‘I was on Bake Off and bosses are very strict about one part of competition’

The Great British Bake Off finalist Dr Josh Smalley spoke to the Mirror recently about what it’s like to compete on the show, including sharing his thoughts on Alison Hammond

Dr Josh Smalley has revealed what it was like filming the Great British Bake Off. The former contestant, who was a finalist on the Channel 4 show in 2023, shared behind-the-scenes details in an interview with the Mirror this week.

The chemistry researcher and science communicator, 29, competed on the fourteenth series of the show, which aired two years ago. He made it to the final of the baking contest after impressing the judges and was declared a runner-up, with Matty Edgell taking home the trophy instead.

Josh reflected on his experience in the iconic tent in an interview with us earlier this week, ahead of him delivering a talk at the New Scientist Live festival next month. He spoke about the two hosts of Bake Off, the hardest aspect of competing and revealed what happens to leftover cakes.

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Josh, who said that he had applied for Bake Off as an opportunity to “challenge” himself, described taking part in the show as the “best experience”. The baker told us that he had dreamed of being on it but never thought he would.

He said that the twelve contestants, who have stayed in touch since filming ended, “instantly just got on”. Josh said that they met at their hotel prior to the first challenge but they only saw judges Paul Hollywood and Prue Leith “just before the first bake,” which he found to be “quite scary”.

Josh said about the competition: “The saddest part every week was that somebody was gonna have to go home.” He added: “You wanted everybody to do well, because you could see these incredible things coming together all around you. You just want everyone to do their best.”

Asked if he was surprised by any aspect of filming, Josh, who said he had watched the show since it began in 2010, teased that he had expected there to be more time for baking than the deadline viewers are told about. After suggesting that he had thought there to be a “quick break,” he said: “Nope, it’s 2 hours, that’s it!” He added: “It was very strict on that. So you don’t get extra time.”

He later said that the time limits are the “real challenge” for contestants. Josh told us: “All of the bakers on every series, if given unlimited time to make what they wanted to make … they would make an incredible bake. The real challenge is being able to squash all that into 2 hours.”

Speaking about the “stress” and temperature in the tent, he said: “There’s a lot of stressful moments as well [as the fun]. When you’re having to remake something for the third time because it’s not worked right it’s quite stressful.”

Josh also mentioned being critiqued in person by Paul and Prue. He said: “The pressure of having your food judged and being literally nose-to-nose with [the judges] as they dive into it and taste it, and then you’ve got to hear their instant feedback – that was a bit nervy as well.”

Discussing what happens to the leftover bakes that aren’t eaten by the judges, he said: “After a long day’s filming, and there’s a very hungry crew, and bakers, it soon disappears. Don’t worry about that. There’s no wastage at all.”

Josh added that he was keen to try his co-stars’ bakes after hearing any positive feedback from the judges. Speaking about trying each other’s cakes, he said: “We all got a piece of it brought afterwards so we got to try bits of it.”

He continued: “The majority of the bakes on the show are sweet [though], so there comes a point with all the practising as well, where you’ve just … you’re sort of sick of eating cake because you can’t take any more sugar.” He added that any savoury challenges, like bread week, were “the best”.

“They were the best ones because just like you were craving savoury,” he told us. Josh added: “So once it was one of those ones we just … we would all dive in and eat it all.”

Josh appeared on the first Bake Off series co-hosted by Alison Hammond, with her having joined Noel Fielding that year. He said: “She was incredible. She was so lovely and I think [together] they just bounce off each other.”

He said that Alison and Noel had a “great chemistry,” before saying: “I loved it when they came round. They always would come round at the worst time possible, deliberately so.” Josh added that Alison was a “welcomed addition” to the show and that she was on hand to “encourage” the bakers.

Since competing on the show, Josh has remained in the science field, with him now a postdoctoral research associate and science communication champion at the University of Leicester. He also founded the Science Kitchen, described as a “pioneering on-campus kitchen and laboratory” that provides a platform “to educate, entertain, and inspire,” at the university.

