‘AI did my nails in 20 minutes – I was amazed by the results but something wasn’t right’

The Umia machine is billed as the world’s first “AI manicure machine” – but is it really artificial intelligence, or just an advanced printer with a clever marketing twist?

Artificial intelligence has penned books, steered vehicles and created artwork – so it was perhaps inevitable that it would eventually turn its attention to manicures and beauty treatments.

Umia is marketed as the globe’s first “AI manicure machine” and at initial inspection, it resembles a futuristic coffee maker rather than a beauty gadget: a sleek white box compact enough for a desktop, featuring a precise opening for one finger.

Now one woman has shared her experience, as she had a manicure done by Umia, and said it was a “hypnotic” experience watching it work on her hands.

Lara Owens has recalled her experience, but has said it won’t be replacing salons any time soon. She said: “The procedure, I’m informed, takes precisely 100 seconds per nail, whether you opt for a simple shade or an elaborate pattern. Yet the assertion of an ‘AI manicure’ left me doubtful. Was this genuinely artificial intelligence, or simply a sophisticated printer with shrewd branding?

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The procedure

Upon arrival, Lara met Umia’s representative, Audrey Dong, who clarified that the device provides solely the polish application aspect of a manicure – excluding the filing, shaping or cuticle maintenance that nail professionals deliver.

“It’s a gel manicure,” Dong explained, “so it will last around 10 to 14 days. “You place your finger inside and the machine’s camera scans your nail to understand its size, curvature and location – we call it your ‘nail DNA’.

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“Then it applies three coats – base, colour and top – and cures them as it goes. When your hand comes out, it’s shiny and dry.” Indeed, as the device hummed into action, Lara inserted her finger into the compartment and a compact camera flashed. A fine mist of polish was sprayed onto my nail in layers so delicate she couldn’t detect anything.

The only feeling came from the gentle warmth of the UV light that set the gel, which wasn’t unpleasant – actually, it barely felt like anything was happening. As promised, each nail took 100 seconds. That covered the scanning, application and setting. By the time she’d completed all ten, Lara had a full gel manicure in under 20 minutes.

The outcome

The finish was shiny and remarkably durable – though not perfect. Some of the more complex designs were slightly smudged around the edges, and on a handful of nails the polish strayed marginally, leaving a light mist on my skin.

But on the whole, it was tidy, robust, and definitely better than Lara had anticipated from a machine without hands or vision. That said, it won’t be replacing her local nail salon. Umia doesn’t manage any of the preparation work and you need to turn up with clean, prepped nails.

“We’re not replacing technicians,” Dong said. “We’re offering something faster and more accessible.” Dong envisions Umia machines not in nail salons but in routine locations: “hair salons, coffee shops, spas, even airports,” she said, “because it only takes about 20 minutes for a full hand, you could use it while you wait for your coffee or your flight. It’ll also cost significantly less than a regular manicure – probably less than half the price.”

Fittingly, Umia is launching in the UK during British Beauty Week (October 18-26), hosting a city-wide AI nail art scavenger hunt with clues shared on social media and hidden locations revealed through its new app.

It’s an intriguing nod to the growing intersection between technology and beauty – and a reminder that AI isn’t just transforming how we work but how we look after ourselves.

The verdict

It’s a captivating piece of kit and undeniably entertaining to watch in action. There’s something strangely hypnotic about seeing a machine delicately spray your nails with accuracy in near silence. Whilst the results aren’t flawless, they are more than acceptable for a quick, low-effort manicure.

But for now, it remains more of a gimmick than a substitute. A salon visit still offers the attention, precision and craftsmanship that machines haven’t quite perfected – not to mention the human touch.

Where Umia excels is in its promise: a portable, chemical-safe, quick-drying manicure that could slot neatly into the pace of modern life – something to do whilst you’re killing time in an airport, hair salon or café.

And whilst I’m still not entirely persuaded that spraying gel onto nails qualifies as “artificial intelligence”, there’s no denying it’s a fascinating glimpse into the future of beauty tech.

