Richard Blackwood says Celebrity Traitors star the ‘funniest person’ he’s ever worked with

EXCLUSIVE: Richard Blackwood has enjoyed a successful career in the entertainment industry, but it was his time on EastEnders that taught him some valuable lessons about acting

Richard Blackwood, 53, has been a fixture on UK screens for decades. The multi-talented performer has built a career spanning comedy, radio, television presenting, acting, and stage work. He is also a devoted father to his son, showcasing a more private side behind his public persona.

While many know him from his quick wit and energetic presence, Blackwood has also made a lasting impact in British soaps, portraying Vincent Hubbard in EastEnders and later Felix Westwood in Hollyoaks.

Speaking recently, he reflected on the funniest person he has ever worked with. Blackwood acknowledged that while stand-up is naturally full of comedians, there was one actor in particular who had him laughing on set.

READ MORE: EastEnders Jasmine’s true identity ‘rumbled’ – but she’s ‘not Zoe’s daughter’READ MORE: Aldi rivals Yankee Candle with its affordable candle-filled advent calendar for £25

“Oh, it’s a good question. Do you know what, I will work with many funny people, but in terms of acting wise it would be Tameka Thompson,” he revealed.

His admiration for Tameka is not just limited to their work together. Blackwood has been keeping up with her current appearance on Celebrity Traitors, which has showcased her personality to a wider audience, before she was banished by her castmates. When asked if he had been watching, he laughed: “Yeah, yeah, she’s out now, but of course I had to watch her. Love it.”

For Blackwood, it’s a reminder of the broad spectrum of talent he has encountered throughout his career. However, his mind quickly turns to the soaps that helped establish him as a household name.

Reflecting on his time in front of the camera, he explained the lessons he learned from working in soaps. “Do you know what, when you’re doing a soap, you’re working with people that are equally as good or even better than you, yeah. Because remember, we are all actors and actresses, right? We all come from different backgrounds — some are trained, some are not trained — but you all now are on this equal plane where you have to deliver.”

Blackwood was particularly influenced by the veteran cast members on EastEnders. “When you’re watching EastEnders and you see all these new characters come in and then you see them do scenes with the veterans like Steve McFadden that plays Phil, or Diane that plays Denise — you know what I mean — these are veterans.”

“Like Diane, I can’t remember what acting school she went to, one of the top ones in the country, but she’s just… when you’re on set with her and she starts acting, you know you’ve gotta bring something. She’s just doing it because it’s what she knows — it’s natural. But when you deliver your line and then she delivers hers, you’re thinking, ‘Shit, my line was shit,’ because she was so bam-bam-bam, so in character, that she makes you internally go, ‘Yo, you see your next line? You better bring that.’”

However, it was working opposite Steve McFadden, the legendary Phil Mitchell, that left a lasting impression. “The same with Steve. You know, when I did scenes with Steve, I maybe once — if that — forgot a line.”

“And it’s not that he demanded that, he was cool, but because of the level he was on. He never messed up his lines. He’d come in, script down, everything in his head. So if they said, ‘Do another take,’ he didn’t even look back at the script. He was just bam, straight into it.”

Richard described how this professionalism influenced his own approach to acting. “So me, I’d do the same — I’d learn my lines, put the script down. And he’d see that and sometimes give me a little nod, because he understood that you came here prepared.”

“And in a weird sort of way, you’re giving the other actor or actress respect — you’re saying, ‘I’m gonna make sure that our scene, our dance, isn’t messed up by me.’ It’s a dance, you know? So when you’re both on the same level — trust me — when you finish, they’ll give you a little nod or a touch between takes that lets you know two things: number one, you delivered; and number two, I respect that you respect me.”

He added, “Actors will understand exactly what I mean when I say that. You’re saying, ‘I respect this whole scene. I respect you, who I’m working with, and I wanna make sure there’s no weak link on my side.’ That’s what I’ve learned from doing these shows.”

Even years later, Richard remains recognised for his role as Vincent Hubbard. “I love Hollyoaks, yeah — I loved Felix. But Vincent… there was something about Vincent. It was that family aspect. He was edgy, but family-driven — you knew, ‘I’ll do whatever I need to do for my family.’ Especially when you first saw him, you knew not to mess with him.”

