‘It Is All About Hard Work!’ Funke Akindele Urges Creatives To Own Their Craft

The National Film and Video Censors Board (NFVCB) event provided an intimate glimpse into the engine room of Funke Akindele, the woman who has redefined Nollywood’s box office commercial boundaries.

Akindele, known globally for the infectious vibrance of Jenifa, stood before her peers not as a celebrity but as a strategist who has navigated the trenches of an industry she describes as her “only home”.

Akindele dismantled the myth of the “overnight success.” Her journey, she noted, was paved with “years of hard work, dedication, and perseverance.”

“It’s not because I don’t have money to eat,” she clarified, her voice echoing the pragmatism of a CEO. “But I have to finish the job before I go back to eat. It is about staying focused and being intentional about success.” For Akindele, the “Big Girl” persona often seen on social media is a garment worn only after the “sleepless nights” have been clocked.



Perhaps the most visceral moment of the afternoon came when she pulled back the curtain on the marketing genius behind her record-breaking hit, Battle on Buka Street. At a time when the industry expected high-budget billboard campaigns, Akindele revealed she was operating on a shoestring.

“I didn’t have the marketing money,” she admitted. “I just created this backdrop in my sitting room, put a camera there, and started doing weird, crazy things.” It was this raw, digital-first approach, fuelled by her natural love for dance, that eventually set the internet ablaze. It was the refusal to follow the norm that eventually translated into box office gold. It proved that in the digital age, authenticity is a more valuable currency than a massive advertising spend.

“Regardless of the barriers… if you just stay at it, the world will hear your voice.”

Akindele  urged a shift away from the “seniority” complex, suggesting that in the new Nollywood, “money be the senior.”

“Nollywood is what we have,” she noted, echoing the sentiments of industry veteran Mahmoud Ali-Balogun. “We must not bring it down. Prop it up. This is where we eat from.” Her plea for collaboration was, “Know your strength. Find someone whose strength is your weakness and work together.”

The Jenifa star spoke touchingly about the emotional sanctuary her work provides. She confessed that even in her darkest moments—specifically the passing of her mother—work and dance remained her “happy place,” a way to navigate grief through movement and creation.

Her final charge to the young creatives watching from the digital sidelines was a stirring reminder to stay the course. “Keep creating and own it,” she urged. “Don’t be desperate. Just do the right thing, and years after, you’ll be proud of what you see.”

Lupita Nyong’o Opens Up About Decade-Long Battle With Fibroids

Oscar-winning actress Lupita Nyong’o has revealed she is facing a recurring battle with uterine fibroids, twelve years after her initial diagnosis.

Speaking on the TODAY show, the 12 Years a Slave star disclosed that her health struggles began in 2014, the same year she won her Academy Award.

Nyong’o described the “high high” of her professional success being met with the “low low” of a medical crisis involving heavy bleeding and pelvic pain. Although she underwent surgery at the time, she was warned that the condition could return. A decade later, she confirmed she is once again living with the condition, noting she now has “double the amount of fibroids”.

The actress expressed frustration over the lack of progress in women’s healthcare, noting that she is being offered the same limited choices today as she was in 2014: major surgery or living with the chronic pain. She specifically urged women to seek second opinions and not to accept a hysterectomy as a “first resort”.

To combat the “shame” and isolation often associated with reproductive health issues, Nyong’o has launched the Make Fibroids Count campaign. The initiative aims to secure investment for scientists to research less invasive treatment methods while encouraging women to share their experiences to end the trivialisation of the condition. Using the common medical practice of comparing fibroid sizes to fruit, she revealed that her largest was the size of an orange, a provocative analogy that helped other women “lay their burdens down.”

Nyong’o argued that because the condition affects up to 80% of women by age 50, it should no longer be dismissed as a normal part of life to “fight through.”

On the professional front, the actress confirmed she will star in the upcoming Christopher Nolan-directed film, The Odyssey, scheduled for release this summer.

I’m Not Competing With Anyone, Want To Tell Nigerian, African Stories – Funke Akindele

Award-winning Nollywood filmmaker and actress Funke Akindele has said her focus remains on telling authentic Nigerian and African stories rather than competing with colleagues in the industry.

She made the remarks on Friday in Lagos when the National Film and Video Censors Board honoured her with multiple awards at an event held at its South-West Zonal Office in Ikoyi.

“I’m not competing. It’s not a competition. I just want to tell African stories, you know, our own Nigerian stories. I want us to feel accepted, loved.

“I want them to watch our movies, learn, see what we go through, you know, hear our stories directly from a Nigerian, an African. That’s all I want to do. So this year, you will love it. But let’s keep our fingers crossed. I’m not going to spill it,” the 48-year-old filmmaker said.

Responding to questions about potential sequels and new releases, Akindele declined to reveal details but assured fans they would be pleased with what is ahead.

“I don’t want to spill it yet. Let’s keep our fingers crossed, but you will love it. You will love it. I don’t pressure myself, I must say. No, I don’t put pressure on myself. I just keep taking it day at a time, doing my thing.



