Archive September 5, 2025

Weaving plays a pop star whose stalker breaks into her home, as depicted in the horror-comedy Borderline, which The Mirror interviewed Samara Weaving and Jimmy Warden about.

The Mirror U.S. sat down with Samara Weaving and Jimmy Warden, husband and wife, to discuss their newest venture, Borderline.

The comedy thriller stars Samara as Sophia, a ’90s pop sensation whose obsession with Paul, played by the outstanding Ray Nicholson, encircles her home and tries her best to marry her using whatever means is necessary. Jimmie Fails, Eric Dane, and Alba Baptista are among the cast’s other notable performers.

Samara and Jimmy discussed how to balance comedy and horror elements, from how they acted as a couple to how they came to be a creative force behind the project. On Peacock, which airs in the United States on September 8th, 2018, will be streaming of Borderline.

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With her standout performance in Ready or Not, Samara’s recognition as a mainstream talent and horror icon solidifies her status as a true Scream Queen. The Borderline screenplay and Jimmy’s screenwriting for the 2023 horror-comedy Cocaine Bear received awards on The Black List.

The pair first met on the set of Netflix’s 2017 slasher The Babysitter before exchanging vows in 2019, reports Mirror US.

According to Jimmy, they are “pretty good at putting on different hats” depending on the circumstances, especially since their relationship began on set and both understand the realities of show business life. The pair’s extensive research of each other’s quirks is invaluable for professional collaboration, according to the pair.

“I’ll say, though, that the shorthand is fantastic. Jimmy wrote, “Agree, you look at me like you’re really annoyed,” in a note that Samara had left his wet towel on the bed. Yes . Give me a death stare. ‘”.

Jimmy continued by describing how their marriage strengthens their professional partnership because it enables them to take more daring, imaginative risks.

In a utterly endearing display of mutual admiration, the couple couldn’t stop sung one another’s praises during our conversation.

Jimmy explained that he had thought about Sophia’s character when we were talking about her. I was aware that no one could play the role more well than she could, and two because it would be fun.

She watches all of her cool movies and occasionally throws me a bone, he said in a grin.

Samara, on the other hand, praised Jimmy’s ability to write well and explain how his words helped her deliver her best performances and create the atmosphere that the finished product embodies. The director acknowledged that Madonna served as “the point of inspiration” for Sophia’s character and the developing plot when discussing the movie’s inspiration.

The pop star confronted a terrifying fan who was obsessed with marrying the superstar and threatened to kill her during his 1996 court case.

The stalker later escaped from the mental hospital where he was being treated, a scene that resembles Paul from Borderline, which also has its title with a Madonna song from the film, which was later reimagined by The Flaming Lips.

Because that night just seemed like it was stranger than fiction, Jimmy explained, “I’ve always been sort of fascinated by that night.”

She had a fling with Dennis Rodman in that time, I also became aware of. What if these two nights were the same, I thought to myself, “Okay, what if they were the same?” He alludes to Jimmie Failes’ character DeVante Rhodes, a professional basketball player with bleached hair who ends up in a wedding gown in the movie. The director cited as primary inspirations for Borderline movies Scorsese’s The King of Comedy, and Misery.

We were just sort of attempting to combine all of these tones into one character, Paul, to make him feel. And I believe that he adores Sophia despite everything.

Samara and Jimmy’s co-stars praised Ray Nicholson, the son of Jack Nicholson, for his hard work and spontaneous improvisations.

Borderline skillfully combines unexpected comedy with terror, particularly in the memorable fight between Sophia and Penny, which Alba Baptista portrays.

Jimmy delved into the difficulty of combining humor and grave themes, saying, “If we’re trying to create some sort of empathy and compassion for this guy that is doing it, I feel like if the crux of why he’s doing it comes from passion and love, then it’s a little easier to get there by the end. You kind of fall in love with someone if you make them laugh.

He further explained that some of the material is simply genuine reactions because of Ray’s style of play. And Sam allows the audience to sort of exhale in “This is insane” at specific points, but her being odded out in some of the subtler moments helps the audience to “settle a little bit” into the movie’s tone.”

Samara remarked, “I mean, I think the script did that, it’s a really difficult tone to follow.” However, I believe it is as a result of your response to some of Paul’s statements and actions. The page had a very clear tone. My job was made very simple because the script’s tone was so crystal clear.

The duo made fun of potential future joint ventures, but they kept their names a secret. Carolina Caroline, Samara’s most recent film, is scheduled to premiere at the Toronto International Film Festival this week.

The Life On Mars singer’s passing was the result of a project that was so secret that not even his closest friends knew of it.

Late singer David Bowie ‘s secret final project has been revealed and will be made available to the public in a museum display.

Even his closest friends weren’t aware of the musical until after he passed away because he had begun producing it months before his death.

The Spectator features music from London in the 18th century. Bowie’s notes, which will be on display at V&amp, A East Storehouse in Hackney Wick, demonstrate his deep interest in both the development of the medium and the existence of criminal gangs.

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Bowie kept all of his notes locked away in his study while he was writing the musical in the months prior to his passing. The legendary musician lost his battle with cancer in 2016 at the age of 81.

The notes from his final, final, and secret project were discovered in his deathbed, which Bowie and his assistant had previously only been able to access. Up until archivists began cataloguing the contents of the handwritten notes, all of which remained undisturbed.

They have already been given to the V&amp, A museum, and will be accessible when the David Bowie Center debuts at the Hackney Wick location on September 13th.

The album will be accompanied by 90,000 other singer-related items. The exhibition seeks to follow Bowie’s “creative processes as an advocate for self-expression and reinvention” as well as his musical innovations and cultural icons.

Bowie is not the only musical that performs this. Shortly before he passed away, he and Enda Walsh wrote the musical Lazarus in honor of Walter Tevis’ 1963 novel The Man Who Fell To Earth. Bowie starred in the book’s 1976 film adaptation.

Bowie’s musical was filmed for six weeks in New York before being moved to London from November 2016 through January 2017.

The musical’s songs were later recorded for a posthumous album and made accessible via virtual reality. It followed Bowie’s most recent album, Blackstar, which was only days before his passing. His thoughts on his own mortality and how they changed as his cancer progressed are explored in the album.

A new box set will be available for purchase the day before the V&amp, A exhibition opens. The final years of Bowie’s career are documented and celebrated in I Can’t Give Everything Away (2022-2016).