He recalls one particularly memorable scene: “The scene with me and Fatboy, where I locked him in the cupboard and said, ‘Don’t let me tell you twice,’ that scene was about him dating my disabled sister and not taking her seriously. My thing was like, ‘Oh, so you played her, and you knew it was my sister, and you thought that was OK? Alright.’ People saw that and thought, ‘OK, he don’t care,’ but it wasn’t that — it was, ‘You deal with her correctly, otherwise you’ve got to come see me.’ People liked that, you know what I mean?”

Asked if he would ever return to EastEnders, Blackwood was careful but optimistic. “I would never say never,” he said. “You could say, ‘No, I’m not going back,’ and block your blessings, because God might be saying, ‘Hey, you might need that to get you to there.’ So now I just say — I never say never.”

Currently, Richard is starring in ITV ’s Union Black, which airs on tonight (20 October). Created and directed by Sebastian Whyte, the programme features voices from across the Black British experience, including Llewella Gideon, ENNY, Afua Hirsch, Jazzie B, Travis Jay, KG tha Comedian, Eddie Kadi, Vanessa Kingori, Ola Labib, Slim, Wretch 32, and Curtis Walker.

Discussing why he joined the show, Richard explained, “Do you know what, with me, right, I, I, I am very — I don’t know if guilty is the right word — but I’ve always cared about my people first. I know that sounds… well, I don’t know how that sounds, but I’m not gonna apologise for it. I’ve always been, I’ve always been that way.”

Article continues below

Watch Union Blacks now on ITVX.

Richard Blackwood says Celebrity Traitors star the ‘funniest person’ he’s ever worked with

EXCLUSIVE: Richard Blackwood has enjoyed a successful career in the entertainment industry, but it was his time on EastEnders that taught him some valuable lessons about acting

Richard Blackwood, 53, has been a fixture on UK screens for decades. The multi-talented performer has built a career spanning comedy, radio, television presenting, acting, and stage work. He is also a devoted father to his son, showcasing a more private side behind his public persona.

While many know him from his quick wit and energetic presence, Blackwood has also made a lasting impact in British soaps, portraying Vincent Hubbard in EastEnders and later Felix Westwood in Hollyoaks.

Speaking recently, he reflected on the funniest person he has ever worked with. Blackwood acknowledged that while stand-up is naturally full of comedians, there was one actor in particular who had him laughing on set.

READ MORE: EastEnders Jasmine’s true identity ‘rumbled’ – but she’s ‘not Zoe’s daughter’READ MORE: Aldi rivals Yankee Candle with its affordable candle-filled advent calendar for £25

“Oh, it’s a good question. Do you know what, I will work with many funny people, but in terms of acting wise it would be Tameka Thompson,” he revealed.

His admiration for Tameka is not just limited to their work together. Blackwood has been keeping up with her current appearance on Celebrity Traitors, which has showcased her personality to a wider audience, before she was banished by her castmates. When asked if he had been watching, he laughed: “Yeah, yeah, she’s out now, but of course I had to watch her. Love it.”

For Blackwood, it’s a reminder of the broad spectrum of talent he has encountered throughout his career. However, his mind quickly turns to the soaps that helped establish him as a household name.

Reflecting on his time in front of the camera, he explained the lessons he learned from working in soaps. “Do you know what, when you’re doing a soap, you’re working with people that are equally as good or even better than you, yeah. Because remember, we are all actors and actresses, right? We all come from different backgrounds — some are trained, some are not trained — but you all now are on this equal plane where you have to deliver.”

Blackwood was particularly influenced by the veteran cast members on EastEnders. “When you’re watching EastEnders and you see all these new characters come in and then you see them do scenes with the veterans like Steve McFadden that plays Phil, or Diane that plays Denise — you know what I mean — these are veterans.”

“Like Diane, I can’t remember what acting school she went to, one of the top ones in the country, but she’s just… when you’re on set with her and she starts acting, you know you’ve gotta bring something. She’s just doing it because it’s what she knows — it’s natural. But when you deliver your line and then she delivers hers, you’re thinking, ‘Shit, my line was shit,’ because she was so bam-bam-bam, so in character, that she makes you internally go, ‘Yo, you see your next line? You better bring that.’”

