Archive May 31, 2025

Marvel’s Evangeline Lilly reveals gruesome injuries after being rushed to hospital

Kate Austen’s role in the popular television series Lost, which aired from 2004 to 2010, earned her acclaim, and the actress later appeared in Marvel films like Ant-Man and Avengers: Endgame.

Marvel star’s horrifying injuries after her ordeal with Horror Blow caused her to be hospitalized.

Lost star Evangeline Lilly shared a gruesome image of her bloodied, injured face after she fell into a boulder while on the beach. The actress, who also starred in the Marvel films, fainted while enjoying a day at the beach, falling face-first into a boulder, chipping a tooth.

The 45-year-old described the horrific accident to her followers, explaining how she was even hospitalised, with nurses and doctors left frantically trying to get to the bottom of her fall. She wrote: “I fainted at the beach. And fell face first into a boulder.”

The nurses and doctor at the hospital immediately responded to my question, “more determined to fix the cause of my blackout than to repair the hole that the rock had punched into my face with.” I looked at them with a fleeting smile. Nothing will be found. I sounded woozy in that sentence.

The star came up with a theory for her sudden-onset episodes, but Evangeline’s boulder ordeal wasn’t her first. The star had her epilepsy tested by medical professionals who were unsure of her condition.

Evangeline Lilly left medics scratching their heads after her horror fall
Evangeline Lilly left medics scratching their heads after her horror fall(Image: Evangeline Lilly/Instagram)

Evangeline explained more in a Substack post: “For a good chunk of my life, I went with that – hypoglycemia. It added up — my metabolism is through the roof and I metabolise sugars, particularly, with [shocking] efficiency.”

However, Evangeline believes there is something more mystical at play after her fasting was confirmed that her iron and glucose levels were within the normal range. She continued, “I think this “checking out” is the result of my little soul reaching her limit of what she can handle in this life, and she leaves the building, so to speak.

In her post, Evangeline went into more detail about her “unmedical” theory. She remarked, “My soul exits my body and returns to pure spirit when she has had enough; when the pain becomes too great, the stresses beyond overwhelming, the shattered idealism crushing, and…

The mum-of-two rose to fame on ABC's Lost
The mum-of-two rose to fame on ABC’s Lost(Image: 2005 ABC, INC.)

The Canadian star, who drew criticism during the Covid pandemic for refusing to self-isolate, also proposed changes to the healthcare system. She wrote: “I can picture hospitals where doctors are trained not just in biology, but also in philosophy and the mystic arts of healing; where patients are held not pushed along, seen not filed, heard not interrogated; where nurses are trusted not suspected, where doctors are given space to consult their deepest self when solving the hardest riddles.”

She continued, adding that her partner claimed that when she has an attack, she appears to “dies.” He becomes very afraid, the Reel Steel actress continued. All life leaves my body as soon as my eyes revolve in my head.

He keeps looking in my mouth and nose for breath. No exceptions were made for this occasion. I blacked out again on the way to the hospital after he had left me at the beach.

Evangeline made the decision to step away from acting in June 2024, after initially rising to fame when she played Kate Austen in the ABC hit series Lost. Telling her fans with an Instagram video, the mother-of-two wrote: “I am so filled with joy and contentment today as I live out my vision.

“Praise God, for all of my blessings. Sometimes it can be frightening to leave what seems like the obvious choice (wealth and fame), but entering your dharma will transform your fear into fulfillment. I might go back to Hollywood in the future, but for the time being, this is where I belong.

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Katie Price fumes she’s ‘discriminated’ against as she gives update on finances

Former glitz model Katie Price has claimed that she is discriminated against because she revealed details of her life since being freed from her two bankruptcies earlier this year.

Katie Price believes she is discriminated against as she voiced her frustrations(Image: We Need To Talk/YouTube)

Katie Price has shared her frustrations following her two bankruptcies as she claims she is discriminated against. The former glamour model, 47, has been open about her financial woes over the years.

She has gone through two bankruptcies in the course of her turbulent six years of financial struggles. Following a significant tax debt totaling more than £750,000, the second occurred.

However, in March she revealed she has been discharged from this – and is now ready to enjoy successes in the future. Katie, who once had a fortune of £40million, has still been hit by the consequences of her bankruptcies despite being cleared.

Katie Price
Katie has been declared bankrupt twice(Image: Getty Images for The Cambridge U)

The mother-of-five, who recently departed from her Mucky Mansion, has revealed that her financial situation is still putting strain on her life. Katie acknowledged that she had trouble finding a new home after the move.

Due to her well-known finances, she claims that estate agents “blackmailed” her name. Katie claimed she would be contacted by agents when she claimed properties had been rented to someone else after she expressed interest, but that they were still up for rent.

It has left Katie believing she is being discriminated against as she tries to move forward. Speaking on the Katie Price Show podcast, Katie said: “I love it how I have gone through all what I have because I will get there again.