Discussing his decision to remain in that industry, he said: “I just thought that it would be an amazing opportunity to try and use the platform of the Bake Off to be able to do what I’ve always done and just do it on another scale up. […] Now, I get to blend my two passions of the baking and the chemistry, and I get to go and do all sorts of online videos, and shows and talks all the way round the country and get to educate the public and young audiences all about science and baking, and hopefully make science, chemistry in particular, interesting, engaging, accessible but through the means of food, which we all love.”

He’s now preparing for a talk at New Scientist Live, which promises “talks, immersive exhibitions and boundary-pushing science experiences” at ExCeL, London, next month. Josh said that the event will have “an amazing array of speakers”.

Teasing his talk, the Spooktacular Science of Baking, which is being held on October 19, Josh said that it will feature a vomiting pumpkin and chemical reaction display. There will also be bakes and chemistry demostrations. Josh added: “Delving into and close up as to what’s actually going on in our bakes.”

Speaking about baking, he said: “You just follow the recipe and then you get the result at the end.” He added about introducing the science behind it: “You just see people’s reaction to actually then think, something that they have made or been doing for years and years and years, suddenly now someone has told them actually why we do that.”

He gave examples such as why a recipe may require room temperature butter or ingredients being used in a certain order. Josh said: “It’s really fun to be able to actually explain, from a chemistry point of view, what’s actually happening there.”

Further promoting his talk, he said: “We know we all love to be in the kitchen, either eating what we’ve made, or having a go and playing around experimenting. So if you like food, and you want to learn a little bit more about how baking and how cooking works, then this is the talk for you.”

Josh continued: “Also, you’re gonna get a little sprinkle of the science [behind it] as well.” He then added: “And it’s gonna have a few sort of like pops and bangs and fizzes and things so it will be a nice, immersive experience.”

Josh Smalley is speaking at New Scientist Live which takes place on October 19-20 at ExCeL, London. To book tickets visit the event’s website.

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Rebecca Adlington pregnant with ‘miracle’ child after tragic miscarriages

Rebecca Adlington has revealed her pregnancy. Just days after talking about the heartache of losing her baby girl, the Olympian and I’m A Celebrity star revealed she is expecting a child.

The swimmer has been open about the tragic two miscarriages she experienced. She first became aware of her in a routine 12-week ultrasound in 2022, and then in 2023, when a scan revealed there was no heartbeat.

She shared the news on social media by saying, “We want to let you know that we are expecting a child. Despite 19 months of trying, it has been an emotional and physical rollercoaster, but this pregnancy has been a small miracle.

We questioned whether or not we should share this information, but we want to remain open and honest about our journey and be aware of the difficulties that others have encountered and still encounter.

Rebecca revealed her pregnancy by sharing a baby scan.

She continued, “We are taking each day as it comes, are incredibly appreciative of the care the NHS (Rainbow Team) provides, and feel overwhelmingly supported by them.”

“We carry awareness of the quiet struggles many people face, and we send love to those hearts as well,” we say while being cautiously overjoyed. We are aware that this type of news is still awaited by a large number of people.

When asked about giving birth to Harper, who was delivered five months early, she responded, “Normally you go through the birth and you get this wonderful, incredible child. It’s really difficult to do that and to be giving birth to your child when you’re expecting and you’re not going to see them cry or do these things.

With her son and daughter, Rebecca.
With her son and daughter, Rebecca.

Because their coloring is a little different, they explained what she would look like and what to expect. They actually calm your mind, which is a good thing. They came through and placed a little hat on her, covered her, and then came.

“And then I did want to see her,” she continued. I was like, “I absolutely want to see her,” as my gut told me at the time. And to be honest, I’ve been saying it constantly, “I’m so glad I did,” I’m so glad I did it. just to be able to see her little hands and nose and how she developed. And despite how challenging it was, if I hadn’t seen her, I believe I would have regretted making that choice.

The 36-year-old actress admitted that she “didn’t even consider the kind of danger aspect” when it came to her pregnancy with baby Harper. She had previously had a daughter in 2015 and a son in 2021.