However, it was working opposite Steve McFadden, the legendary Phil Mitchell, that left a lasting impression. “The same with Steve. You know, when I did scenes with Steve, I maybe once — if that — forgot a line.”

“And it’s not that he demanded that, he was cool, but because of the level he was on. He never messed up his lines. He’d come in, script down, everything in his head. So if they said, ‘Do another take,’ he didn’t even look back at the script. He was just bam, straight into it.”

Richard described how this professionalism influenced his own approach to acting. “So me, I’d do the same — I’d learn my lines, put the script down. And he’d see that and sometimes give me a little nod, because he understood that you came here prepared.”

“And in a weird sort of way, you’re giving the other actor or actress respect — you’re saying, ‘I’m gonna make sure that our scene, our dance, isn’t messed up by me.’ It’s a dance, you know? So when you’re both on the same level — trust me — when you finish, they’ll give you a little nod or a touch between takes that lets you know two things: number one, you delivered; and number two, I respect that you respect me.”

He added, “Actors will understand exactly what I mean when I say that. You’re saying, ‘I respect this whole scene. I respect you, who I’m working with, and I wanna make sure there’s no weak link on my side.’ That’s what I’ve learned from doing these shows.”

Even years later, Richard remains recognised for his role as Vincent Hubbard. “I love Hollyoaks, yeah — I loved Felix. But Vincent… there was something about Vincent. It was that family aspect. He was edgy, but family-driven — you knew, ‘I’ll do whatever I need to do for my family.’ Especially when you first saw him, you knew not to mess with him.”

He recalls one particularly memorable scene: “The scene with me and Fatboy, where I locked him in the cupboard and said, ‘Don’t let me tell you twice,’ that scene was about him dating my disabled sister and not taking her seriously. My thing was like, ‘Oh, so you played her, and you knew it was my sister, and you thought that was OK? Alright.’ People saw that and thought, ‘OK, he don’t care,’ but it wasn’t that — it was, ‘You deal with her correctly, otherwise you’ve got to come see me.’ People liked that, you know what I mean?”

Asked if he would ever return to EastEnders, Blackwood was careful but optimistic. “I would never say never,” he said. “You could say, ‘No, I’m not going back,’ and block your blessings, because God might be saying, ‘Hey, you might need that to get you to there.’ So now I just say — I never say never.”

Currently, Richard is starring in ITV ’s Union Black, which airs on tonight (20 October). Created and directed by Sebastian Whyte, the programme features voices from across the Black British experience, including Llewella Gideon, ENNY, Afua Hirsch, Jazzie B, Travis Jay, KG tha Comedian, Eddie Kadi, Vanessa Kingori, Ola Labib, Slim, Wretch 32, and Curtis Walker.

Discussing why he joined the show, Richard explained, “Do you know what, with me, right, I, I, I am very — I don’t know if guilty is the right word — but I’ve always cared about my people first. I know that sounds… well, I don’t know how that sounds, but I’m not gonna apologise for it. I’ve always been, I’ve always been that way.”

Article continues below

Watch Union Blacks now on ITVX.

Shop Helen Skelton’s exact Pride of Britain Awards red carpet outfit with 50% off

In a black velvet cut-out dress from Self Portrait, Heidi Skelton walked on the red carpet at the Pride of Britain Awards, which is currently 50% off and still available in all sizes.

A host of celebrities have been appearing on the red carpet recently for the Pride of Britain Awards in London, including Helen Skelton, who effortlessly delivered classic glamour in a black velvet maxi dress. Self Portrait’s Strapless Cutout Velvet Peplum Maxi Dress, which retails for around £480, was the dress Helen wore.

Although this is still reasonably priced for a red carpet-ready gown, it’s quite the splurge for most of us to spend on a dress. However if you’re coveting her dress for a black tie event or an upcoming Christmas party then you’re in luck, because it’s now got 50% off, slashing it to £240.

READ MORE: Amy Dowden graces the Pride of Britain red carpet wearing £42 high street sparkly heels.

READ MORE: Helen Skelton’s waterproof trainers prevent plantar fasciitis and keep feet “100% dry.”

The Self Portrait dress is the ideal option if a formal event is already in store for you. It can also be worn for anything, including a black tie wedding and a Christmas party. It has some skin-bared details that are still elegant and classy thanks to the luxurious material and the black velvet material.

