Ceasefire in Palestine? What ceasefire?

What does it say about global diplomacy that, in the same month when the West patted itself on the back for a ceasefire in Gaza, Palestinians in the occupied West Bank endured the highest number of settler attacks ever recorded?

In keeping with the past two years, the international community is condemning violence in principle, while granting Israel total impunity in practice. A response that is timid, hollow and all too predictable.

In October 2025, the United Nations documented more than 260 settler attacks in the West Bank, resulting in Palestinian casualties or property damage. Vehicles were torched, Palestinian agricultural workers assaulted, and olive trees burned, at the height of the harvest season. The violence is relentless, and the world’s timid response rings hollow.

But this is hardly unprecedented. Since October 2023, Israeli soldiers and settlers have killed more than 1,040 Palestinians in the West Bank, including 229 children, according to the UN. Violence is unfolding alongside mass displacement. In early 2025, an estimated 40,000 people were forcibly displaced by the Israeli army’s “Iron Wall” Operation in the northern West Bank, the largest single displacement in the West Bank since 1967.

It was then that I managed to enter the occupied West Bank, along with fellow British MP Andrew George and a staff member of our host, the International Centre of Justice for Palestinians. On one of our trips, we travelled from Jerusalem to the northern town of Tulkarem; it was a drive that should have taken roughly 50 minutes, but it stretched to more than three hours. Israeli checkpoints along the way made it impossible to guarantee passage, and we were forced to take an unconventional route.

When we arrived in Tulkarem, we met with youth leaders who described how Israeli bulldozers destroyed their roads and infrastructure. Everywhere we drove, we saw roads clearly damaged, some partially repaired, and others still piles of rubble. Since January 2025, as part of “Iron Wall”, the Israeli army has forcibly expelled the residents of two refugee camps in the area, Tulkarem and Nur Shams.

We visited a six-bedroom property housing about 50 refugees displaced from the refugee camps. The house had been repeatedly raided by Israeli authorities, and the bullet-riddled wall bore testimony to their visits. A 17-year-old refugee living in the house showed us wounds from a military dog, recounting how Israeli forces had thrown him into a ditch and set the dog on him. He complained he couldn’t even watch TV any more, pointing to the smashed television. The horrifying and the mundane all in one sentence.

The author in Masafer Yatta, occupied West Bank, while being confronted by Israeli soldiers and armed settlers, in April 2025 [Courtesy of Shockat Adam]

Given the UN’s log of settler attacks in October, it is evident the situation has grown even more acute since my visit to the West Bank in April. Violence continues unchecked, and our government is taking no robust action to stop it.

Critics will argue that I’m conflating Israeli army violence with settler violence. The truth is that the two are inseparable. I saw this everywhere I went. From the rolling hills of Masafer Yatta to the bustling streets of Jerusalem, settlers swaggered around with their rifles, taunting and intimidating Palestinians, all under the watchful eye of Israeli soldiers.

In one particularly intense moment, Israeli soldiers stood literally shoulder-to-shoulder with settlers. Both armed, both wearing camouflaged armoured vests with the Israeli flag adorned on them. A visual manifestation of how blurred these lines are.

My mind returned to these countless anecdotes last month, when I read about the extent of Israel’s impunity, which was laid bare in Jenin, with the extrajudicial executions of two Palestinians, al-Muntasir Abdullah, 26, and Youssef Asasa, 37. Despite the depravity of this act, not to mention the clear violations of international law, the UK government, once again, offered only hollow words of “concern”, sending the implicit message that Israel can continue to kill Palestinians without consequences.

Of course, these individual acts of violence do not occur in isolation; they are part of a larger plan. In August 2025, Israel approved the illegal E1 settlement expansion, authorising more than 3,000 new settlement units to be built. For decades, the international community has recognised the E1 as a red line, because construction there would divide the West Bank, obstructing the connection between Ramallah, occupied East Jerusalem, and Bethlehem. But again, the UK government responded with nothing more than empty words.