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Taylor Swift’s huge ‘Easter Egg’ in record-breaking tour finally revealed

Taylor Swift is known for littering her songs and social media with Easter Eggs, and she has finally explained a particularly big one hiding in plain sight during her record-breaking tour

Recorded during gaps in her record-breaking Eras Tour, Taylor’s new album The Life Of A Showgirl is steeped in her love for Travis – while simultaneously dialling up the fun and glamour. “Travis is a definite lyrical influence on The Life Of A Showgirl, ” says Annie Zaleski, author of Taylor Swift: The Stories Behind The Songs. “For starters, the album doesn’t dwell on her past relationships or heartbreak. And lead single The Fate Of Ophelia, especially, is a song about how her relationship with Travis resurrected her.”

Speaking in the summer, Taylor herself told how the record reflected the big change in her personal life as Eras stormed the world. “This album is about what was going on behind the scenes in my inner life during this tour, which was so exuberant and electric and vibrant,” she said on Travis’s New Heights podcast in August. “It just comes from like the most infectiously joyful, wild, dramatic place I was in my life. That effervescence has come through on this record.”

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Released at midnight on 3 October, The Life of A Showgirl saw her reunite with Swedish pop masterminds Max Martin and Shellback, who previously worked with her on the likes of Shake It Off and I Knew You Were Trouble. As Taylor said, she wanted a record full of “bangers” and “melodies that were so infectious that you’re almost angry at it”. Annie believes Taylor more than delivered on her goal, saying, “Musically, the album contains echoes of 1989 and Reputation, but it’s less brooding than The Tortured Poets Department, hewing towards modern pop.”

At just 41 minutes in length, The Life of A Showgirl is the shortest album since Taylor’s debut in 2006. It is also her first record in over a decade not to feature production by her long-term collaborator, Jack Antonoff. Its various editions included seven vinyl versions, three CDs and a cassette, as well as a Look Behind The Curtain video option. Around half of its 12 songs are about falling in love, while the remainder are focused on the darker side of stardom.

Released as the first single, The Fate Of Ophelia quickly became the most-streamed song in a single day in Spotify history. It was accompanied by a lavish video directed by Taylor herself, which saw her showcasing several bold looks inspired by her Showgirl era, as well as the character of Ophelia from Shakespeare’s Hamlet . But instead of suffering a tragic drowning as per the literary classic, the track sees Taylor metaphorically being rescued by Travis.

“You dug me out of my grave and saved my heart from the fate of Ophelia,” she sings, while dropping more overt references to the Kansas City Chiefs ace. “Pledge allegiance to your hands, your team, your vibes,” say the lyrics.

“Don’t care where the hell you been, ’cause now you’re mine.” Unsurprisingly, the video packed in several of Taylor’s hidden Easter eggs – including shots of her catching a football and baking bread – a reference to her real-life obsession for sourdough.

In the song, Wi$h Li$t , Taylor suggests she would swap all of her riches for a life of domestic bliss with her man, singing, “I just want you, huh / Have a couple kids,” while adding, “Bring me a best friend who I think is hot.” On Elizabeth Taylor , she expresses her hopes that their relationship will last forever, while Opalite – revealed as Travis’s favourite song – portrays their romance in serene tones after a passing storm. Fittingly, his birthstone also happens to be opal.

Somewhat more eye-opening is the saucy track Wood, a play on the superstition of knocking on wood, with Taylor cheekily appearing to pay homage to her fiancé’s manhood. Fans and celebs were stunned upon hearing its allusions to a “magic wand” and a “redwood tree”, but the star insisted it was more innocent than many imagined.

“It’s a love story,” she said in an Amazon Music explanation. “[It’s] about using, as a plot device, popular superstitions [and] good luck charms, bad luck charms and all these different ways we have decided things are good luck or bad luck — like knocking on wood and seeing a black cat. That is the way I’ve decided to explore this very, very sentimental love song.”