Innovating Stories

Speaking on her evolution as a storyteller, the award-winning actress said constructive criticism and constant learning have helped her refine her craft and explore new narrative styles.

“Yes, it says a lot about recreating the story pattern, moving away from the normal thing you do. I listen to constructive criticisms; I really listen to it. I’m a good storyteller, I want to be the best at it.

“I learn a lot from my competitors, from mentors out there. I watch a lot of movies, I read books, and I listen to stories to grow my craft. It’s very important, so I must say it took me a lot of hard work on Behind the Scenes.

“I just sat down, like I was supposed to produce A Tribe Called Judah part two, and the spirit of God kept saying you have to move out of it… go and do something different, and here I am with it, so it’s a good one for me,” she said.

Akindele’s commercial success has often led to comparisons with fellow Nollywood star Toyin Abraham, particularly during competitive festive-season releases.

The two have, however, publicly downplayed rivalry narratives, emphasising mutual respect.

She has also been compared with actors such as Mercy Johnson Okojie and Genevieve Nnaji in discussions about influence and longevity.

Some critics also liken her performance intensity to that of American actress Taraji Henson. Occasional debates among fans also include Kehinde Bankole, reflecting the diversity of talent within the industry.



Separately, filmmaker Kunle Afolayan and Akindele made headlines in a public exchange earlier over film marketing strategies and profitability.

The disagreement was later clarified by Afolayan as an industry conversation rather than a personal feud.

Commercial Stride

Meanwhile, Akindele has consistently broken her own box office records and currently holds the top four spots for the highest-grossing Nollywood films of all time.

She is also the highest-grossing director in Nigerian box office history, with her films earning over ₦7.6 billion as of February 2026.

Funke Akindele’s Behind The Scenes

Her 2025/2026 film Behind The Scenes grossed over ₦2.57 billion, making it the highest-grossing Nollywood film ever.

It became the first Nigerian movie to surpass ₦2 billion in under four weeks and set a single-day record of ₦129.5 million on Boxing Day 2025.

In 2024, Everybody Loves Jenifa earned ₦1.88 billion, becoming the fastest Nollywood film to reach ₦1 billion in just 19 days.

The year before, A Tribe Called Judah (2023) made ₦1.4 billion, marking the first Nollywood film to cross the ₦1 billion milestone and holding the top spot for nearly a year.

Earlier successes include Battle on Buka Street (2022), which grossed ₦668.4 million and became the highest-grossing film of its time. It was also the first indigenous Nollywood film released in the U.S., earning over $61,000 across 11 locations.

Nigerian Doctor Named Among TikTok’s Top 50 Global Creators

A Nigerian medical doctor, Olawale Ogunlana, has been named among the 50 most influential creators on TikTok’s Global Discover List 2026.

The announcement was made on Friday in a statement signed by TikTok’s Global Head of Content Operations, James Stafford, who confirmed that Ogunlana was recognised in the “Educators” category.

The annual Discover List honours creators across five categories, Icons, Innovators, Foodies, Educators and Originators, spotlighting individuals shaping culture and conversations on the platform.

Ogunlana, founder of HealthKraft Africa, earned his place for using digital content to simplify complex medical issues and promote accessible health education.

Stafford said Ogunlana and the 49 other honourees had transformed their passions into sustainable careers, built thriving businesses and reached global audiences while redefining success within their industries.

READ ALSO: Asake, Wizkid, Burna Boy, Davido, Seyi Vibez Lead Nigeria’s Streams Since 2021 — Spotify

He noted that Ogunlana, who also serves as one of TikTok’s Sub-Saharan Wellbeing Ambassadors, has contributed to the platform’s culture of discovery by inspiring users to learn new skills and broaden their horizons.

Stafford added that Ogunlana’s short-form videos translate complicated medical concepts into clear, engaging content, effectively using digital platforms to improve health outcomes across Africa.

“At TikTok, we are committed to celebrating our inspiring creator community. Today, we are thrilled to unveil The Discover List 2026, a highlight of 50 creators to watch from around the world.

From the Educators who are inspiring their communities to learn something new, to the Originators who share their businesses with global audiences on TikTok, we are proud to be a space where new talent can be discovered, and authenticity and creativity can thrive.”

As part of activities marking the announcement, TikTok, in collaboration with the Food Network, will host a live culinary event titled Hot List x Discover List: The Future of Flavour in New York City.

According to Stafford, the 2026 list highlights TikTok’s role in removing barriers, nurturing creativity and connecting communities globally.

He explained that creators were chosen through a global nomination process, with final selections based on video production quality, viewership, audience growth, engagement and content that sparked global conversations over the past six months.

Reacting to the recognition, Ogunlana described the honour as a validation of the growing role of digital platforms in advancing public health communication.

He said, “For a long time, a doctor’s impact was limited to the four walls of a clinic. Being recognised on the TikTok Discover List is an incredible honour that extends beyond personal recognition; it is a validation of the power of ‘edutainment’ and proof that the screen has become the modern stethoscope, enabling us to reach, educate, and heal millions simultaneously.