Herein lies the paradox. We are told that the UK garners supposed “influence”, but only on the condition that we promise never to exercise it. What results is a dystopian pantomime, a circus of excuses. If we do not use our influence to stop the most despicable acts of violence against the Palestinian people, then what is it all for?

And let’s be absolutely clear: When it comes to Palestinians, there is a brazen disregard for the most fundamental human right, the right to life. We are witnessing livelihoods being destroyed. Forced displacement. Illegal settlement expansion. Extrajudicial killings. International law is clear: Collective punishment, settlement construction on occupied land, and extrajudicial killings are grave breaches of the Geneva Conventions. The entire occupation is illegal, as laid out by the International Court of Justice. So, where, exactly, is our government’s red line?

The UK government no doubt wants the world to move on. Mired by its complicity in the Gaza genocide, it surely views the “ceasefire” as an opportunity to deflect calls for action. Instead of weak statements of “concern”, the UK government should be pursuing a full suspension of arms sales to Israel, laying sanctions on Israeli ministers for their role in supporting an illegal occupation, supporting domestic and international accountability mechanisms such as the International Criminal Court, and pushing for prosecutions of British citizens serving in the Israeli army.

Whether they live in Gaza, the West Bank or Israel, Palestinian lives are not expendable. I have seen the suffering, injuries, and displacement with my own eyes in Tulkarem, Ramallah, Jerusalem, Bethlehem, Hebron, and Masafer Yatta. I saw an apartheid system that punishes and terrorises Palestinians daily. Justice demands more than words. It demands action. And it demands it now!

Amanda Owen says ‘life goes on’ as she makes relationship admission

Amanda Owen has opened up about relationships ahead of her new TV series, Our Farm Next Door: Amanda, Clive and Kids, featuring ex-husband Clive Owen and their nine children

Amanda Owen admits “life goes on” as she opens up about her split from ex-husband Clive. Amanda and Clive announced they were separating in 2022, after 22 years of marriage.

The former couple have however remained close friends and run the remote Ravenseat Farm, in Swaledale, Yorkshire together along with their nine children. Amanda however admits the “dynamics are forever changing” in their family.

Speaking to The Sun, she said: “Life goes on, relationships come and go. Sometimes you’re lucky and you stay with the same person for all of your life, and sometimes that doesn’t happen. But I have no regrets.”

The Our Yorkshire Farm star had a relationship with web designer Robert Davies after her separation from Clive. But confirmed the pair had split in 2024, explaining they were no longer on speaking terms.

Speaking about the breakdown of her marriage she previously told The Mirror: “Clive never liked me being away from the farm, and that led to ­arguments.

“I would return home not knowing what to expect or what his reaction would be. I’d feel the tension in the air and await the explosion.”

She says she made the decision to end their marriage after spending time away from Clive during lockdown. It gave her a chance to focus more on her writing and re-evaluate her life, admitting she felt calmer being alone.

Our Farm Next Door: Amanda, Clive and Kids, the latest series featuring the family will follow them as they renovate the 300-year-old derelict barn next door to their property.

Amanda says fans will see the “exciting” journey as the barn, known as Anty John, transforms from a dilapidated building into a potential home.

She added: “To see where we’ve got to now from where we began, it’s amazing. From not even having a roof to now be able to basically shut all the doors, it’s incredible.”

Amanda recently teased the return to the farm on her social media. She wrote: “I almost forgot to remind you all that Our Farm Next Door is coming back for a new series. It will be on More4 soon, I know that is a bit vague for you but that is the best I can do.”

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She continued: “In the next couple of weeks you will be able to catch up with what is going on on the farm, what the children have been up to and how the house renovation is coming on so more information will follow.”

Molly-Mae praises favourite £28 body moisturiser that ‘leaves no white cast’

If you’re looking to upgrade your body care routine, Molly-Mae has shared the £28 lotion she’s currently loving that ‘leaves no white cast’

When Molly-Mae recommends a beauty product, we tend to listen. Alongside Molly-Mae’s fashion credentials (we’re talking being the founder of Maebe and the former Creative Director of Pretty Little Thing), she also knows a thing or two about beauty and skincare.

