Archive July 27, 2025

Louise Redknapp, the pop singer, paid emotional tribute to her eldest son over the weekend on social media, sharing her shock at the fact that he is now a 21-year-old man.

Louise Redknapp is shocked to learn that she is the mother of a son, age 21, in heaven. The former husband of Jamie Redknapp, 52, and the 50-year-old pop singer, Charley and Beau, are proud parents of their two children.

The former Eternal singer often features video clips and snaps of her family life online, and on Sunday she shone a spotlight on her eldest son as he reached a landmark year in age. Taking to Instagram, the Light of My Life singer shared a carousel of content about her son.

She shared images of her son, who was a baby, right up to his present-day development as a young man. She herself appeared in some of the photos, with the cover image showing her and Charley posing side-by-side.

In the final slide, Louise and members of her family raise a glass to congratulate Charley, who dominated the audience. How did this happen, she wrote in the caption that came with it. Today, my baby is 21 years old! “!

She continued, “Chaz, I’m so proud of you and the charming young man you’ve become, you’ve been my partner in crime and shadow since day one, and nothing makes me happier than to see you living your best life.”

You must continue to work hard and succeed in the hope of an incredible future. However, I ask that you learn how to wash your hands, turn the lights off, and take your clothes off the bedroom floor. Maybe that’s what we’ll do next year.

She said, “Happy birthday Charley, have the most amazing day!” We are so in love with you. Love your mother.

Jamie, Charley’s father, took to social media over the weekend to celebrate their union from 1998 to 2017. The football legend shared a number of snaps with himself, saying, “21 today.

“I’m so happy for the man you’re turning into, and even more happy to call me my mate instead of just my son. Your dreams are within your reach, so keep working.

When Jamie mentioned that his other son, Louise, 16, and Raphael, 3, he shares with his wife Frida Andersson, 41, and that he is also his best big brother, “you’re also the best big brother, the way you’re with Rapha and Beau melts my heart,” he continued. They are so fortunate to have you, and you’re such a great role model.

He went on: “Now that you’re 21, I’m hoping you’ll finally start beating me at golf… but I won’t make it easy! Can’t wait for a few days on the course together.”

And Jamie continued, “I’m so excited about everything that lies ahead.” My Charley boy, I love you so much.

His older son, Charley and Raphael, were seen posing alongside him in one of his many photos, while Jamie’s cover image showed him and his eldest son, Charley, and him eating cake together. While other images showed Charley from various eras.

In the end, Jamie and all three of his sons were seen relaxing in a pool together in a photo. In addition to the string of balloon emojis, Step-mum Frida wrote, “Happy Happy Birthday Charley,” along with other words.

Mirror writer Ellie Fry contends that the viral adult star’s dark influence on young men and women is painfully ignored as a new Channel 4 documentary explores the shocking real world of Bonnie Blue.

Bonnie Blue, real name Tia Billinger, appears to be in her element in a cozy cinema room full of press.

As her famous face and bright blonde curls pop up on the big screen, us viewers have no idea what’s in store as we sit down to watch one of the biggest adult stars in the world appear in a brand new Channel 4 documentary, which promises to deliver full access to the real life of Bonnie Blue.

But Bonnie, who is among her “proud” parents, other members of her family, and small team, is well aware that the broadcaster’s fly-on-the-wall hour-long show, titled “1000 Men and Me: The Bonnie Blue Story,” will soon become even more popular.

Up until now, her life’s behind the scenes and the operation of her multi-million dollar businesses have been buried in mystery.

But one thing Bonnie’s always been desperate to promote are her extreme sex challenges. The star’s troubling social media strategy, where she posts aggressively across platforms like Instagram and TikTok, means that everyone – including young girls and boys – can easily stumble across a glimpse of her explicit content, where she boasts about sleeping with married men and being “helpless” as men “take her”.

Unfortunately, Bonnie’s deep dive on Channel 4 does little to hold her accountable for the undeniable responsibilities she has as a well-known adult celebrity who promotes potentially dangerous sex acts online.

