‘Peaky Blinders’ Stars Hit Brum Red Carpet For Movie Premiere

Oscar-winner Cillian Murphy and other stars have descended on Birmingham for the “Peaky Blinders” movie world premiere, with England’s so-called second city in raptures over its signature show getting the Hollywood treatment.

Murphy was joined by fellow acting A-listers Tim Roth and Rebecca Ferguson, rockers Fontaines D.C. and a host of Premier League footballers for Monday’s glitzy unveiling of the hit TV series’ spin-off film.

Irish actor Murphy told AFP that Birmingham — nicknamed Brum in Britain — was “the only place it could ever happen” given the city was “a character” across the cult show’s six seasons and new big-screen offering.

The 49-year-old “Oppenheimer” star said getting compatriot Barry Keoghan — who features for the first time in the gritty historical crime drama as his wayward son in the movie — was “always the only choice”.

“I sent him a text on Father’s Day apparently — I’d forgotten it was Father’s Day! — and asked him did he want to be in it,” Murphy revealed on the red carpet. “We know each other… he’s just unbelievable on camera.”

Hundreds of fans, many dressed in the show’s beloved 1920s and 1930s attire, gathered near Birmingham’s famous canals for the premiere of “Peaky Blinders: The Immortal Man”, which lands in cinemas Friday and on Netflix March 20.

Pulsing music by Fontaines D.C., which helps soundtrack the movie, blared out as the cast posed for photos in front of a “Peaky Blinders” sign set ablaze with pyrotechnics.

The city station’s famous mechanical bull statue boasted one of the series’ emblematic flat caps, as locals and visitors also wearing them had their pictures taken by photographers dressed as show characters.

‘Fitting’

The BBC series, which first aired in 2013, helped put Birmingham — and the working-class flat caps donned by its characters — back on the global map.

The name “Peaky Blinders” comes from the city’s notorious street gangs of the late 19th and early 20th century who apparently kept razor blades in the headwear.

The show’s six seasons chronicle the exploits of crime boss Thomas Shelby (Murphy) and his clan between the two world wars.

The film — written by series creator Steven Knight — picks up the story during WWII, with Shelby returning to Birmingham from a self-imposed exile in the countryside as his estranged son Duke runs wild.

Members of British band UB40 pose upon arrival on the red carpet for the global premiere of the film ‘Peaky Blinders: The Immortal Man’ in Birmingham, central England on March 2, 2026. (Photo by Paul ELLIS / AFP)

“I really wanted it to be set in the war,” Knight told AFP.

“In that time, when the bombs are falling, people become very hedonistic because they don’t know if they’re going to be alive the next day, so almost the Peaky Blinders ethos becomes a general ethos.”

The movie’s director, Tom Harper, said throwing Cillian Murphy’s character back into war-time drama felt “fitting”, given he had been moulded by “the violence and the trauma of the First World War”.

“Just having that kind of explosive nature of the Second World War, echoing the explosive nature of the narrative, feels fitting,” he added.

British actor Harry Kirton (L) and England’s footballer Niamh Charles (R) pose upon arrival on the red carpet for the global premiere of the film ‘Peaky Blinders: The Immortal Man’ in Birmingham, central England on March 2, 2026. (Photo by Paul ELLIS / AFP)

The film — which boasts several new characters including Roth’s Beckett and Ferguson’s Kaulo — could be the final chapter in the “Peaky Blinders” saga.

Northern Irish actor Packy Lee, an ever-present as Johnny Dogs, said it had been an incredible “rollercoaster ride”.

“I’ve enjoyed every minute of it,” he told AFP. “It’s been almost 14 years of my life playing the same character!”

Imade’s Custody: Sophia Momodu’s Lawyer Demands ₦1bn, Public Apology From Davido

Barely two weeks after warning against alleged intimidation and harassment, Punuka Attorneys & Solicitors, counsel to Sophia Momodu in her child custody dispute with singer David “Davido” Adeleke, has issued a pre-action notice to the artiste, demanding ₦1 billion in damages and a public apology.

The notice follows a tense courtroom exchange between Davido and one of the firm’s partners, Ebelechukwu Enedah, during proceedings relating to the custody of his daughter, Imade.

The disagreement reportedly arose after Enedah mentioned the singer’s late son, Ifeanyi, during cross-examination. Davido subsequently took to his X page to criticise the lawyer.

In response, the firm condemned what it described as derogatory remarks made against Enedah and reiterated its commitment to pursuing justice strictly in accordance with the law.

READ ALSO: Dele Momodu Confirms Talks To Resolve Davido, Sophia Custody Dispute

In a letter dated February 24, and signed by Decency Nkume, Associate, and Nnamdi Oragwu, Partner, the firm stated that it acted on Enedah’s instructions and formally notified the singer of her intention to commence legal proceedings should its demands not be met.

