PSG vs Arsenal – UEFA Champions League: Start time, team news, lineups

Who: Paris Saint-Germain (PSG) vs Arsenal
What: UEFA Champions League semifinal, second leg
Where: Parc des Princes, Paris, France
When: Wednesday at 9pm (19:00 GMT)

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PSG and Arsenal continue their quest to win a maiden UEFA Champions League title when they clash in the second leg of their semifinal in Paris.

PSG’s away victory over the Gunners in the opening leg at Emirates Stadium on April 29 has the Parisians firming up as the favourites to progress to the final.

The Gunners face the daunting – but not impossible – task on Wednesday of needing to beat the French champions on the road if they want to reach the Champions League final for just the second time in their history.

Here is all to know before the semifinal decider between two of Europe’s most talented football clubs:

What happened in the opening leg?

PSG took a big step towards reaching the final when Ousmane Dembele’s early goal sealed a 1-0 win at Arsenal in a tense first leg of the semifinal.

Dembele fired home off the post in the fourth minute as PSG dominated the opening stages, and manager Luis Enrique’s side held firm to take a precious advantage back to the French capital.

When did Arsenal and PSG last reach a UEFA Champions League final?

Neither side have won Europe’s premier football competition, but both have lost a final.

PSG made their only final appearance in the 2019-2020 season, losing to German side Bayern Munich 1-0 at the Estadio da Luz in Lisbon, Portugal.

Arsenal’s participation in a UEFA Champions League final was 19 long years ago for Gunners fans, and they lost to Barcelona 2-1 in the 2005-2006 season at the Stade de France in Saint-Denis, France.

Team news: PSG

Star striker Dembele, who limped off with a minor hamstring strain after scoring the game winner against Arsenal in the first leg in London, has been passed fit to play in the return leg, Enrique said on Tuesday.

Dembele, 27, is PSG’s top scorer this season with 33 goals in all competitions.

PSG’s regular squad is otherwise injury-free with Desire Doue tipped to re-enter the attacking winger role at the expense of France international Bradley Barcola.

PSG’s French forward #10 Ousmane Dembele, next to head coach Luis Enrique, takes part in a training session on the eve of their second leg semifinal UEFA Champions League match against Arsenal at the club’s training ground in Poissy, west of Paris, on May 6, 2025 [Franck Fife/AFP]

Team news: Arsenal

Key midfielder Thomas Partey returns to the side after sitting out the first leg against PSG with a suspension, restoring manager Mikel Arteta’s preferred midfield trio with Declan Rice and Martin Odegaard.

Jurrien Timber is questionable for this match as he continues to battle back to full fitness after a knee injury. But in some good news for the club, the Dutch defender was seen training with the Gunners squad on Tuesday shortly before they departed for France.

Sidelined stars Kai Havertz, Riccardo Calafiori and Jorginho are all likely to play before the end of the Premier League season, but none of them is in contention for Champions League selection unless Arsenal make it to the final at the end of May.

Gabriel, Gabriel Jesus and Takehiro Tomiyasu are all out until next season.

Jurrien Timber and Thomas Partey in action.
Arsenal’s Dutch defender #12 Jurrien Timber, left, and Ghanaian midfielder #5 Thomas Partey take part in a team training session in London Colney, north of London, on May 6, 2025, on the eve of their UEFA Champions League semifinal second leg match against PSG [Glyn Kirk/AFP]

Possible lineups:

Arsenal possible XI: Raya; Timber, Saliba, Kiwior, Lewis-Skelly; Partey, Rice, Odegaard; Saka, Merino, Martinelli

PSG possible XI: Donnarumma; Hakimi, Marquinhos, Pacho, Nuno Mendes; Vitinha, Fabian Ruiz, Joao Neves; Kvaratskhelia, Dembele, Doue

Head-to-head:

The teams have played on six prior occasions across all competitions:

  • Arsenal wins: 3
  • PSG wins: 1
  • Draws: 2

What the managers had to say:

Arsenal’s Arteta: “If you want to be in the Champions League final, you have to do something special. We’re going to have to do something special in Paris to be there.”

PSG’s Enrique: “We’re bound to suffer because our opponents don’t have a favourable result. We need to match our performance as closely as possible in the first leg to win the return leg and stay true to our ideas.”

