian villagers, with children, next to an olive tree
Nabil Anani’s Exit into the Light, leather and mixed media on wood [Courtesy of Nabil Anani]

Meanwhile, her collaborators must often prioritise their own safety and the protection of their villages, which disrupts their ability to produce wool to sustain their livelihoods.

As a result, the designer has faced delays and supply chain issues, making completing and selling her works increasingly difficult.

Anani faces similar challenges in procuring hides.

“Even in cities like Ramallah or Bethlehem, where the situation might be slightly more stable, there are serious difficulties, especially in accessing materials and moving around,” he said.

“I work with sheepskin, but getting it from Hebron is extremely difficult due to roadblocks and movement restrictions.”

Creating vs surviving

In Gaza, Hussein al-Jerjawi, an 18-year-old artist from the Remal neighbourhood of Gaza City, is also inspired by the New Visions movement’s legacy and meaning, noting that Mansour’s “style in expressing the [conditions of the occupation]” has inspired him.

Due to a lack of materials like canvases, which are scarce and expensive, al-Jerjawi has repurposed flour bags distributed by the United Nations agency for Palestinian refugees (UNRWA) as canvases for creating his artwork, using wall paint or simple pens and pencils to create portraits of the world around him.

In July, however, the artist said flour bags were no longer available due to Israel’s blockade of food and aid into the Gaza Strip.

A drawing of a family preparing bread over an open flame, painted onto a UNRWA flour bag
Hussein al-Jerjawi uses empty UNRWA flour bags as canvases for his artwork showing everyday life in Gaza [Courtesy of Hussein al-Jerjawi]

“There are no flour bags in Gaza, but I’m still considering buying empty bags to complete my drawings,” he said.

Gaza-born artist Hazem Harb, who now lives in Dubai, also credits the New Visions movement as a constant source of inspiration throughout his decades-long career.

“The New Visions movement encourages artists to push boundaries and challenge conventional forms, and I strive to embody this spirit in my work,” he said while noting that it has been challenging to source the materials from Gaza that he needs for his work.

“The ongoing occupation often disrupts supply chains, making it difficult to obtain the necessary materials for my work. I often relied on local resources and found objects, creatively repurposing materials to convey my message.”

Anani, who said the conditions in Gaza make it nearly impossible to access local material, added that many artists are struggling but still strive to make art with whatever they can.

“I believe artists [in Gaza] are using whatever’s available – burned objects, sand, basic things from their environment,” Anani said.

“Still, they are continuing to create in simple ways that reflect this harsh moment.”

Hazem Harb sits in front of a grayscale artwork, his chin on his hand
Hazem Harb [Courtesy of Hazem Harb]

Preview: Nigeria, DR Congo Face-off In 2026 World Cup Play-Offs Final

The Super Eagles have DR Congo as the next hurdle  on their way to the 2026 World Cup.

A win over the Leopards in the final of the African play-offs will seal Nigeria’s ticket to the intercontinental play-offs billed for March.

Coach Eric Chelle’s side needed extra-time before dispatching Gabon 4-1 in Thursday’s semi-final in Rabat, Morocco.

The DR Congo, on the flipside, were 1-0 victors over Central African neighbours, Cameroon, thanks to a late Chancel Mbemba’s pin-point strike.

Team form

Nigeria have enjoyed great form coming into the game after a shuttering start to the World Cup qualifiers. They have won four of their last five games, drawing only against South Africa away in September.

DR Congo have also won four matches in their last five games, losing only to Senegal September.  But that form was enough to get a final play-offs berth for Sebastien Desabre’s men.

READ ALSO: Ndidi Eligible To Face DR Congo On Sunday, CAF Confirms

Team News

While there were initial concerns about Wilfred Ndidi’s availability for DR Congo after a yellow card in the Gabon win, the Super Eagles will have the Besiktas man for the crunch tie with the Leopards. He was supposed to be suspended for the accumulation of yellow cards but was cleared aftes the Confederation of African Football (CAF) said the caution in the play-offs won’t count.

Coach Chelle will also be happy to have defender Semi Ajayi back for selection after serving a suspension for accumulation of yellow cards. He missed the Gabon game.

Star striker, Victor Osimhen, who has scored five goals in the last two games for the Super Eagles is expected to continue his fine form for the West Africans on Sunday.