According to the letter, the demands are in line with the High Court of Lagos (Civil Procedure) Rules 2019, which require parties to make genuine efforts at amicable settlement before initiating litigation.

The firm stated, “Our Client hereby demands as follows: Immediately cease from any further direct or indirect commentary, publications, posts, or statements (including via affiliates or cohorts) relating to this matter, our Client, opposing counsel, or the proceedings while the suit remains sub judice.

“Issue clear and unequivocal public statement across all your verified social media platforms (Instagram, X, etc.), expressly withdrawing all prior derogatory, defamatory, and abusive statements, apologising for the harm caused, and directing your associates, followers, and cohorts to immediately desist from any harassment, threats, intimidation, contact, or publication directed at our client or her family.”

The firm further demanded that the “If” crooner publish a formal written apology to Mrs Enedah, tagging her social media handle, and retract what it described as defamatory statements and acts of cyberbullying. The apology, it said, must be published with equal prominence on all his verified social media platforms and in at least two widely circulated national daily newspapers in Nigeria.

It also sought compensation in the sum of ₦1,000,000,000.

“We do not expect that you will fail to comply with the above demands. However, take notice that should you fail to comply with our Client’s demand within seven (7) days from the receipt of this letter, our Client shall commence an action against you at the High Court of Lagos to claim the above reliefs/demands. Please be assured of our utmost professional regards,” the letter added.

The dispute is the latest development in the protracted custody battle over Imade, whom Davido welcomed with Sophia Momodu in May 2015.

In June 2024, the singer approached the court seeking joint custody of his daughter, alongside unrestricted access to the child. The move followed a series of public and private disagreements between the former couple.

Amsterdam’s Rijksmuseum Discovers New Rembrandt

The Rijksmuseum in Amsterdam said Monday it had uncovered a new painting by Rembrandt, using advanced scanning technology and stylistic analysis to confirm it was crafted by the Dutch master.

The 1633 work, entitled “Vision of Zacharias in the Temple”, disappeared from public view for 65 years, but was recently handed over to the museum for testing.

“Materials analysis, stylistic and thematic similarities, alterations made by Rembrandt, and the overall quality of the painting all support the conclusion that this painting is a genuine work by Rembrandt van Rijn,” the museum said in a statement.

The work depicts the biblical scene of Archangel Gabriel visiting high priest Zacharias to inform him he will have a son: John the Baptist.

Gabriel is not depicted in the painting but light shining in the upper right corner heralds his arrival.

“We always hope to find a new Rembrandt, but this happens rarely,” Rijksmuseum director Taco Dibbits told AFP.

The painting disappeared from public view after a private individual purchased it in 1961. Its current owner contacted the Rijksmuseum, enabling experts to study the work with modern analytical tools.

This photograph shows the newly discovered work of Dutch painter Rembrandt van Rijn titled as “The Vision of Zechariah in the Temple” in the studio building of the Rijksmuseum in Amsterdam on March 2, 2026. The Rijksmuseum in Amsterdam said on March 2, 2026 it had uncovered a new painting by Rembrandt, using advanced scanning technology and stylistic analysis to confirm it was crafted by the Dutch master. (Photo by Koen van Weel / ANP / AFP)

‘A wonderful experience’

The two-year research showed that the paints used are also found in other Rembrandt works of the period. The painting technique and build-up of paint layers are also comparable.

Scans revealed “compositional changes that support the authenticity of the work,” the museum said.

Finally, the signature has been deemed original and analysis of the wooden panel confirms the date of 1633 on the painting is also correct.

“The way the painting was constructed, the different layers, was typical for Rembrandt,” Rijksmuseum curator Jonathan Bikker told AFP.

A researcher stand in front of the newly discovered work of Dutch painter Rembrandt van Rijn titled as “The Vision of Zechariah in the Temple” in the studio building of the Rijksmuseum in Amsterdam on March 2, 2026. The Rijksmuseum in Amsterdam said on March 2, 2026 it had uncovered a new painting by Rembrandt, using advanced scanning technology and stylistic analysis to confirm it was crafted by the Dutch master. (Photo by Koen van Weel / ANP / AFP)

The biblical topic is also typical of the work of the then 27-year-old artist, said Petria Noble, a specialist researcher on Rembrandt.

“1633 is really Rembrandt’s early Amsterdam career and he’s really interested in Bible stories and in history books,” she told AFP.

“So everything fitted in terms of the material aspects, the stylistic aspects… It was a wonderful experience,” added Noble.