In her most recent holiday vlog on YouTube, the influencer and entrepreneur shared one of her go-to body care essentials, praising a £28 moisturiser that she says absorbs “in no time”, and most importantly, leaves no white cast behind. For anyone who’s ever struggled with streaky lotions or slow-absorbing creams, this product sounds like a lifesaver.

The product in question is Fenty Skin’s Butta Drop Hydrating Body Milk, a lightweight formula in the brand’s popular body care line.

According to Molly, it’s become a holiday staple thanks to its fast-absorbing texture that keeps skin feeling hydrated, smooth, and doesn’t leave behind that sticky or chalky finish that can often ruin a post-shower routine.

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Perfect for warm weather on holiday, travel days, or getting dressed in a hurry, it’s the kind of low-effort beauty buy you’ll be so happy to have in your beauty collection.

Featuring intensely hydrating ingredients such as kalahari melon, coconut oil and shea butter, combined with bergamot, jasmine and white orchid fragrance, this body milk smells just as good as it feels on the skin.

Another celebrity-endorsed body care product comes from Zara McDermott, who claims Naturium’s Urea 5% Body Serum, £24, has caused her body blemishes to ‘vanish’.

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According to Zara, the lightweight product (combined with a little gentle exfoliation in the shower before using) completely transformed her skin, clearing her blemishes in no time.

Strictly’s Shirley Ballas rushed to hospital over fears she cracked her skull in horror fall

Strictly Come Dancing head judge Shirley Ballas has been rushed to hospital over fears she cracked her skull in a horrific accident.

The TV star was taken to hospital after falling backwards and hitting her head on a glass table. She was given a brain scan by medics. Following the scary incident, Shirley posted an update with fans on social media.

Writing a post on her Instagram story, she explained: “Thank you to all who reached out to see how I’m doing. Scary fall backwards hitting my head on the glass dressing table :(. Trip to hospital to get a brain scan.






Shirley Ballas revealed she went to hospital for a brain scan


Shirley Ballas revealed she went to hospital for a brain scan
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shirleyballas/Instagram)






Shirley issued a statement on social media


Shirley issued a statement on social media
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Alan Chapman/Dave Benett/Getty I)

“Fortunately for me no cracked skull,” she told fans. “I’ll rest a few days to heel my neck and back. [sic] Hugs thank you to @barbara_mccoll for getting my emergency appointment to Sammy Stopford for taking me, and sitting with me all day. [sic]” She then ended the message with: “Gratitude as the Dr said I was very lucky,” before ending the message with a heart emoji.

The scary incident comes after TV judge recently revealed she is ready to date again, after her split in 2024. Shirley was in a relationship with Danny Taylor, who she met while appearing in a pantomime, for six years before their split in November 2024.

While Shirley is open to dating, she wants to ensure that a potential new partner possesses characteristics such as humour, intellect, and generosity. Shirley admitted: “I may have had a date or two. I know my truth. I know my authentic self, and if I want to go out on a date, I will go. Nothing serious. No labels, no tags.”

Talking to the Daily Mail, the Strictly judge continued: “I’ve met several nice people over the years. If somebody asks me out and I like them, I go. If I don’t, I don’t bother. I am very careful, though, when I do go out with someone. I will have known them for a while.”

Revealing what she is looking for in a man, Shirley said: “Humour. I like somebody with some intellect. Generosity, too. I’ve always been that person that pays for everybody, so it’s actually quite nice when they say, ‘No, I’ve got this.’ I think, ‘Oh, this is nice.’ Somebody who’s smart, well-kept, takes care of themselves. I like that kind of guy.”

Shirley and Danny were engaged before they called time on their relationship in November 2024. Shirley previously said about her and Danny’s romance: “We met on panto as friends. It didn’t really take off until March… for him. I fell in love way before… I think for me it was [at] first sight. He was going through a difficult time in his relationship. We did become friends and then probably in about February I said, ‘I love you Danny’ and he said, ‘I know’. It took a while.”

