‘I Knew The Risks,’ Satirical Skit Maker Governor Amuneke Speaks On Threats Over Political Content

A popular satirical skit maker, Kevin Arua, widely known as Governor Amuneke, has opened up about the risks, pressure, and personal convictions that come with using comedy and satire to address governance and societal issues in Nigeria.

In a candid reflection on his journey on Channels Television’s Rubbin Minds, the entertainer acknowledged that he stepped into the space fully aware of the possible consequences.

According to him, his decision to speak through satire was not made lightly, but from a place of conviction.

”It’s a journey I knew the implications before I started. So my own belief system is that what will happen will happen,’ he said on Sunday.

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”I don’t do my thing and get scared that this person will get offended and send people. I see threats, and people send me DMs that, whatever you do, this government will still be here till 2031.’

Arua explained that from the very beginning, he understood that challenging authority through his content could attract backlash.

However, he believes that whatever fate awaits him is part of a larger destiny.

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He drew a parallel with biblical history, saying he accepts that outcomes are inevitable. “Jesus knew he was going to be crucified before being crucified. Whatever will be my end will be my end,” he said, emphasising that fear cannot dictate his creative choices.

The skit maker also revealed that his outspoken style has led to several threats, including direct messages warning him to stop criticising government actions. Some of the messages, he noted, go as far as threatening his safety.

”One sent me a message that read we know where you live. We will come after you. If you come after me, then what happens? Its a waste of time to come after me,” he said.

Despite the intimidation, Arua insists that such threats do not shake his resolve. He described attempts to silence him as largely futile, stressing that pursuing him would be a “waste of time.”

He further expressed disappointment in public office holders, arguing that many of those entrusted with leadership positions appear disconnected from the realities of ordinary citizens.

As part of his activism-through-entertainment approach, he recently launched a campaign highlighting the activities of local governments.

According to him, the initiative calls attention to projects and governance issues while maintaining a satirical tone that both criticises and acknowledges efforts where necessary.

Beyond the humour and political commentary, Arua admitted that activism is not something he necessarily enjoys, describing activists as people driven more by passion than by choice.

“Activists are born, not self-made,” he said, adding that he would rather spend more time fully exploring his creativity behind the camera than dealing with the pressure that comes with confronting societal issues.

However, he believes remaining silent would weigh more heavily on his conscience than the risks associated with speaking out.

The entertainer also expressed a sober understanding of the realities of advocacy in Nigeria. According to him, those who challenge the system often end up standing alone if things go wrong.

”I don’t care about the repercussions, and I know how Nigerians are wired, no matter how you want to fight and want to be like Jesus, if anything happens, you will be left alone. I have envisaged all the possible scenarios,” he said.

Black Music Tribute, Early Wins Set Tone At 98th Academy Awards

Welcome to Oscars night!

Here are the latest developments from the star-studded 98th Academy Awards in Hollywood.

Following the red carpet where A-listers showed off their top looks for the industry’s most glamorous night of the year, host Conan O’Brien kicked off the main event with a comedic skit highlighting the night’s top films.

Watch this space for the latest:

The night’s first musical number recreated an extraordinary scene from top nominated film “Sinners,” a montage that traces the history of Black music from West Africa to the Delta Blues to hip-hop.

The performance included stars from the vampire drama set in the segregated Deep South along with collaborators like singers Shaboozey and Brittany Howard and superstar ballerina Misty Copeland — who delivered the homage to Black excellence despite recently undergoing a hip replacement.

Her presence onstage coincidentally doubled as another poke at best actor nominee Timothee Chalamet , under fire over comments he made about opera and ballet.

Copeland said at an event recently that he “wouldn’t be an actor and have the opportunities he has as a movie star if it weren’t for opera and ballet and their relevance in that medium. So all of these mediums have a space and we shouldn’t be comparing them.”

Vogue doyenne Anna Wintour and Oscar winner Anne Hathaway gave the awards for best costume design and best makeup — both won by “Frankenstein” — delivering a humorous bit that doubled as a promo for the forthcoming “The Devil Wears Prada 2″ to be released later this year.