You just can’t get anything when you have been in bankruptcy, which is just a problem I have. I make such high salaries, which is incredibly annoying. It doesn’t matter if you earn the money, but I do, like I did in the past, really well.

There is nothing you can do once you discover that your name has a black mark on it, she said. When someone recognizes my name when I rent a home, it is discrimination.

They say, “Oh no, no,” and I respond, “Oh is it because of what you’ve read?” ‘. Does it really matter that I have the funds and am willing to pay upfront? Its name is discriminatory, and it turns people off.

Katie’s financial situation was initially estimated to be worth £40 million when she was declared bankrupt for a year in December 2019.

In a bid to pay off her debt, she agreed to pay a staggering £12,000 per month to creditors. Unfortunately, this strategy failed, and Katie returned to court in July 2020 to testify at a bankruptcy hearing about how much she was living in rented out housing.

In a brief hearing at London’s Rolls Building, Insolvency and Companies Court in March 2024, Katie was declared bankrupt a second time.

At the hearing, it was revealed that Katie owed HM Revenue and Customs (HMRC) £761.99 and that she had not responded to her debt in the past.

Earlier this year, Katie revealed she has been discharged from her bankruptcies as she celebrated: “I’m so happy. I can finally move on and leave these bankruptcies behind me, focusing only on the positive. Thank you to everyone who supported me throughout this process.”

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French Open scheduling pleas ‘like hitting head against wall’

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French Open 2025

Dates: 25 May-8 June Venue: Roland Garros

Jessica Pegula says she feels like she is “hitting her head against the wall” over the annual discussion around the lack of women’s night matches at the French Open.

None of the night sessions during the first eight days of this year’s Roland Garros have featured a women’s singles match.

It has led to accusations that not scheduling women’s matches there implies female players are not “worthy” of the slot – something strongly rejected by French Open tournament director Amelie Mauresmo.

Two-time Wimbledon finalist Ons Jabeur said “honouring one side of the sport shouldn’t mean ignoring the other” in an impassioned social media post on Friday.

Asked about the scheduling, American third seed Pegula said: “Every year it’s the same thing. It’s never equal.

“We are an event that is supposed to be equal. Why not give us some more chances to be?

Sunday will be the 22nd successive evening in Paris where a women’s singles match is not featured – a run stretching back to 2023, when Aryna Sabalenka beat Sloane Stephens.

In a news conference on Friday, Mauresmo said no women’s players have complained directly to her about the situation.

Saturday’s evening match – the slot most coveted for television audiences – sees men’s Serb sixth seed Novak Djokovic face Austria’s Filip Misolic, while Sunday night will see Denmark’s Holger Rune face Italian Lorenzo Musetti.

“The women’s game has been writing its own legacy loudly, brilliantly, and for far too long without too much recognition,” Jabeur wrote on social media.

“The game is not asking to be seen. It is already shining. “

Pegula, who plays Frenchwoman Lois Boisson in the fourth round on Monday, said she supports Jabeur’s message.

“I’m happy that she’s able to speak up, and she’s always been really good at wanting everything to be equal and fighting for not just where she’s from, but also for women in general,” Pegula added.

Related topics

  • Tennis

French Open scheduling pleas ‘like hitting head against wall’

Getty Images

French Open 2025

Dates: 25 May-8 June Venue: Roland Garros

Jessica Pegula says she feels like she is “hitting her head against the wall” over the annual discussion around the lack of women’s night matches at the French Open.

None of the night sessions during the first eight days of this year’s Roland Garros have featured a women’s singles match.

It has led to accusations that not scheduling women’s matches there implies female players are not “worthy” of the slot – something strongly rejected by French Open tournament director Amelie Mauresmo.

Two-time Wimbledon finalist Ons Jabeur said “honouring one side of the sport shouldn’t mean ignoring the other” in an impassioned social media post on Friday.

Asked about the scheduling, American third seed Pegula said: “Every year it’s the same thing. It’s never equal.

“We are an event that is supposed to be equal. Why not give us some more chances to be?

Sunday will be the 22nd successive evening in Paris where a women’s singles match is not featured – a run stretching back to 2023, when Aryna Sabalenka beat Sloane Stephens.

In a news conference on Friday, Mauresmo said no women’s players have complained directly to her about the situation.

Saturday’s evening match – the slot most coveted for television audiences – sees men’s Serb sixth seed Novak Djokovic face Austria’s Filip Misolic, while Sunday night will see Denmark’s Holger Rune face Italian Lorenzo Musetti.

“The women’s game has been writing its own legacy loudly, brilliantly, and for far too long without too much recognition,” Jabeur wrote on social media.

“The game is not asking to be seen. It is already shining. “

Pegula, who plays Frenchwoman Lois Boisson in the fourth round on Monday, said she supports Jabeur’s message.