The Miscarriage Association offers support and guidance if you have been affected by this story. You can reach them at 01924 200799 or email info@miscarriageassociation.org. uk

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James Norton, 40, rules himself out as ‘too old’ to play Bond

The actor, who takes centre stage this week in the eagerly awaited Netflix series The House of Guinness, is a favourite to become the next James Bond

Already ruling Sunday nights as Harold II in BBC1 period drama King & Conqueror, from Thursday, James Norton will be starring in Netflix series The House of Guinness.

Yet the actor who leaves most viewers shaken but not stirred has ruled himself out of playing James Bond. “I think I am too old. I turned 40 this summer,” he says, adding that he thinks casting directors will “go younger” for the next Bond.

And while the rumour mill is rife that he’s being lined up as 007, he insists: “There is no conversation going on. It is as if someone has a bet on in Wolverhampton and it is nonsense and I have paps (paparazzi) outside my door. It is all speculation.”

Even if he was offered Bond, James would have reservations about accepting it. “It is a difficult decision as it will change your life,” he says, adding that, he likes the fact he isn’t instantly recognisable. I can walk down to the pub. I like my life right now.

“I have no idea what it is like to be Leonardo di Caprio. I imagine the apex is pretty big, but I like the fact I can leave my house and go down to the shop.”

Dominating our autumn TV schedules, superstar status can’t be far off for Norton, who also has a top secret project on the way.

“I am starting another job later in the autumn, which is for a long time…and I can’t say what it is. I would love to tell you but it will be out there soon,” he says.

In King & Conqueror, the 6-part series that started last weekend, he plays King Harold II, who fights a bloody battle for the English throne against William The Conqueror (Nikolaj Coster-Waldau), culminating in the infamous 1066 Battle of Hastings.

The project is the latest from James’s own production company Rabbit Track Pictures.

He says: “I am one of those people that thrives under pressure and the more you put on my plate the more efficient I am. It is kind of fun if you are proud of the piece and I am proud of King & Conqueror, as I produced it.”

And he sought to make the production as authentic as possible.

He laughs: “I wore six or seven layers of leather for the role, which you don’t see, but it was an attempt of authenticity. I don’t know how those guys back then even walked. We were shooting in Iceland as well, so it was wonderful to have those layers.”

Norton takes issue with actors who call themselves “executive producers” but do very little on set and makes sure he always does enough to justify the title.

He also praises Margot Robbie, who he says completely deserves the rank.

He says: “Margot Robbie is an executive producer and she is incredible and works very hard. There are a lot of times you see an executive producer as an actor and they have not been part of the process, basically.”

A versatile performer, Norton’s role in The House of Guinness is completely different to playing King Harold.

Set in 19th century Dublin and New York – and dubbed ‘the Irish Peaky Blinders’ – the eight-part series charts family power struggles within the Irish brewing dynasty, following the death of patriarch Benjamin Guinness.

James plays Guinness factory foreman Sean Rafferty and oversees four Guinness heirs, locked in a bitter battle to take over their father’s brewery empire.

He laughs: “It is kind of like The Crown…but with beer. It is like Succession but you could call this “Sup-session”.

“I play Rafferty who is like the proper hardman, a Dubliner. He is the foreman of the brewery and I was like the only non Irish actor.

“Most of the cast are Irish and I played the most Irish and it was scary. I worked hard. I had a northern Irish accent which made it more complicated.

“It is Steven Knight (creator of Peaky Blinders) and he relished writing my role. I get to be the coolest mother f*cker, playing the gangster in Dublin 1860s and everyone fears him. I literally have to do nothing.”

His character is not unlike that of Thomas Shelby, made famous by Cillian Murphy in Peaky Blinders.

James says: “I have a scene where I walk away from an explosion. I do minimal effort. The foreman of the brewery runs the show. He is a bit of a gangster and he lives in a violent world and he is not uncomfortable using violence to keep his grip.