There is already a lot of violent porn and unhealthy perceptions of sex in our online world, and there seems to be no limit to Bonnie’s potential success with the proliferation of viral videos and views.

Chillingly, the star’s entire business model revolves around “normal” men sleeping in amateur videos.

The horrifying juxtaposition of taking such extreme, unrealistic measures with regular people in the audience struck me while watching the movie.

Bonnie positions herself as somewhat of a saviour – relishing in giving the average man a chance to sleep with a porn star, or “teaching barely legal” virgins how to perform in the bedroom.

In the doc, she states, “I found my purpose in porn. I’ve identified the area of interest. And it’s not just because I’m obsessed with 18-year-olds, it was such a bigger picture in terms of teaching them how to have sex, watching their face light up as they lost their virginity. That is so lovely.

But while these gritty, ‘ homemade ‘ scenes may seem real – and earn Bonnie millions of pounds – the relatability ends at the amateurs involved. The star is only perpetuating dangerous myths about what women should do for their partners and what men should expect in the bedroom because of her extreme stunts, which range from sleeping with 1,057 men in a day and planning to cage herself in a glass box in a sex “petting zoo.”

Bonnie claims that she talks about consent until she’s blue in the face, insisting that every participant must present ID and sign a consent form in order to avoid her critics, who have questioned the ethics and power dynamics of her content.

But I can’t help but notice her thirst for control over the participants she chooses – notably people who are not in the porn industry, or have never filmed such extreme content before – and wonder where that stems from.

She appears to be knowingly squandering her young people’s vulnerability and innocence on her films. And this connection to the everyday public is exactly where that danger lies – it feels so within reach, despite being so extreme.

Oliver Davidson, the star’s ex-husband, perfectly explains her plan in the movie despite how fleetingly in the scene it appears. He claims that “she really connects with the fans.” “Most people, if they do porn, they seem out of reach. You’ll never get to know them. You’ll never be able to film with them. Whereas Bonnie puts a location online, and then obviously her fans can actually film with her. She completely altered the game in a pivotal moment in porn.

But the normalisation of such severe porn will soon seep into the psyche of young people being fed the content by the giants at Meta and TikTok. Bonnie is also at risk as a result of this marketing strategy. The actress acknowledges in the movie that she hasn’t left her home alone in six months and fears being attacked by acid on the street.

The documentary is radically uncensored in its depiction of Bonnie’s work and shows explicit sex scenes, something Channel 4 says is “editorially justified” and “presented in a non-gratuitous manner”.

It’s undoubtedly shocking to witness what transpires behind the scenes, but I find it more upsetting when it comes to the lesser-known “challenges” involving young women.

In the show, the more viral Bonnie gets, the further she leans into these extreme sex acts, as she begins relying on the use of young girls in her content.

In one scene, Bonnie and a male porn star are seen filming sex tapes with several other young female OnlyFans creators. The documentary’s director discovers that the women who were hired to perform the stunt aren’t being compensated to do it.

One young woman, who profits on OnlyFans with solo work and content with her partner, tells the camera that she’s never done anything this “adventurous” and looks visibly nervous.

Another sneeringly admits that the only time she’s ever seen live sex is in the red light district of Amsterdam. A 21-year-old woman who is the third creator admits that her subscribers find her content to be so appealing because she is so much younger than she actually is.

Bonnie describes the classroom stunt in a statement that makes my stomach churn: “The fact that they are so nervous actually works in my favor because their reactions are going to be more realistic.”

Bonnie seems to enjoy proving that her participants are innocent. Yes, they’ve all consented. But in a classroom full of young women who have never shot porn before, let alone with extreme content, the undercurrent of exploitation is palpable. What message does that send to the young boys watching her videos whose opinions of consent and power are being shaped by the content?

To me, the star appears to hide behind the guise of empowerment – both of herself and virgins, young content creators and ‘ normal ‘ men – when in reality she is profiting from their vulnerability and glorifying rape culture with her ‘ challenges’.