UK Pop-Soul Star Olivia Dean Sweeps Brit Awards

British singer-songwriter Olivia Dean triumphed Saturday at the Brit Awards, claiming four prizes at the UK’s biggest annual music celebration held for the first time in Manchester, northwest England.

After topping the charts at home and abroad with her monster hit “Man I Need” and lauded album “The Art of Loving”, the 26-year-old dominated the star-studded awards ceremony at the city’s Co-op Live arena.

Weeks after winning the best new artist Grammy, she bagged the evening’s most coveted Album Of The Year gong, beating out indie singer Sam Fender, rockers Wolf Alice, pop star Lily Allen and rapper Dave.

Dean also won best artist, best pop act and — alongside Fender — song of the year for their single “Rein Me In”, topping the likes of British stars Raye, Lola Young and Calvin Harris.

“Thank you so much for believing in me when I didn’t really believe in myself sometimes,” an emotional Dean said as she accepted the best album accolade.

“This album is just about love and loving each other in a world that feels lovelessness right now.”

READ ALSO: Olivia Dean, Little Simz, Central Cee Lead 2026 MOBO Nominations

Rising star Young did not leave empty-handed, picking up best breakthrough artist while Wolf Alice snagged group of the year.

“It is a great time in British music and music in general, and I’m just so proud to be a part of it,” 25-year-old “Messy” singer Young said in her acceptance speech.

Pep Appearance

Spanish singer Rosalia, who won best international artist, delivered an electric performance featuring Bjork. The Icelandic singer-songwriter emerged from a choreographed dance ensemble to showcase their hit song “Berghain”.

K-pop idol Rose — a member of Blackpink — and Bruno Mars won the international song of the year for their viral hit “APT” while Brooklyn rockers Geese bagged best international group.

Collecting the prize, band drummer Max Bassin was bleeped out from the British television broadcast of the event after telling the audience “free Palestine”

The Brit Awards have recognised the cream of British and global pop music since they were first held in 1977, but have often been peppered with scandal and farce.

Pulp frontman Jarvis Cocker famously stormed the stage in protest while Michael Jackson performed surrounded by children in 1996, while Madonna suffered whiplash injuries in 2015.

Its setting this year in Manchester, synonymous with legendary bands including the recently reunited Oasis, was notable.

The band’s Noel Gallagher was in attendance to collect the gong for songwriter of the year.

A die-hard Manchester City fan, the club’s manager Pep Guardiola made a special video tribute, telling the Oasis legend “I’m so proud of you… and I love you”.

Harry Styles Performance

Producer and DJ Mark Ronson was also honoured, with the outstanding contribution to music award.

He got behind the turntables for a mini-set that eulogised his former collaborator Amy Winehouse — who died in 2011 — and featured US rapper Ghostface Killah and Dua Lipa.

Late rocker Ozzy Osbourne’s wife Sharon and daughter Kelly collected the lifetime achievement award for the Black Sabbath frontman before pop star Robbie Williams performed a tribute track in his honour.

Earlier, Harry Styles had opened the night with a performance of his new single “Aperture”, ahead of the much-anticipated release of his new album next Friday.

Known for his style as well as his music, the former One Direction star was dressed in a Chanel pinstriped suit and was joined on-stage by a gospel choir.

Omotola Jalade-Ekeinde Premieres Directorial Debut Mother’s Love In Lagos

Nollywood icon Omotola Jalade-Ekeinde has premiered her much-anticipated directorial debut, Mother’s Love, marking a major feat as she celebrates 30 years in the Nigerian film industry.

The 102-minute drama-thriller, produced under RedHotConcepts and distributed by The Nile Group, explores themes of motherhood, sacrifice, resilience, wealth and survival.

Inspired by true events, the film follows Adebisi, a young woman from a sheltered and affluent background, whose life takes unexpected turns during her National Youth Service Corps (NYSC) year.

Combining storytelling with high-stakes drama, the project signals Omotola’s transition from celebrated actress to filmmaker.

The film first screened at the 50th edition of the Toronto International Film Festival (TIFF) on September 6, 2025, as part of the Industry Market programme at TIFF Lightbox Cinema 5, where it was presented to international buyers and generated positive industry buzz.

READ ALSO: ‘Peaky Blinders’ Stars Hit Brum Red Carpet For Movie Premiere

It subsequently screened at the Pan African Film Festival and the Silicon Valley African Film Festival, building momentum ahead of its Nigerian release.

The official trailer was released in February. In promoting the film, Omotola shared personal moments with her daughter, Meraiah Ekeinde, who makes her on-screen debut in the lead role of Adebisi.