With equally romantic sentiments, the track Honey sees Taylor reflect on how the meaning of words can change when they are proffered in the right way. “ Honey is a song about how words that have been meant to hurt you in the past can be repurposed by someone who loves you in a way that feels totally different,” she told Amazon.

Meanwhile, touching ballad Ruin The Friendship harks back to Taylor’s high school days in Tennessee, in which she wishes she had kissed a secret crush. More feisty is the track Cancelled! , which reflects on friends who have been involved in public outcry and drama. Many believe it refers to her rift with actress Blake Lively, and the line “I like ’em cloaked in Gucci and in scandal,” saw fans pointing out that Blake was once a Gucci brand ambassador. It was claimed that another reference to “poison thorny flowers” may refer to Blake’s role as a florist in the film It Ends With Us.

Elsewhere on the album, Father Figure is thought to address Taylor’s difficult relationship with former record label boss Scott Borchetta, who she fell out with over the sale of her master recordings. And closing the album, the bittersweet title track sees her duet with close pal Sabrina Carpenter in a song that dissects the perils of fame. “The more you play, the more that you pay,” the pair sing.

As you would expect, excitement prior to the unveiling of The Life Of A Showgirl reached unprecedented levels, with the album pre-saved on Spotify more than five million times. “The release achieved what few artists even dream of before anyone had even played it,” PR expert Lynn Carratt tells us. “She remains peerless in modern music, because she doesn’t just drop albums, she creates cultural moments and controls the narrative from day one, with the songs, the stories and hidden meanings keeping Swifties engaged.”

An audaciously ambitious marketing drive offered fans an 89-minute launch film called The Official Release Party Of A Showgirl, screened in more than 100 countries and generated millions in advance ticket sales. The film included the video premiere of the single The Fate Of Ophelia , as well as behind-the-scenes footage and lyric videos. The release campaign also had an orange theme to represent the album’s vivid energy, and when it was first announced in August, even the Empire State Building was doused in the colourful hue.

Typically, Taylor dropped one of her famous clues during her final Eras show, when she left the stage through an orange door instead of the usual elevator. “That actually was an Easter egg,” she said on the New Heights podcast. “Basically, the reason why I chose to exit that way is because I kind of wanted to give a little subliminal hint to the fans that I may be leaving The Eras Tour era, but I was also entering a new era.”

There were many other numerological clues in the lead-up to the release too, and the chosen date of 3 October – or 10/3 – chimed with Taylor’s favourite number 13. Neatly, she also announced the 12-track album at 12.12am on 12 August. The cover art proved highly symbolic too, with Taylor in a showgirl outfit while submerged in water, conjuring up the artist John Everett Millais’ iconic painting Ophelia .

Within hours of it dropping, the album attracted a host of glowing reviews, with Variety declaring that it offered an “uncomplicated good time”, and Billboard hailing its “wall-to-wall bangers”. The Times called it the perfect companion to Taylor’s 2017 album Reputation, and fittingly added, “Where that album railed against the vagaries of fame, this one accepts them, possibly because a fairytale love story has made Swift a lot happier and more capable of handling it all. That’s why it is so much fun.”

With The Life Of A Showgirl, there is no doubt that Taylor has upped the ante yet again. “Her artistry and marketing talent is unmatched in the industry,” adds Lynn. “She’s not simply releasing music, she’s creating moments that dominate headlines and drive conversations. When Taylor steps into the spotlight, no one else even comes close. She remains unequalled, not because she seeks attention, but because attention seeks her.”

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I’m A Celebrity’s Aitch’s sweet message to mum as he prepares for jungle life

I’m A Celebrity hopeful Aitch – Harrison Armstrong – penned a message to his mum before heading Down Under to take part in the ITV reality contest

I’m A Celebrity is just days away and rapper Aitch has revealed his motive for doing the hit ITV show. The 25-year-old musician landed Down Under on Wednesday and is already looking forward to life in the Australian jungle.