“I’m happy that she’s able to speak up, and she’s always been really good at wanting everything to be equal and fighting for not just where she’s from, but also for women in general,” Pegula added.

Related topics

  • Tennis

Piastri beats Norris to pole position in Spain

Reuters
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At the Spanish Grand Prix, Lando Norris and Oscar Piastri of McLaren took the win.

The Australian pushed Briton’s time record to 0.209 seconds, vaulting past the Australian, who had been faster on the first runs of qualifying but made an error on the final lap.

Third-fastest, third-fastest, and 0.302 seconds slower than Piastri, from Red Bull.

George Russell, a Mercedes driver, set the Dutchman’s lap time exactly equal, but he will start fourth because he did so a few seconds later.

Lewis Hamilton, a Ferrari teammate, defeated Charles Leclerc for the second time in a qualifying session this year to finish fifth, ahead of Kimi Antonelli from Mercedes.

Leclerc, Pierre Gasly of Alpine, Iscak Hadjar of Racing Bulls, and Fernando Alonso of Aston Martin finished in the top 10.

Piastri’s advantage suggests that McLaren’s decision to change a rule change to make front wings flex more for aerodynamic gain has not had an impact.

Following extensive lobbying by Red Bull, who hoped it would recoup some of McLaren’s performance, it was introduced by the governing body, the FIA.

related subjects

  • Formula 1

Is Gillian Anderson and Jason Isaacs’ new movie The Salt Path based on a true story?

Jason Isaacs and Gillian Anderson play a married couple who make a 630-mile walk after going through a number of transformative experiences, but is the new film based on a true story?

The Silver Path stars Jason Isaacs and Gillian Anderson.

The new film, The Salt Path, narrates an extraordinary and uplifting tale about a couple who undertake a challenging journey after facing a series of severe hardships.

Raynor and Moth Winn – portrayed in the film by Gillian Anderson and Jason Isaacs – found themselves homeless in the same week that Moth was diagnosed with a rare terminal illness, given a maximum of five years to live. Instead of succumbing to these adversities and surrendering, the duo decided to traverse the South West Coast Path, an experience that proved to be incredibly rejuvenating, as they encountered the generosity of strangers along their journey.

Indeed, the film is based on the real-life story of the couple Raynor and Moth Winn, as recounted by Raynor in her memoir bearing the same title. It follows their 630-mile coastal journey along the South West Coast Path after being evicted from the farm they called home.

Jason
Jason Isaacs’ walking boots are on.

In August 2013, Moth received a devastating blow from a terminal diagnosis of Corticobasal Degeneration (CBD) in the same week they discovered themselves without a roof. When Raymond first learned about the Southwest Coast Path guidebook, he thought it was their last chance to liberate it.

Moth’s condition began to improve as they continued their walk, and he is still with us more than ten years later, having only been given five years to live at the time of his diagnosis.

Rebecca Lenkiewicz’s screenplay adheres to Raynor and Moth’s remarkable story’s true events, with minor creative adjustments. The final script, according to Raynor, was stunning, moving the story forward on a powerful new journey while keeping the essence of the original.

Gillian and Jason are no strangers to portraying real-life figures, from Margaret Thatcher to Cary Grant. However, in an exclusive chat with RadioTimes.com, the duo divulged that embodying individuals away from the public gaze presented a unique set of challenges.

According to Anderson, “It’s unquestionably less stressful and pressure.” You want to act respectfully and obviously do what they want to do. However, it’s not quite as intense as, say, working with someone who’s in the spotlight as much as, say, Emily Maitlis or something else.

Because the general public won’t go, Isaacs reaffirmed, “Well, that’s not like them.” We also really like them, though. The story of Ray and Moth is truly inspiring. They are two amazing people. Because of the messages that they contain, such hope, belief, and compassion, the books are so successful, and rightly so.

You also want the audience to feel the same way when we met them, when we read their stories, and as moved and inspired by their stories as you do. “

When meeting Raynor and Moth, Isaacs explained that he was more interested in understanding what the couple was like than in imitating their personalities. He admitted that he is never going to be as tall and attractive as Moth because he is an extraordinary man. I was just curious to know, “What is inside him?” When I met him, I noticed that he was eager to make everyone else feel at ease.

Gillian
The Salt Path brings Gillian Anderson back to the big screen with a new series.

He jokes about everything, even though he was talking to me for a while about how terrible his condition is and where it will end naturally was because he wanted to ease me. So he constantly made me laugh about it. She said, “That’s a quality I could leave with and that’s what I looked for.” Anderson said that Raynor’s narration of her memoir’s audiobook was key to transforming her character into a whole.

She expressed, “It felt like I was fully immersed in her rhythm and personality.” Her accent is unusual. Their accents are both quite distinctive. And it was a challenge to me. In the end, you kind of choose what feels natural and non-obtrusive, and hope that that impression will make them recognize themselves.

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