Star-Studded Lagos Premiere

The exclusive Nigerian premiere was held on Sunday at Alliance Française in Ikoyi, Lagos, under the theme “Old Money Glam”. The event drew a distinguished crowd despite coinciding with the Silverbird Man of the Year Awards.

In a surprise appearance, former President Olusegun Obasanjo attended the premiere, lending an air of prestige to the evening.

In an interview with Channels Television, he described Omotola as a “national treasure” which should be preserved.

The red carpet was awash with vintage-inspired elegance, as guests donned pearls, fur stoles and tailored suits in keeping with the Old Money theme.

Among those in attendance were Sola Sobowale, Rita Dominic, Stephanie Okereke Linus, Segun Arinze, Bimbo Akintola, Ruth Kadiri, Dino Melaye and social media personality Toke Makinwa, among other industry figures, diplomats and business leaders.

One of the evening’s most emotional highlights was Omotola’s reunion with her daughter on stage, a moment that quickly went viral online as the pair shared a celebratory dance.

Speaking about her motivation, Omotola said she shot Mother’s Love “to empower bold storytelling and reflect real-life sacrifices.”

How Abidemi Praise Sketched Her Way Into The Record Books

While the world of art is often associated with quiet galleries and steady hands, for Nigerian artist Abidemi Praise Omowarola, it recently became a gruelling 90-hour marathon of endurance.

Speaking on Channels Television, the portrait artist reflected on her newly minted Guinness World Record (GWR) for the longest marathon of drawing portraits.

To prepare for the 90-hour stint, she underwent rigorous physical training, visiting the gym at midnight to build the stamina required to remain standing and focused for nearly four days.

The Guinness World Record (GWR) for the longest marathon of drawing portraits.

During the marathon, she completed 15 intricate portraits. Her subjects spanned a diverse range of global and local figures, including President Bola Tinubu, King Charles III, and Bishop David Oyedepo. She even took requests from her digital audience, sketching football icon Cristiano Ronaldo to keep the momentum going.

Abidemi revealed a poignant backstory. She began drawing at the age of 10 as a form of “art therapy” to cope with the trauma of witnessing domestic violence in her household.

Abidemi Praise Omowarola.

“I didn’t know it was called art therapy at the time,” she admitted, describing how she would retreat into a world of scribbles and broken lines to process the violence around her.

After relocating to the United Kingdom and working various jobs that distanced her from her easel, she saw the GWR attempt as her “launch back” into the creative world. Although her mother initially pressured her to pursue a more traditional career in medicine or law, Abidemi stayed true to the wish of her late father, who had always encouraged her artistic flair. Today, her mother is her biggest “convert,” often sitting by her side as she works.

Abidemi Praise Omowarola, the Guinness World Record (GWR) holder for the longest marathon of drawing portraits.

The Nigerian GWR Fever: A Growing Hall of Fame

Abidi Praise joins a growing list of Nigerians who have recently sought—and secured—official GWR plaques, turning the country into a global hub for record-breaking attempts.

1. Tunde Onakoya (Chess)
In April 2024, chess master and “Chess in Slums” founder Tunde Onakoya captured the world’s attention by playing chess for 60 hours in New York City’s Times Square. His record for the longest chess marathon was not just for glory; it raised over $100,000 for the education of underprivileged children across Africa.

2. Clara Chizoba Kronborg (Interviewing)
In early 2024, Marbella-based Nigerian media personality Clara Chizoba Kronborg broke the record for the longest interviewing marathon. She clocked in at 55 hours and 24 minutes, interviewing a diverse range of guests to promote African stories on a global stage.

3. Pelumi Nubi (Travel)
While not a “marathon” in the stationary sense, Pelumi Nubi achieved a historic feat in early 2024 by completing a solo drive from London to Lagos. Her journey across 17 countries in a small car inspired millions and earned her a hero’s welcome in Nigeria, highlighting the spirit of Nigerian resilience.

4. Hilda Baci (Cooking)
The current “GWR era” in Nigeria was arguably ignited by Hilda Baci in 2023. Her 93-hour “Cook-a-thon” became a national phenomenon, sparking a wave of “marathon” attempts across various disciplines, from reading to singing, as young Nigerians look to leverage the global platform to showcase their tenacity.

Record HolderAchievementImpact
Tunde Onakoya60-Hour Chess MarathonRaised $100k+ for underprivileged children.
Clara Kronborg55-Hour Interview MarathonChampioned African storytelling in the diaspora.
Pelumi NubiLondon-to-Lagos Solo DriveProved the limits of Nigerian travel and resilience.
Abidi Praise90-Hour Portrait MarathonHighlighted art as a tool for trauma recovery.



For Abidemi Praise, the plaque represents more than a title.