Her petting zoo stunt, which OnlyFans decided to permanently ban her from its platform at the end of the film, would have resulted in Bonnie being “tied down” in a glass box in a London home where strangers would “come and do whatever they wanted.” In the documentary, Bonnie boasted that she would be “completely helpless, tied down, gagged, and choked.”

Alarmingly, a recent government review revealed that non-fatal strangulation (NFS) porn was “rife” and that its prevalence online was making choking more prevalent in some people’s sex lives, especially among young people.

Even more alarmingly, the UK courts have witnessed an alarming rise in women’s deaths as a result of what their accusers of being “sex games gone wrong.”

To the feminists who challenge her behaviour, Bonnie hits back, saying in the doc: “You fought for women’s rights for years and years. You fought for our body’s empowerment and control over us. I’m now living up to that.

” And suddenly you want me to shut up, have a couple of kids, get married and stay quiet, but I don’t want that. I resemble what you’ve been asking for for years and years in some way. You suddenly notice it and start to wonder, “F***, we don’t want this woman to speak proudly of sex.”

As a woman who openly brags about using rage-bait as the cornerstone of her business model, spamming multiple TikTok and Instagram accounts a day with content designed to outrage, it’s hard to take anything Bonnie says seriously.

She will not, however, accept any liability for the influence she might have on younger generations. When asked how she feels about young teenagers coming across her content, Bonnie admits she” forgets “to think of it from that point of view.

Then she blatantly states, “There’s also a parent’s responsibility to say, hey, there’s people in the world who commit mass murders. You don’t have to do that, though.

Even if it’s not Bonnie’s job to educate young people on safe and healthy sex, there’s something sinister in wanting to profit from those who may be vulnerable. She admits in a show episode that she “really wants to do a disabled gang bang.” Where do we stand when we accept such assertions, rage-bait or not? And who is being” empowered “here?

Bonnie made that hateful comment, but it was ignored by Channel 4. It’s a show that more questions than answers, and it’s more of an advertisement than a documentary.

Jade Thirlwall, the former Little Mix star, revealed a funny childhood memory to her fans during her BBC Proms performance.

Jade Thirlwall shared a hilarious confession during her impressive BBC Proms performance in her native North East. The Little Mix star, 32, treated her hometown to an excellent show alongside the Royal Northern Sinfonia at Gateshead’s The Glasshouse.

The South Shields-born actress took time to explain her life growing up in the area between her flawless tunes. And Jade also shared a “fun fact” before introducing her massive hit, Fantasy.

She told her adoring crowd: “My mam was always playing Motown music, specifically Diana Ross. Fun fact, I genuinely thought my mam was Diana Ross for a hot minute. To the point where she would go off to the bingo and she would be like ‘I’m going to do a show’ and I’d be like ‘gag, that’s my mam’.

Do you ever remember the moment you attend school and participate in a show-and-tell activity? I can recall watching a Diana Ross show with the kids playing Pokemon cards or some other toys.

And they would ask, “What’s that?” and I would say, “That’s my mam.” Unfortunately, it wasn’t my mother, but I believe my mother is just as special, if not more.

She then impressively sang “in my on Jadefied way,” which was a tune she had a love for Motown. She explained that the song was a way to “be unapologetically yourself” while playing her own song, Fantasy.

Jade also treated those at the event that was broadcast live on BBC Radio 3 to a number of other big numbers from her own repertoire. And she also showcased her huge talent with a number of cover songs, including Madonna’s Frozen.

Perhaps Sam Fender’s Remember My Name served as the night’s cover. Jade produced a flawless and heartfelt rendition of the song in honor of the “King of the North.”

Before Jade welled up after the conclusion of the song, the audience was in tears. She explained the sentimental significance of her choice and revealed that the song had been played at a friend’s friend’s recent funeral with her broken voice.

The crowd overwhelmingly praised the open confession, some of whom yelled “Gush over their “Angel of the North.”

The performance by Jade was a history-making success, and it was also recorded for television at a later time as well as the broadcast on Radio 3 that night. The Proms were the first to be broadcast on television outside of London.

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