O’Brien used his opening monologue to take a dig at Chalamet — up for his role in the ping-pong nailbiter ” Marty Supreme .”

“Security is extremely tight tonight,” O’Brien said, in what initially appeared to refer to heightened security measures over the ongoing US-Israeli war on Iran.

“I’m told there’s concerns about attacks from both the opera and ballet communities,” the comedian instead quipped, before the camera cut to Chalamet laughing.

“They’re just mad you left out jazz.”

Next to Chalamet was his partner Kylie Jenner , who opted against walking the carpet with him but appeared in a plunging, body-con halter gown in red glitter with a cutout in the shape of a key.

Amy Madigan won the night’s first prize for her role as the voodoo-wielding evil Aunt Gladys in horror hit “Weapons, a prize she accepted with a cackle of joy.

The 75-year-old said she’s been asked throughout the Oscars campaign how this year’s awards cycle has been different from her experience as a nominee four decades ago.

“What’s different is I’ve got this little gold guy!” she exclaimed, admiring her statuette.

Meanwhile Netflix’s smash hit “K-Pop Demon Hunters” meanwhile took the prize for best animated feature.

“For those of you who look like me, I’m so sorry that it took us so long to see us in a movie that looks like this,” Maggie Kang said onstage, drawing tears in the room. “This is for Korea, and Koreans everywhere.”

Kleber Mendonca Filho , director of “The Secret Agent” — nominated for several awards including best picture — told AFP the evening was “the conclusion of a very busy time and a lot of joy.”

Swedish actor Stellan Skarsgard , also a star in “Sentimental Value,” called his turn as a famed director trying to reconnect with his estranged daughters “one of the best roles I’ve ever had.”

Jessie Buckley , the favorite to win best actress for her role in “Hamnet,” said the evening was “overwhelming.”

“You just never ever think when you’re growing up that it’s going to be a real thing,” the Irish actress said on the carpet, wearing a custom Chanel ruby and pink gown that exuded Grace Kelly.

The film centers on William Shakespeare’s wife and her experience of motherhood’s expansive love and profound pain — a role Buckley said met her as she was getting ready to become a mother.

Police Refute Claims Broad Shaggi Shot In Ogun

The Ogun State Police Command has denied claims that a popular entertainer, known as Brother Shaggy, was shot within the Ogun State Police Command.

The command’s Public Relations Officer, Oluseyi Babaseyi, in a statement issued on Friday, said the command could not confirm the development as such an incident had not been reported or documented in any of its stations across the state.

“I wish to address reports alleging that the entertainer Broda Shaggi was shot within Ogun State. For clarity, the Command cannot confirm that such an incident occurred anywhere within its jurisdiction. Additionally, no such incident has been reported at any Police formation across the State,” he said.

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“In line with the Command’s commitment to professionalism and transparency, investigations have been initiated to ascertain the facts and verify the claim. The Command is actively carrying out necessary investigations to determine the true circumstances of the report.”

He, however, asked residents to rely solely on official police communication while the investigation is ongoing.

Oscar Nominees In Main Categories

Here are the nominees in key categories for the 98th Academy Awards, to be handed out in Hollywood on Sunday.

Vampire period horror film “Sinners” shattered the all-time record for nominations with 16, followed by “One Battle After Another” with 13.

“Frankenstein,” “Marty Supreme” and “Sentimental Value” tied with nine nominations each.

Best Picture

“Bugonia”

“F1”

“Frankenstein”

“Hamnet”

“Marty Supreme”

“One Battle After Another”

“The Secret Agent”

“Sentimental Value”

“Sinners”

“Train Dreams”

Best Director 

Paul Thomas Anderson, “One Battle After Another”

Ryan Coogler, “Sinners”

Josh Safdie, “Marty Supreme”

Joachim Trier, “Sentimental Value”

Chloe Zhao, “Hamnet”

Best Actor

Timothee Chalamet, “Marty Supreme”

Leonardo DiCaprio, “One Battle After Another”

Ethan Hawke, “Blue Moon”

Michael B. Jordan, “Sinners”

Wagner Moura, “The Secret Agent”