In an exclusive interview with The Mirror in August 2025, Shirley opened up on her relationship and said they weren’t growing together anymore” and said she showered him with gifts “thinking that’s how I should show him I loved him.” She told us: “We weren’t growing together anymore, and I was getting more and more worried about things that were going on in his life, and I already have a lot of things to worry about. I just needed some peace.”

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AFCON final: Senegal criticises lack of ‘fair play’ ahead of Morocco clash

The Senegalese Football Federation has made serious complaints about the way its national football team is being treated in Morocco ahead of Sunday’s 2025 Africa Cup of Nations (AFCON) final against the host nation.

The federation, known as FSF, issued a statement in the early hours of Saturday morning in which it criticised an alleged lack of security arrangements for the team’s arrival in Rabat, problems with the team’s accommodation, issues with the training facilities, and difficulties getting a fair ticket allocation for its supporters.

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It called on the Confederation of African Football (CAF) and the local organising committee to “immediately take every corrective measure to guarantee respect for the principles of fair play, equal treatment, and security indispensable for the success of this celebration of African football”.

Senegal’s players travelled by train from Tangier to Rabat on Friday, but found what the federation said was a “clear lack of adequate security measures” upon their arrival.

“This deficiency exposed the players and technical staff to overcrowding and risks incompatible with the standards of a competition of this magnitude and the prestige of a continental final,” the federation said.

The federation said it had to file a formal written complaint to get adequate hotel accommodation for the team after its arrival in Rabat. It did not describe the condition of the accommodation that the team was first offered.

The federation said it notified CAF of its “categorical refusal” to hold team training sessions at the Mohammed VI Complex, which is where the Morocco team has been based for the whole tournament. Morocco will also train there on Saturday.

The federation said it “raises a question of sporting fairness” and that it still had not been informed of where the Senegal team can train.

In the media activities agenda for Saturday, shared with the media on Friday, Senegal’s training session location was still to be confirmed.

The federation said the ticketing situation was “concerning.” It was only able to purchase 2,850 tickets for its supporters as per the maximum limits authorised by CAF.

The federation said the allocation is “insufficient given the demand” and that it “deplores the imposed restrictions, which penalize the Senegalese public”.

The capacity of the Prince Moulay Abdellah Stadium, which is hosting the final, is 69,500 fans. Morocco has been buoyed by vociferous support in all its games so far. It’s unlikely the final will be any different.

Morocco is bidding to end a 50-year wait for its second Africa Cup title. Senegal, which won the 2021 trophy, is also going for its second title.

Timothée Chalamet was ‘troubled’ by his Marty Supreme character’s ethics

Fresh from winning a gong at the Golden Globes, actor Timothée Chalamet is tipped to win Best Actor at the upcoming Oscars. He tells how years of preparation went into playing the ‘morally ambiguous’ character

Widely tipped for a best actor Oscar for his performance in Marty Supreme, like the character he plays, Timothée Chalamet is on course to achieve his dream. He beat Leonardo DiCaprio and George Clooney to a gong at the Golden Globes for best actor in a musical or comedy film, for his portrayal of hustler-turned table tennis ace Marty Mauser.

Describing the film, set in 1950s New York, in which Mauser – a young man in his 20s – goes to hell and back in his pursuit of greatness, Chalamet says: “It’s about dreaming big. It’s about a young dreamer in New York who dreams of being the greatest table tennis player of all time.

“And if that sounds like small stakes for a film, somehow, because of the amazing work of the director Josh Safdie and the cast, it becomes a metaphor for pursuing your dreams relentlessly in life. You know, when you’re in your early 20s and nobody believes in you, that’s a challenging thing to do.”

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Under intense public scrutiny since his breakthrough role in Call Me By Your Name in 2017, which earned Chalamet, then 22, an Oscar nomination for his role as 17-year-old Elio, he understands the pressures of trying to achieve your dreams young better than most people. Now 30 and professing in the past to feeling judged by social media, especially over his private life, he said at the 2022 Venice Film Festival: “To be young now, and to be young whenever – I can only speak for my generation – is to be intensely judged.”