Its fitted bodice aids in shaping your body, and the peplum detail around the waist adds drama and fun. A column skirt balances out the exaggerated ruffle around the waist in the strapless cutout velvet peplum max dress, giving it a slimming and comfortable appearance.

Helen’s dress is a perfect illustration of how to add a contemporary twist to a classic Hollywood-style glamour, and she kept the rest of her outfit simple so that the dress could shine. Helen also wore what appears to be the Daniel Inrouche Suede Ruched Clutch Bag, which you can’t see where she went with, as well as a statement glittering necklace.

The exact bag retails for £149, and Helen prefers to purchase it in chocolate brown or black leather. There are also some slightly more affordable options to shop if you want to copy Helen’s style on a smaller budget.

The Sarifa Black Velvet Strapless Corset Midi Dress with Ruffle Peplum, priced at £150, features a fitted bodice, sweetheart neckline, and peplum ruffles around the waist, and is comparable to Helen’s Self Portrait dress from Club L. The Club L dress has a midi length, which makes it a little more wearable for events off the red carpet, as opposed to a floor-length hemline.

Continue reading the article.

The ASOS DESIGN Embroidered Bust Cut Out Velvet Maxi Dress, which costs $95, has a slightly more streamlined silhouette that still retains Helen’s style. Although there is no peplum ruffle, the bust has fringe corsage details and cut out details that run the length of the silhouette.

Shop Helen Skelton’s exact Pride of Britain Awards red carpet outfit with 50% off

Helen Skelton hit the Pride of Britain Awards red carpet in a black velvet cut out dress from Self Portrait – and it’s currently got 50% off and still in stock in all

The Pride of Britain Awards are underway in London tonight, and a whole host of stars have been hitting the red carpet, including Helen Skelton, who nailed effortless classic glamour in a black velvet maxi dress. The exact dress Helen wore was Self Portrait’s Strapless Cutout Velvet Peplum Maxi Dress, which is usually priced at £480.

Although this is still reasonably priced for a red carpet-ready gown, it’s quite the splurge for most of us to spend on a dress. However if you’re coveting her dress for a black tie event or an upcoming Christmas party then you’re in luck, because it’s now got 50% off, slashing it to £240.

READ MORE: Amy Dowden wears £42 high street sparkly heels for Pride of Britain red carpet

READ MORE: Helen Skelton’s waterproof trainers ‘help with plantar fasciitis’ and keep feet ‘100% dry’

The Self Portrait dress is the perfect pick if you have a formal even on the horizon, but could just as easily be worn for everything from a Christmas party to a black tie wedding, so although it’s still a little pricey, it’s a dress you’ll get plenty of wear out of for events. The black velvet material gives it a luxurious edge, and it has cut out details that bare some skin whilst still looking elegant and classy.

Its fitted bodice helps define your shape, whilst the peplum detail around the waist creates some added drama and fun. The Strapless Cutout Velvet Peplum Maxi Dress also features a column skirt which balances out the exaggerated ruffle around the waist, creating a slimming look that’s flattering and comfortable to wear.

Helen’s dress is the perfect example of how to do a modern twist on classic Hollywood-style glamour, and she kept the rest of her outfit simple to allow the dress to shine. Although you can’t see which shoes she picked, Helen also added a statement glittering necklace and carried what looks to be the Inrouche Suede Ruched Clutch Bag from Daniel.

You can pick up the exact bag for £149, and although Helen picked the beige suede version, you can also shop it in chocolate brown suede or black leather. If you want to copy Helen’s look on a little more of a budget, there’s also some slightly more affordable picks to shop.

At Club L the Sarifa Black Velvet Strapless Corset Midi Dress with Ruffle Peplum is £150 and has a similar silhouette to Helen’s Self Portrait dress, with a fitted bodice with a sweetheart neckline and peplum ruffle around the waist. However instead of a floor length hemline, the Club L dress is a midi length which makes it a little more wearable for events off the red carpet.

Article continues below

Meanwhile the ASOS DESIGN Embroidered Bust Cut Out Velvet Maxi Dress is £95 and has a slightly more streamlined silhouette that still retains the essence of Helen’s dress. There’s no peplum ruffle, but it does feature cut out details and a floor length silhouette, with fringe corsage details on the bust.