But before being cut off from the outside world, Aitch – whose real name is Harrison Armstrong – sent a message to his fans, and in particular his mum. Sharing a snap of him in his jungle attire, Aitch wrote on Instagram : “I’ve made songs with most people I grew up listening to, now I’m going on the show I grew up watching.

“Mam this one’s for you,” he went on before adding a salute emoji and a love heart emoji. “Bout to go f**k up the jungle the Manchester way. Cinnabit”

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He was quickly greeted by messages of support from celebrity followers. Among them was Gemma Atkinson, who shared a number of clapping hands emojis.

Lisa Maffia also shared her support for the star and admitted: “I really hope he wins.” The songstress added three praying emojis.

Aitch is best known for his hits including the 2018 song Straight Rhymez. He reached Number two in the charts with his album Close To Home in 2022.

He was the fourth celebrity pictured in Australia before the official line-up was announced. He had followed Kelly Brook, Lisa Riley and Shona McGarty in arriving at Brisbane airport for the reality contest.

He joked in arrivals that he had landed ready for an upcoming tour. Speaking to the Mirror, he said he has been there “plenty of times” adding: “I love it over here.

“I don’t mind snakes… snake on toast? It’s all right that, innit? I’m gonna miss my sister – even though she’s a little s***.”

He added: “What do I want to say to my fans? I just want to shout them all out and say, ‘What’s going on everyone?’ I’ll be back home soon. If I’m not, then somebody needs to have a word.”

Aitch’s jungle experience sees him enter with another celebrity that he has previously worked with. YouTuber Angryginge, who is the early favourite with the bookmakers, has collaborated on uploads with the singer previously.

In a lighthearted dig at his future campmate, Angryginge, whose real name is Morgan Burtwistle laughed: “I’m not the number one fan of his music, but he’s a good guy.”

Both contestants are keen Manchester United fans, and Ginge made it clear he will miss following the football during his stint in Australia.

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The full lineup sees the pair also joined by Ruby Wax, Martin Kemp, Alex Scott, Eddie Kadi and Jack Osbourne. Vogue Williams and Tom Read Wilson were missing from the announcement, but are expected to join camp at a later date.

Holly Ramsay and Adam Peaty’s wedding move branded ‘divisive and hurtful’

Holly Ramsay, who is the daughter of TV chef Gordon, is set to marry 30-year-old Adam Peaty, who is an Olympic swimmer with three gold medals to his name since 2016

Holly Ramsay has been branded “divisive and hurtful” after declining to invite Adam Peaty’s mother to their wedding.

Holly, who is Gordon Ramsay’s daughter, got engaged to the Olympic swimmer last year, a relationship Adam says pulled him out of a “deep, dark hole” as he had experienced depression and alcoholism. Holly, 25, welcomed her own mother Tana, family friend Victoria Beckham and Adam’s sister to her hen do last weekend, but not Adam’s mum Caroline, 59. Adam, meanwhile, is said to have invited Gordon, also 59, to his stag do.

And Caroline’s sister, Louise Williams, vented her anger at Holly, accused her of being “divisive and hurtful” in a public Instagram post. The post is thought to have upset Holly, a digital content creator, who has been dating Adam for more than two years.

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The Instagram post stated: “@hollyramsayy I’m so glad that you had a great hen do. As a bride, you deserve that. However, as a person you were divisive and hurtful towards a woman, who I have loved and continue to love deeply.

“A woman who opened her home and heart to you. You decided, for whatever reason, not to invite her, your prospective mother-in-law to your hen night yet Adam invited his father-in-law, your dad, to his stag night.

“You invited your mum (quite rightly) and even your mum’s assistant, your sisters, your friends, my niece, but not my sister, your future mother-in-law.

“I have also seen messages passing between her and Adam about this and other matters and, quite frankly, I expected better of you and definitely of Adam. You have inflicted a hurt on my sister that will take a very long time to heal if ever.”

The Daily Mail understands Adam, who was once close to his mother, had distanced himself from her after being seduced by the fame and glamour of the Ramsays. It is said the athlete, who has three Olympic gold medals to his name, and his partner have now banned Caroline from the wedding itself — on Christmas Day at Bath Abbey.