This milestone is a significant win for public health communication in Africa, demonstrating that audiences on powerful platforms like TikTok genuinely seek verified, relatable health information. I am thrilled to be part of a list that celebrates creators making a tangible difference in the world.”

Other African Creators Recognised

Also featured on the 2026 list were food creators Trevor Were from Nairobi and Wayne Chang from Cape Town, alongside creative entrepreneurs Cherie Kihato and Tamia Nontsikelelo.

Were and Chang, both recognised in the “Foodies” category, are expected to participate in a live culinary showcase hosted in Food Network’s kitchen, bringing together creators shaping the global food landscape.

Chang gained acclaim for vibrant culinary content blending Asian cuisines with locally sourced South African ingredients, while Were, a self-taught chef, built a following by transforming everyday meals into accessible recipes.

Kihato founded Savannah Space, a design studio and showroom celebrating heritage through furniture and interiors, while Nontsikelelo grew her modest fashion brand Tol’thema through storytelling and strategic marketing on TikTok.

Sub-Saharan African creators first appeared on the Discover List in 2025, gaining international exposure through features in TIME Magazine and participation in global industry events such as the Cannes Lions International Festival of Creativity.

Snoop Dogg ‘Can’t Wait’ For First Swansea Visit

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Swansea co-owner Snoop Dogg wants fans to serenade him by twirling towels when he visits the Welsh football club for the first time.

The American rapper, a minority owner of Swansea — who play in England’s second-tier Championship — is due to attend Tuesday’s clash at home to Preston.

And he has asked the crowd to be in their seats ahead of kick-off to twirl complimentary towels — a common sight among fans in American sports.

“@SnoopDogg is asking the Jack Army to join him in a pre-match towel twirl this evening,” said a post on Swansea’s official X account.

“Fans are encouraged to be in their seats 20 minutes before kick-off, and to twirl the towels as Snoop walks on the pitch.”

The post was accompanied by a short video of the 54-year-old singer showing how he would like fans to twirl the towels.

His visit was announced last week and the chart-topping Snoop Dogg said on Swansea’s website: “I know it has been a long time coming, but I cannot wait to finally make my first visit to Swansea.

“From the moment we talked about me becoming an owner, I have been looking forward to the chance to be with you all at the Swansea.com Stadium.

“I have heard so many great things about the atmosphere, especially when we play under the lights.

“When I watched the Wrexham game, where we showed we are the capital of Welsh football, the noise in the stadium sounded incredible even from over 5,000 miles away. I can’t wait to be a part of it.”

Snoop Dogg made headlines at the Winter Olympics, where he was an honorary coach for Team USA as well as a special correspondent for US broadcaster NBC.

Asake, Wizkid, Burna Boy, Davido, Seyi Vibez Lead Nigeria’s Streams Since 2021 — Spotify

Music streaming platform Spotify has named Asake, Wizkid, Seyi Vibez, Burna Boy and Davido as the most-streamed Nigerian artistes in the country since its launch in February 2021.

The company disclosed this in data released on Monday to mark five years of operations in Nigeria, highlighting rapid growth in music consumption and user engagement on the platform.

According to Spotify, music streaming activity in Nigeria has grown at an average rate of 163.5 per cent since launch, with triple-digit year-on-year increases recorded in the early years and sustained momentum through 2025.

The platform described the period as one of “rapid cultural acceleration”, driven largely by the dominance of Afrobeats among local listeners. Streams of Afrobeats in Nigeria rose by more than 5,000 per cent between 2021 and 2025.

Other genres also recorded significant gains, with Amapiano growing by over 10,000 per cent, gospel and praise music by more than 5,000 per cent, hip-hop and rap by over 3,000 per cent, and R&B by more than 2,600 per cent.

Indigenous Languages

Spotify’s figures show a sharp rise in listening to music recorded in Nigerian indigenous languages, particularly in 2024 and 2025.

The trend was mirrored globally, indicating increasing international interest in local-language music and storytelling.

The platform noted that language has become a key growth driver, with strong year-on-year increases in indigenous-language streams both within Nigeria and abroad.

User engagement has also expanded significantly. Spotify reported that Nigerian users have created more than 25 million playlists over the past five years, reflecting growing discovery and curation habits.

In 2025 alone, listeners in Nigeria recorded more than 1.4 million listening hours on the platform.

Podcast consumption has also surged, with cumulative listening running into tens of billions of hours since launch.

The company said the average Spotify user in Nigeria is 26 years old, underscoring the influence of young, digitally native audiences.

Recent data show that the average listener streams about 150 different artistes, highlighting broad and exploratory listening patterns.

Most-Played Songs, Artistes

Over the five-year period, Nigerian listeners repeatedly streamed tracks such as “Remember” and “Lonely At The Top” by Asake, “Kese (Dance)” by Wizkid, and other popular releases including collaborations and emerging hits.

Spotify added that the number of Nigerian artistes distributing music on the platform has grown by more than 150 per cent since 2021, reflecting wider adoption of digital distribution by local creators seeking global reach.