Robbie Williams says ‘the magic is gone’ from Noel Gallagher’s songwriting skills

Noel Gallagher is no longer a great songwriter, according to Robbie Williams, for whatever reason.

Robbie Williams has given a backhanded compliment to Noel Gallagher – saying his songwriting “magic had gone” after the first few Oasis albums.

Robbie and the Oasis brothers Liam and Noel were embroiled in one of the longest ever pop feuds after Noel branded him the “fat dancer from Take That ” and Robbie ended up challenging Liam to a £100,000 prize fight at the 2000 BRIT Awards.

After Definitely Maybe and (What’s The Story) Morning Glory, songwriter Noel has since lost his magic touch for hits, despite recent thawing between the trio. came out .

Robbie said on the Heretics podcast, “It’s very interesting about how, why, and when the magic leaves, and who gets the magic the longest.

“Like Noel Gallagher, right? ” Like the best on earth at the time, a three-year, extremely hot streak. And, you know, B-sides that everyone else would prefer to play on the last day of their lives instead of touring on their own.

“And he completely destroyed them,” he said. It was just gold, gold, gold, gold, gold, gold, gold, gold, gold, gold, gold, gold, gold, gold, gold, gold, gold, gold, gold, gold, gold, gold, gold, gold, gold, gold, gold, gold, gold, gold, gold, gold, gold, gold, gold, gold, gold, gold, gold, gold, gold, gold, gold, gold, gold, gold, gold, gold, gold, gold, gold, gold, gold, gold, gold, The third album was still incredibly impressive, for whatever reason, you can see. That would be wonderful. But then, you’ll know, with respect, because he’s still a fantastic songwriter, magic, and gone.

When did Paul McCartney experience that ethereal quality, the magic, the magic, the magic? He seemed to have it for, you know, the longest period of time. Nobody, in my opinion, can ever be forever stuck in the pocket.

Noel might agree with Robbie’s assertion that only one song from the band’s fifth album, Heathen Chemistry, from the Oasis Live ’25 tour, which came out after 1997 and was included in the setlist, Little By Little, 2002.

Before their massive falling out, Robbie, 51, met Oasis at the 1995 Glastonbury Festival, and despite decades of feuding, he still admits he had a crush on rival Liam rather than form a boy band with Gary Barlow.

He said, “I’m like, I’m this,” when that euphoria of guitar music re-enters into the charts in 1994, 1995, and 1996.”

“I loved Oasis and I loved Pulp, and I loved Supergrass, and I loved Radiohead. I was like, ‘I don’t want to be Gary Barlow’s backing dancer. I want to sing like Tom Yorke and strut around like Liam Gallagher.’ “So I shook my fist at it and attempted it. And on that album, there was Let Me Entertain You and Angels, but there is, like you say, Lazy Days, South of the Border, and Life Through a Lens. Fortunately for me it worked.”

Robbie admits to having a similar writer’s block, and that’s why he tried to tackle it on his upcoming new album BRITPOP in 1995.

He said, “The creative process is this, in my opinion. I perused the first five or six albums, like a pool player reaching for the impossible table. and merely easing. I was completely unrestrained. It was exactly the same as next, next, next, next, next, next, next, next, next, next, next, next, etc.

I then released the album Rude Box in 2006. And that album is the one that I, a 14-year-old, would have wanted to create and be very proud of.

I knew a daft song was coming from me. I’m a rapper now, so I wasn’t sort of going. I was just going, “Wahey, I’m Freddie Starr and I’m rhyming s**t,” when I initially assumed I was grime or something. Simply put, it was enjoyable.

The record kind of skipped at that point. As someone who has a lot of anxiety, for me, in general. After that, I had to consider everything I had done.

Then it kind of resembles diminishing returns. On a roller coaster, you can only go this far before the loop to loop begins. I’ve been overly musical with everything, just sort of.

When I wrote those first five or six albums, there was no fear. And then, I guess I should have said, “Let’s just go back to the beginning with this new album.” It’s 1995, I’ve just left Take That. What album would I create knowing what I already know?

Continue reading the article.