“But Steven Knight is the best. He writes like a playwright and he jumps scenes. You are completely compelled. It was an amazing thing for me to do. Will there be a second series? It all depends on numbers, so go and watch it. Nothing is guaranteed at the moment.”

Norton worries that there is too much choice at the moment on screening platforms.

He says: “I read somewhere recently that if you have more than seven things to choose from your mind just switches off. It’s like having eight types of cheese.”

He greatly appreciates not only having acting work, but also having his production company to fall back on in what has always been a notoriously precarious profession.

And he admits: “I am an actor through and through. I have this bug.”

Shows like Happy Valley and Grantchester cemented Norton’s success, but he takes nothing for granted.

He says: “We have seen a contraction of the industry. Since the streamer explosion we have seen a massive downturn in the amount of money and advertising revenue. Every business is squeezed right now.

“Now to get anything made, it has to be really good.

“We recently had a job become available at our company for someone who has just left university and we had 850 applicants. It was mad. The demand has not waned, but the space has.”

The TV and film industries also face a reduction in technical jobs, because of the advance of AI.

Asked if he fears being replaced by a bot, he laughs: “I have not seen a deep fake me. Maybe it exists!

“But I think AI will affect crews and supporting artists.”

As for bots in general? He says: “I guess they are getting close to portraying the soul of a human being and it is really scary.”

But Norton is fairly certain that AI will not replace the soul of the UK film and TV industry and is deeply proud that UK programmes are leading the world.

Seeing Netflix drama Adolescence sweep the board at the Emmy Awards in Los Angeles was a particularly proud moment for him.

He says: “The world is in a really dark place right now and people are looking to the arts to process fear and uncertainty and find answers and that is a wonderful thing.

“Yet people get nervous if you go for the jugular of the problem. But look at Adolescence. It went for the jugular and it became the biggest show in the world and made billions. It is insane that show.

“In terms of the UK, we have a cultural heritage of honesty, particularly in the arts and we cut through.

“Brand Britain is struggling as is brand America, as is brand a lot of the world, but I also think in terms of the arts we are in a really strong place. Britain is in a good place and I am proud to be a part of that.”

The House of Guinness premieres on Netflix from Thursday. King & Conqueror is on BBC1, Sundays at 9.15pm.

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Trump calls for Gaza war to stop ‘immediately’ in UNGA speech

United States President Donald Trump has told the United Nations General Assembly that Israel’s war on Gaza must stop immediately as he calls the recent recognition of Palestinian statehood by several Western countries a “reward” for Hamas.

“We have to stop the war in Gaza immediately,” Trump told world leaders in New York on Tuesday, adding that he has been “deeply engaged” in trying to secure a ceasefire.

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He reiterated his call for the captives held in Gaza to be returned home. “We have to get it done. We have to negotiate peace. We have to get the hostages back. We want all 20 back,” he said, referring to the 20 of the 48 remaining captives still believed to be alive.

Those who support peace should be united in demanding the release of the captives, he told the General Assembly.

“As if to encourage continued conflict, some of this body is seeking to unilaterally recognise the Palestinian state. The rewards would be too great for Hamas terrorists, for their atrocities,” he said.

In contrast, UN Secretary-General Antonio Guterres said at a meeting on Sunday at the UN aimed at reviving the two-state solution that statehood for Palestinians “is a right, not a reward”.

Sultan Barakat, professor at Hamad Bin Khalifa University in Qatar, said that while Trump called for the war to stop at once, he fell short of mentioning how.

“He knows that the main reason for [the war] sustaining itself at the moment is the fact that he is supporting it,” Barakat told Al Jazeera.

Gaza truce offers

Trump had little criticism for Israel, instead blaming breakdowns in ceasefire negotiations on Hamas. He insisted that Hamas, the Palestinian group that governed Gaza, “has repeatedly rejected reasonable offers to make peace”.

On the other side of the talks, Israeli Prime Minister Benjamin Netanyahu has continually been accused of stalling the ceasefire negotiations since Israel launched its war on Gaza in October 2023.