As well as appealing to him because of its optimistic outlook, he feels Marty Supreme encapsulates the silliness of 20-something life. Chalamet, who has been linked to makeup mogul Kylie Jenner, 28, since 2023, says: “I like the optimistic tone that the movie strikes at a time when things are quite gloomy.

“Your dream is your dream in life and nobody can really tell you otherwise. The movie is equally about being an idiot in your 20s. Being a bowling ball and not necessarily having the best relationship with others.” Yet Chalamet felt challenged by Marty’s moral outlook.

He says: “That was one of the greatest challenges of this role – Marty is really morally ambiguous. The ethical lens of the film, and of Marty, is all over the place. It’s a selfishness pursuit.”

Chalamet, who grew up bilingual – with dual French and American citizenship, because of his American mother and French father, attended New York’s LaGuardia High School, followed by a brief stint at Columbia University. Before Call Me By Your Name, he appeared in Homeland in 2012 and Interstellar in 2014.

Since then, his major films include Beautiful Boy (2018), Little Women (2019). Dune (2021), Dune: Part Two (2024), Wonka (2023) and A Complete Unknown (2024) chronicling the early years of Bob Dylan. And he used Covid as an opportunity to simultaneously improve his skill playing both table tennis and the guitar, in preparation for his roles playing Mauser and Dylan.

Determined to make it look like he could play table tennis “to a high level,” he explains: “Like with the Dylan movie [for which he learned to play the guitar] the table tennis aficionados, I wanted them to not flinch when they saw the movie. Everyone has got a passion in life and when you see it represented on screen and it’s not accurate, you scoff. You almost feel offended.”

Some of the Marty Supreme table tennis shots actually imitated those played in real life. Chalamet says: “They were pulled from real history, from actual flashy players from 1950. That footage is online. That’s the famous ‘Reisman twirl.’ Marty Supreme was a project that first came together in 2018, that’s when we had our first meeting.

“Through Covid, I got rid of all the furniture I had in my apartment and put table tennis equipment there and had Josh [Safdie] come and play with me. He rolled an ankle – I was 23 years old and my apartment was dusty. I had loads of time to train in Covid. Then the big productions I was on had long dated schedules, like Dune, with days off in between, so I was able to carry on – learning the guitar and table tennis.”

A perfectionist, Chalamet painstakingly prepares for every role. He says: “You get one go at it. You prepare and prepare and prepare for a role and then you kind of abandon it all at the door and give your all to a scene. I’ll do whatever is demanded. I think this method acting thing can get a bad rap at times. I call it ‘method energy’. “I’m not trying to stay in character, but I avoid anything that might take away from it – keeping my phone off during films, or as much as I can.”

Chalamet, who made his Broadway debut back in 2016 in Prodigal Son and is known for portraying complex, emotional characters, tries not to be distracted from his work when he is playing a role. The New Yorker continues: “My focus is mostly on ‘how do I really make sure the real world doesn’t affect me on set? How do I loosely stay in the zone as much as possible?’”

He hugely appreciates how lucky he has been to land such unusual parts in some off-beat movies, that have gone on to be massive hits. He says: “Every shoot day is a precious thing. A movie like Marty Supreme – it’s a miracle that it gets made … a 1950s table tennis thriller! So, every day we’re on set, it’s a gratitude exercise that we get to work on something great. Especially at the moment, you know, with AI and all sorts of stuff.”

But while parallels can be drawn between the upward trajectory of Marty’s life and that of Chalamet’s, the actor’s attitude to any movie accolades – with the Oscars coming up in March – are, he professes, far from selfish. He says of the awards season: “Any association with that conversation is for the movie. I want the movie to get a lot of love. The awards stuff doesn’t matter.”

*Timothee Chalamet was speaking on The Arts Hour, broadcast on the BBC World Service.

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