That’s what I did with this album, exactly. And because I have stopped pursuing the hit in general, it is very liberating and liberating.

Robbie Williams says ‘the magic is gone’ from Noel Gallagher’s songwriting skills

Noel Gallagher is no longer a great songwriter, according to Robbie Williams, for whatever reason.

Robbie Williams has given a backhanded compliment to Noel Gallagher – saying his songwriting “magic had gone” after the first few Oasis albums.

Robbie and the Oasis brothers Liam and Noel were embroiled in one of the longest ever pop feuds after Noel branded him the “fat dancer from Take That ” and Robbie ended up challenging Liam to a £100,000 prize fight at the 2000 BRIT Awards.

After Definitely Maybe and (What’s The Story) Morning Glory, songwriter Noel has since lost his magic touch for hits, despite recent thawing between the trio. came out .

Robbie said on the Heretics podcast, “It’s very interesting about how, why, and when the magic leaves, and who gets the magic the longest.

“Like Noel Gallagher, right? ” Like the best on earth at the time, a three-year, extremely hot streak. And, you know, B-sides that everyone else would prefer to play on the last day of their lives instead of touring on their own.

“And he completely destroyed them,” he said. It was just gold, gold, gold, gold, gold, gold, gold, gold, gold, gold, gold, gold, gold, gold, gold, gold, gold, gold, gold, gold, gold, gold, gold, gold, gold, gold, gold, gold, gold, gold, gold, gold, gold, gold, gold, gold, gold, gold, gold, gold, gold, gold, gold, gold, gold, gold, gold, gold, gold, gold, gold, gold, gold, gold, gold, The third album was still incredibly impressive, for whatever reason, you can see. That would be wonderful. But then, you’ll know, with respect, because he’s still a fantastic songwriter, magic, and gone.

When did Paul McCartney experience that ethereal quality, the magic, the magic, the magic? He seemed to have it for, you know, the longest period of time. Nobody, in my opinion, can ever be forever stuck in the pocket.

Noel might agree with Robbie’s assertion that only one song from the band’s fifth album, Heathen Chemistry, from the Oasis Live ’25 tour, which came out after 1997 and was included in the setlist, Little By Little, 2002.

Before their massive falling out, Robbie, 51, met Oasis at the 1995 Glastonbury Festival, and despite decades of feuding, he still admits he had a crush on rival Liam rather than form a boy band with Gary Barlow.

He said, “I’m like, I’m this,” when that euphoria of guitar music re-enters into the charts in 1994, 1995, and 1996.”

“I loved Oasis and I loved Pulp, and I loved Supergrass, and I loved Radiohead. I was like, ‘I don’t want to be Gary Barlow’s backing dancer. I want to sing like Tom Yorke and strut around like Liam Gallagher.’ “So I shook my fist at it and attempted it. And on that album, there was Let Me Entertain You and Angels, but there is, like you say, Lazy Days, South of the Border, and Life Through a Lens. Fortunately for me it worked.”

Robbie admits to having a similar writer’s block, and that’s why he tried to tackle it on his upcoming new album BRITPOP in 1995.

He said, “The creative process is this, in my opinion. I perused the first five or six albums, like a pool player reaching for the impossible table. and merely easing. I was completely unrestrained. It was exactly the same as next, next, next, next, next, next, next, next, next, next, next, next, etc.

I then released the album Rude Box in 2006. And that album is the one that I, a 14-year-old, would have wanted to create and be very proud of.

I knew a daft song was coming from me. I’m a rapper now, so I wasn’t sort of going. I was just going, “Wahey, I’m Freddie Starr and I’m rhyming s**t,” when I initially assumed I was grime or something. Simply put, it was enjoyable.

The record kind of skipped at that point. As someone who has a lot of anxiety, for me, in general. After that, I had to consider everything I had done.

Then it kind of resembles diminishing returns. On a roller coaster, you can only go this far before the loop to loop begins. I’ve been overly musical with everything, just sort of.

When I wrote those first five or six albums, there was no fear. And then, I guess I should have said, “Let’s just go back to the beginning with this new album.” It’s 1995, I’ve just left Take That. What album would I create knowing what I already know?

Continue reading the article.

That’s what I did with this album, exactly. And because I have stopped pursuing the hit in general, it is very liberating and liberating.