Israel targeted Hamas leaders in the Qatari capital, Doha, this month as the Palestinian leaders were meeting there to discuss the latest truce proposal put forth by the US.

The Israeli prime minister broke the last ceasefire with Hamas in mid-March and imposed a total blockade of the Gaza Strip, triggering famine and starvation deaths.

The Palestinian group on Tuesday refuted any responsibility for the failure to reach a deal to end the war in Gaza. “We have never been an obstacle to reaching an agreement,” it said in a statement.

“The US administration, the mediators and the world know that Netanyahu is the sole obstructionist in all attempts to reach an agreement.”

Hamas has said it is ready for a truce that will lead to the release of captives and Palestinian prisoners in Israeli jails and a withdrawal of the Israeli army from Gaza, but Netanyahu has refused to commit to a full withdrawal. This month, Netanyahu decided to seize Gaza City, launching a ground invasion that has killed hundreds of Palestinians and displaced thousands.

More than 65,000 Palestinians have been killed since Israel launched its war. The US has been heavily criticised for continuing to arm Israel in a war that a UN commission described as amounting to genocide.

Trump also dedicated some of his speech to the General Assembly to Iran, describing Tehran as the “world’s number one sponsor of terror”. He promised Iran would “never possess a nuclear weapon”.

“Three months ago in Operation Midnight Hammer, seven American B-2 bombers dropped 30,000lb [13,600kg] each bombs on Iran’s key nuclear facilities, totally obliterating everything. No other country on Earth could have done what we did,” Trump said.

While the US president claimed the operation demolished Iran’s nuclear enrichment capacity, a US defence assessment later suggested the strike only delayed Iran’s nuclear progress by several months.

‘Nobel Peace Prize’

The US president delivered his remarks minutes after Brazilian President Luiz Inacio Lula da Silva had spoken, denouncing authoritarianism, environmental destruction and inequality, a contrast in tone to Trump’s focus on unilateral strength, nationalism and grievances.

Trump began his speech by taking aim at the teleprompter and a broken elevator he said he encountered at the UN headquarters before moving on to paint his administration as overseeing an economic success story in the US.

At several points, Trump returned to his record on foreign policy, claiming to have brought an end to “seven different wars” and suggesting his achievements warranted the Nobel Peace Prize. “Everyone says I should get a Nobel Peace Prize for these achievements,” he said before adding that he did not care about awards, only “saving lives”.

Taking a dig at the UN, Trump said the world body was not coming close to living up to its potential. “I had to end wars instead of the United Nations,” he said.

As the Ukraine conflict rumbles on, Trump argued the war would “never have started if I was president”. He described his relationship with Russian President Vladimir Putin as “a good one” but said Moscow’s invasion is “not making Russia look good”.

He criticised Europe for continuing to buy Russian oil and gas despite sanctions, calling the practice “embarrassing”, and he singled out China and India as “primary funders” of Russia’s war effort.

“Everyone thought Russia would win in three days, but it didn’t,” Trump said while urging European Union nations to impose tariffs on Moscow.

Attacks on immigration and the UN

As the UN grapples with what experts describe as one of the most volatile periods in its 80-year history, Trump used the platform to attack the institution itself, accusing the body of “funding an assault on Western countries and their borders”. He claimed the organisation was helping “illegal aliens” enter the US by providing food, shelter, transportation and “debit cards”.

The International Organization for Migration, a UN agency, does provide assistance through disbursement cards and transport programmes but in coordination with governments – not to facilitate irregular border crossings.

On Europe, Trump warned of what he called an “invasion” of immigrants and took aim at London Mayor Sadiq Khan, falsely claiming the Muslim politician wants to impose Islamic law.

The US president characterised migration and renewable energy as the biggest threat to the “free world”. He said some countries are “going to hell” over their border policies while calling climate change “the greatest con job”.

“In closing, I just want to repeat that immigration and the high cost of so-called green renewable energy is destroying a large part of the free world and a large part of our planet,” he said.

He also renewed attacks on climate policies and accused Venezuelan President Nicolas Maduro of aiding drug smuggling.