Best Actress

Jessie Buckley, “Hamnet”

Rose Byrne, “If I Had Legs I’d Kick You”

Kate Hudson, “Song Sung Blue”

Renate Reinsve, “Sentimental Value”

Emma Stone, “Bugonia”

Best Supporting Actor

Benicio Del Toro, “One Battle After Another”

Jacob Elordi, “Frankenstein”

Delroy Lindo, “Sinners”

Sean Penn, “One Battle After Another”

Stellan Skarsgard, “Sentimental Value”

Best Supporting Actress

Elle Fanning, “Sentimental Value”

Inga Ibsdotter Lilleaas, “Sentimental Value”

Amy Madigan, “Weapons”

Wunmi Mosaku, “Sinners”

Teyana Taylor, “One Battle After Another”

– Best international feature film –

“The Secret Agent” (Brazil)

“It Was Just an Accident” (France)

“Sentimental Value” (Norway)

“Sirat” (Spain)

“The Voice of Hind Rajab” (Tunisia)

– Best animated feature –

“Arco”

“Elio”

“Kpop Demon Hunters”

“Little Amelie or the Character of Rain”

“Zootopia 2”

Best Documentary Feature

“The Alabama Solution”

“Come See Me In The Good Light”

“Cutting Through Rocks”

“Mr. Nobody Against Putin”

“The Perfect Neighbor”

– Films with eight or more nominations –

“Sinners” – 16

“One Battle After Another” – 13

“Frankenstein” – 9

“Marty Supreme” – 9

“Sentimental Value” – 9

Spielberg Defends Ballet, Opera After Chalamet Snub

Legendary movie director Steven Spielberg on Friday defended enjoying the arts as a shared live experience, appearing to take aim at Oscar nominee Timothee Chalamet’s controversial remarks about ballet and opera.

The man behind “Jaws” and “Saving Private Ryan” told a South by Southwest audience in Austin, Texas that communal artistic experiences — from cinema to the opera house — must be preserved.

Speaking at a keynote panel to promote his upcoming sci-fi film “Disclosure Day,” the 79-year-old director drew cheers when he invoked the performing arts forms that Chalamet seemed to dismiss in a recent appearance.

“The real experience comes when we can influence a community to congregate in a strange, dark space,” Spielberg said.

“All of us are strangers, and at the end of a really good movie experience, we are all united, with a whole bunch of feelings that we walk into the daylight with, or into the nighttime with, and there is nothing like that.”

“I mean, it happens in movies, it happens at concerts and it happens in ballet and opera. And we want that to be sustained.”

Spielberg grinned as the audience broke out into cheers.

AUSTIN, TEXAS – MARCH 13: (L-R) Sean Fennessey and Steven Spielberg speak onstage during Keynote: The Big Picture with Steven Spielberg live from SXSW at Hilton Austin on March 13, 2026 in Austin, Texas.  (Photo by Erika Goldring / GETTY IMAGES NORTH AMERICA / Getty Images via AFP)

The remarks landed as a pointed rejoinder to Chalamet, who sparked a firestorm last month after appearing to question the cultural relevance of classical performance arts.

Speaking at a CNN and Variety town hall event, the “Marty Supreme” star said he feared cinema could become like ballet or opera — describing them as art forms people feel obliged to champion even as audiences drift away.

He added that he had no interest in working in a field sustained by advocacy rather than genuine demand.

French-American actor Timothée Chalamet (L) speaks to journalists on the red carpet during screening of his film “Marty Supreme” in Beijing on March 10, 2026. (Photo by ADEK BERRY / AFP)

Spielberg, for his part, was careful not to disparage streaming.

“We make Netflix movies, and I like working with Netflix,” he said.

“Disclosure Day,” Spielberg’s return to extraterrestrial science fiction starring Emily Blunt and Josh O’Connor, is slated for release in June.

Spielberg, whose “E.T. the Extra-Terrestrial” remains one of cinema’s defining alien stories, told the crowd he had believed since childhood that humanity was not alone in the universe.

He also said he was working on a western, a genre he had never attempted but had long aspired to tackle.