For the DRC, Mbemba, Aaron Wan-Bissaka and Axel Tuanzebe are some names the Super Eagles should be wary of on Sunday.

Head to head

Nigeria and DR Congo have met seven times, dating back to the 60s where the Central African nation was known as Zaire. However, the Super Eagles have had the upper hand, winning six and losing one of the games. The defeat to the Leopards came in 2015 during a friendly encounter.

Fixture Details [Nigeria vs DR Congo⌋

Competition: CAF World Cup playoffs final.

Date: November 16, 2025

Time: 8pm (WAT)

Intercontinental Play-offs at Stake

Sunday’s match is a win-takes-it-all game. Whoever wins is guaranteed a ticket to the intercontinental play-offs next March for a chance to get a 10th ticket for Africa at the World Cup.

Coronation Street’s Lucy Fallon engaged as she reveals huge diamond ring

Lucy Fallon has revealed she’s engaged. The Coronation Street star took to Instagram and gave fans a look at her huge diamond as she celebrated her 30th birthday.

“Ending the birthday weekend with my best friend as a fiancé!!!! I can’t wait to marry you @ryanledson8,” she said.

Lioness legend Chloe Kelly penned: “Congratulations,” with two heart-eye emojis. While Lily Gerrard said: “Congratulations,” with three hearts.






Lucy was seen showing off her huge ring while leaving her birthday celebrations
(
AARON PARFITT)

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Brian May’s wife Anita Dobson’s brutal realisation after quitting London

Queen guitarist Brian May and his wife Anita Dobson swapped their London home for a lavish Surrey estate after it flooded with sewage

Anita Dobson, wife of legendary Queen guitarist Brian May, had a poignant moment of realisation after the couple were compelled to abandon London for a quieter life in the countryside. The pair traded their £7million Kensington residence for a sprawling £25million estate in Surrey last year.

Their opulent new home is nestled within an expansive 200-acre estate in the heart of Windlesham. Anita has previously confessed that Brian has “never been happier” since they swapped the hustle and bustle of the capital for the tranquillity of the countryside.

Their current abode, originally constructed in the 1920s, stands on the site of a 16th-century farmhouse which was demolished to make way for the Regency-style dwelling they now call home.

The decision to relocate came after their previous home was inundated with sewage in 2021. The unfortunate incident left the couple distraught and resulted in the loss of memorabilia stored by Brian.

However, according to Anita, her husband “fell in love” with their new surroundings even before he laid eyes on the property. She revealed that he was particularly smitten with “the trees, the flowers, the grass, the lake”, reports the Express.

“How could I take him away from that?” she pondered during an interview with The Sunday Telegraph. However, the move from London to the countryside brought with it a bittersweet realisation.

Anita, aged 76, reflected: “I remember thinking, ‘I’m buying my own retirement home,’ because it’s quiet. I do miss London. I miss the lights, the noise, even the dirt – I was born in that dirt. But I know what I’m facing ahead of me.”

Brian, 78, has occasionally offered glimpses of their home on Instagram. The property is said to boast an observatory which allows Brian to indulge his passion for the stars.

Whilst the east wing is said to house an indoor swimming pool, studio, spa, sauna and gym. Last year Anita admitted that her husband is a “hoarder” and has a huge range of Star Wars memorabilia.

She says he insists on buying two of everything as well – one for himself and one for his grandchildren, explaining: “He’s a big collector. He buys a packaged one and one that he can have for the grandkids.

“He’s bought quite a lot. It’s eased off a bit, as he’s gone through life. His favourite is the little green guy, he loves Yoda.”

Anita revealed Brian also enjoys collecting dinosaurs and figures of prehistoric creatures “like most kids do.”

EastEnders star Anita says she has previously attempted clearing out some of their possessions but regularly fails, because she also has “semi-hoarding tendencies”.

She told Music News: “I always think I’ve got to have a clear out, and a lot of my clothes go to the local hospice. But there’s so much stuff.

“The way I look at it, my husband is a hoarder and I’m a semi-hoarder. I try to lessen the accumulation of stuff that comes in. My husband is really clever so any little things that come in that you think are useless he will go, ‘No, no, don’t get rid of that because it might come in useful.’

“And it does,” she added. “Something he is fixing, or something he has decided to add, and there it is, he’s got it in his DIY box.”

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