Yet Caroline, of Uttoxeter, Staffordshire, herself waded into the incredible row by expressing her distress in an Instagram post, writing: “Crying is a way your eyes speak when your mouth can’t explain how broken your heart is.”

Her post attracted messages of support and concern from friends including one who commented: “Don’t let them drag you down Caroline.” The same person added in a further comment: “You know considering they are both supposed to be mental health advocates they don’t seem to be showing much regard for yours.”

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Celebrity Traitors’ Joe Marler shares how much he got paid and ‘not everyone got the same’

Despite prior claims that all Celebrity Traitors contestants took home a flat fee of £40k, finalist Joe Marler has revealed that he actually got paid much less…

Celebrity Traitors fan favourite Joe Marler has debunked the claim that all the show’s contestants all received a flat fee of £40,000. He in fact got thousands less than that, saying that he doesn’t believe everyone received the same amount.

The BBC treachery show took the nation by storm, with its final reaching a maximum audience of 12 million. Many wanted to know how much the stars got paid to take part. Richard Osman and Marina Hyde seemed to spill the beans on their podcast The Rest Is Entertainment, with the latter saying everyone got paid the same: £40,000.

“They were able to pay everybody a blanket £40k fee, right? I am spilling all my tea today. They’re paying them a £40k fee,” Marina said. However, Joe has now said this was not true.

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When a reporter from The Times asked the ex-England rugby star what he was paid and said they’d heard it was £40,000, Joe said: “Yeah, Daisy [his wife] read that too. She said to me, ‘Hold on, I thought you only got 30?’ I said, ‘Yeah, I did.’”

He then added that he didn’t think they were all paid the same, but that it didn’t matter because £30,000 was still a lot of money. “No, I don’t think everyone got paid the same. But I’m not bothered. It was 30 grand whether you lasted two days or three weeks — a no-brainer.”

Joe did last three weeks. He made the final of the competition and, though the Faithfuls had played a terrible game so far and took several roundtables to catch even one Traitor, Joe seemed to have figured out that Cat Burns and Alan Carr were the remaining deceitful pair. His win seemed assured.

However, in the nail-biting finale, while he managed to convince Nick Mohammed and David Olusoga to banish Cat, he was unable to convince them to banish Alan. Instead, he found himself in the firing line and was voted out of the game. Ultimately, Alan won the game.

Joe’s intellect in the game and ability to accurately work out who each other Traitors were made him a favourite in the show. His ability to read people has also opened up more opportunities for him, as he has been able to start a new podcast call Joe Marler Will See You Now.

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In the podcast, launching on 13 November, Joe invites celebrity guests to his ‘clinic’ for a pseudo-psychological evaluation. What starts as a simple Q&A soon descends into a mix of probing questions, ridiculous assessments and a examinations of personality traits.

Speaking about the podcast, Joe said: “I’ve always loved asking questions and learning new things. This new show lets me do it in the most surreal, unpredictable way. I can’t wait for people to see just how ridiculous, and surprisingly revealing, it’s going to be.”

Ariana Grande and Cynthia Erivo dazzle at Wicked: For Good premiere in London

The Wicked: For Good London premiere was certainly a popular event, as loads of stars turned up to the film’s screening in Leicester Square this evening

Put on your ruby slippers – Wicked: For Good is almost here. The stars of the film, along with many other famous faces, headed to Leicester Square for the London premiere of the movie musical.

Wicked’s Elphaba and Glinda, Cynthia Erivo and Ariana Grande, both made appearances on the red carpet – which was actually a yellow bricked road. The pair took many photos together as they celebrated the release of the second instalment of Wicked.

Some fans worried Ariana wouldn’t make the premiere, as she had already missed the Brazil premiere due to flight delays. But thankfully the singer was able to make it to the UK for the London showing on Monday (10 November), and looked gorgeous in a sparkly black dress.