Noel Gallagher is no longer a great songwriter, according to Robbie Williams, for whatever reason.
Robbie Williams has given a backhanded compliment to Noel Gallagher – saying his songwriting “magic had gone” after the first few Oasis albums.
Robbie and the Oasis brothers Liam and Noel were embroiled in one of the longest ever pop feuds after Noel branded him the “fat dancer from Take That ” and Robbie ended up challenging Liam to a £100,000 prize fight at the 2000 BRIT Awards.
After Definitely Maybe and (What’s The Story) Morning Glory, songwriter Noel has since lost his magic touch for hits, despite recent thawing between the trio. came out .
Robbie said on the Heretics podcast, “It’s very interesting about how, why, and when the magic leaves, and who gets the magic the longest.
“Like Noel Gallagher, right? ” Like the best on earth at the time, a three-year, extremely hot streak. And, you know, B-sides that everyone else would prefer to play on the last day of their lives instead of touring on their own.
“And he completely destroyed them,” he said. It was just gold, gold, gold, gold, gold, gold, gold, gold, gold, gold, gold, gold, gold, gold, gold, gold, gold, gold, gold, gold, gold, gold, gold, gold, gold, gold, gold, gold, gold, gold, gold, gold, gold, gold, gold, gold, gold, gold, gold, gold, gold, gold, gold, gold, gold, gold, gold, gold, gold, gold, gold, gold, gold, gold, gold, The third album was still incredibly impressive, for whatever reason, you can see. That would be wonderful. But then, you’ll know, with respect, because he’s still a fantastic songwriter, magic, and gone.
When did Paul McCartney experience that ethereal quality, the magic, the magic, the magic? He seemed to have it for, you know, the longest period of time. Nobody, in my opinion, can ever be forever stuck in the pocket.
Noel might agree with Robbie’s assertion that only one song from the band’s fifth album, Heathen Chemistry, from the Oasis Live ’25 tour, which came out after 1997 and was included in the setlist, Little By Little, 2002.
Before their massive falling out, Robbie, 51, met Oasis at the 1995 Glastonbury Festival, and despite decades of feuding, he still admits he had a crush on rival Liam rather than form a boy band with Gary Barlow.
He said, “I’m like, I’m this,” when that euphoria of guitar music re-enters into the charts in 1994, 1995, and 1996.”
“I loved Oasis and I loved Pulp, and I loved Supergrass, and I loved Radiohead. I was like, ‘I don’t want to be Gary Barlow’s backing dancer. I want to sing like Tom Yorke and strut around like Liam Gallagher.’ “So I shook my fist at it and attempted it. And on that album, there was Let Me Entertain You and Angels, but there is, like you say, Lazy Days, South of the Border, and Life Through a Lens. Fortunately for me it worked.”
Robbie admits to having a similar writer’s block, and that’s why he tried to tackle it on his upcoming new album BRITPOP in 1995.
He said, “The creative process is this, in my opinion. I perused the first five or six albums, like a pool player reaching for the impossible table. and merely easing. I was completely unrestrained. It was exactly the same as next, next, next, next, next, next, next, next, next, next, next, next, etc.
I then released the album Rude Box in 2006. And that album is the one that I, a 14-year-old, would have wanted to create and be very proud of.
I knew a daft song was coming from me. I’m a rapper now, so I wasn’t sort of going. I was just going, “Wahey, I’m Freddie Starr and I’m rhyming s**t,” when I initially assumed I was grime or something. Simply put, it was enjoyable.
The record kind of skipped at that point. As someone who has a lot of anxiety, for me, in general. After that, I had to consider everything I had done.
Then it kind of resembles diminishing returns. On a roller coaster, you can only go this far before the loop to loop begins. I’ve been overly musical with everything, just sort of.
When I wrote those first five or six albums, there was no fear. And then, I guess I should have said, “Let’s just go back to the beginning with this new album.” It’s 1995, I’ve just left Take That. What album would I create knowing what I already know?
That’s what I did with this album, exactly. And because I have stopped pursuing the hit in general, it is very liberating and liberating.
Source: Mirror
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