Rick Ross Names Fela Kuti, Burna Boy, Bob Marley, As His Dream Music Collaboration

American rapper and music executive Rick Ross has revealed the legendary artists he would invite to his ultimate dream collaboration, naming reggae icon Bob Marley, Afrobeat pioneer Fela Kuti, Nigerian Grammy winner Burna Boy, and British-Nigerian soul singer Sade Adu as the musicians he would bring together for a once-in-a-lifetime musical gathering.

Ross shared the vision while speaking in an interview on African Voices, where he reflected on the artistEs whose music has shaped generations and continues to influence global culture.

According to the rapper, his ideal collaboration would involve bringing together legendary figures whose artistry transcends genres and eras.

“And if I could say one right now, let’s say if I had a dream collaboration right now, it’d be Ricky Ross, it’d be Bob Marley, Fela Kuti and Burna Boy.

“Imagine that right now, imagine one spliff right now, you know, because that’s to me, that’s king level. That’s next level,” he said.

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Ross added that the gathering would not be complete without the inclusion of Sade Adu, whose soulful style he said would add a distinctive texture to the imagined collaboration.

“And we could FaceTime Sade,” the 50-year-old singer said humourously.

However, when asked whether he could realistically make such a collaboration happen, the hip-hop mogul admitted that even his influence might not be enough.

“I mean, I am the boss, but I don’t know about that. That’s what we’re going to do, put it on the wish list,” he said.

A Look At The Line-Up

Ross’s dream line-up brings together musical voices from Africa, the Caribbean, and Western soul, creating a bridge across generations and cultures.

Fela Kuti, widely regarded as the Afrobeat pioneer, changed the game with African sound, mixing traditional Nigerian beats with jazz, funk, and his fearless political messages. His music still inspires artistes around the world today and was recently posthumously honoured with a Lifetime Achievement Award.

Bob Marley turned reggae into a global movement. His songs about peace, love, and social justice still resonate everywhere, decades after they were first recorded.

Sade Adu brought a different kind of magic. Her mix of soul, jazz, and quiet-storm R&B created a timeless sound that hip-hop and R&B artists keep sampling today.

And then there’s Port Harcourt-born Burna Boy, the “African Giant,” who’s taking Afrobeats to the world stage. By fusing Afrobeats with reggae, dancehall, and hip-hop, he’s showing global audiences just how alive African music has become, selling out arenas and winning international awards along the way.

Ross has previously spoken about other ambitious musical collaborations he would like to see come to life.

During a 2021 Instagram Live session, the rapper revealed another dream concept track featuring the late Whitney Houston, The Notorious B.I.G. and James Brown.

At the time, Ross said he would have wanted Houston’s vocals to run throughout the record rather than appear only on the chorus.

Collaboration: Driver Of Global Music

Rick Ross’s comments also highlight how important collaboration has become in today’s global music industry.

In recent years, partnerships between American hip-hop artistes and African musicians have helped push Afrobeats and related genres to a wider global audience.

These collaborations mix different sounds and cultures, creating music that connects fans across continents.

Ross himself has already taken part in several of these cross-continental collaborations.

He previously worked with Burna Boy and DJ Khaled on the song “Key.”

Over the last decade, Ross has also built strong musical ties with African artistes, especially in Nigeria. One of the earliest major collaborations came in 2012, when he appeared on the remix of “Beautiful Onyinye” by P‑Square.

The record is often seen as one of the first big collaborations between a top U.S. rapper and African artists during the early global rise of Afrobeats.

He later collaborated with Yemi Alade on the 2019 remix of “Oh My Gosh.” In 2022, he also featured on the remix of “5 Star” by Adekunle Gold, another track that connected American rap with Nigeria’s modern Afrobeats sound.

The American rapper has also worked with artistes from other parts of Africa.

He teamed up with South African rapper Kwesta on “I Came I Shared,” and collaborated with Ghanaian star Stonebwoy on the remix of “For The Money.” These projects show his wider involvement with different African music scenes.

Ross recently announced plans for a collaborative project titled “Champagne Moments,” which is expected to feature artists from 12 African countries.