When and where is the 2025 UEFA Champions League final?

The winner of this semifinal heads to Germany on May 31 for the Champions League final.

European football’s largest annual showpiece will be played at the 75,000-capacity Allianz Arena in Munich.

Exterior view of football stadium.
One of the world’s great football venues – Allianz Arena in Munich, Germany – will host the 2024-2025 UEFA Champions League final [File: Matthias Schrader/AP]

Germany’s Merz elected chancellor in second round vote

DEVELOPING STORY,

Conservative leader Friedrich Merz has been elected Germany’s chancellor in a second round of parliamentary voting after his new alliance with the centre-left Social Democratic Party (SPD) was dealt a surprise defeat in the first attempt.

Merz’s failure to win parliamentary backing in the first round of voting was a first for post-war Germany.

Merz received 325 votes in the second round of voting on Tuesday.

He needed a majority of 316 out of 630 votes in a secret ballot, but only received 310 votes in the first round, well short of the 328 seats held by his coalition.

After the vote, the 69-year-old  headed to the nearby Bellevue Palace to be formally nominated by President Frank-Walter Steinmeier. Later, Merz will return to the historic Reichstag building in the heart of Berlin to take the oath of office to become Germany’s 10th chancellor since the end of World War Two.

Merz-led conservative alliance of the Christian Democratic Union (CDU) and the Christian Social Union (CSU) had topped in the national elections in February with 28.5 percent of the vote, but it still required at least one coalition partner to form a majority government.

Germany’s incoming Chancellor Friedrich Merz shakes hands with outgoing leader Olaf Scholz in the lower house of the German parliament, May 6, 2025 [Fabrizio Bensch/Reuters]

On Monday, the CDU/CSU reached an agreement with the SPD, which secured 16.4 percent in the elections after the collapse of Olaf Scholz’s government last year.

Their agreement has mapped out plans to revive growth, such as reducing corporate taxes and lowering energy prices. It is also promising strong support for Ukraine as it battles to repel Russia’s invasion, and higher military spending.

The new chancellor’s in-tray would also include the Trump administration’s confrontational trade policy and domestic issues, such as the rise of the far-right, anti-immigrant party Alternative for Germany (AfD).

Germany, the most populous member state of the 27-nation European Union, has the continent’s biggest economy and serves as a diplomatic heavyweight.

Merz is currently under heavy pressure to show German leadership.

“People have been asking Germany to lead for a long time, and there is no more space to not heed that call,” said Sudha David-Wilp of the German Marshall Fund of the United States.

“Everything that had been undergirding post-war Germany in the past eight decades is no longer the case, whether it be open markets and free trade, whether it be the US security presence in Europe.”

What are the Piprahwa gems, and why is India trying to stop their auction?

The Indian government has condemned an auction of ancient Indian gems and issued a legal notice to stop the “unethical” sale of the relics, which it said should be treated as the sacred body of the Buddha.

New Delhi’s Ministry of Culture said the auction of the Piprahwa gems in Hong Kong, scheduled for Wednesday, “violates Indian and international laws as well as United Nations conventions” and demanded their repatriation to India “for preservation and religious veneration”.

The legal writ was served to the Sotheby’s auction house and Chris Peppe, one of three heirs of William Claxton Peppe, a British colonial landowner who in 1898 excavated the gems on his northern Indian estate and kept them as family heirlooms.

A letter posted on the Ministry of Culture’s Instagram account said Peppe, a Los Angeles-based TV director, lacked the authority to sell the relics. Sotheby’s, by holding the auction, was “participating in continued colonial exploitation”, it added.

The ministry does not believe the relics should go under the hammer, saying the gems “constitute inalienable religious and cultural heritage of India and the global Buddhist community”.

What are the Piprahwa gems?

The Piprahwa gems date back to the Mauryan Empire, circa 240 to 200 BC. They have been described by Sotheby’s as “one of the most astonishing archaeological finds of the modern era” and “of unparalleled religious, archaeological and historical importance”.

The precious stones consist of thousands of pearls, rubies, topazes, sapphires and patterned gold worked into jewels and maintained in their natural forms.

They were originally buried in a dome-shaped funeral monument called a stupa in Piprahwa in modern-day Uttar Pradesh, India’s largest state.

They are believed to be mixed with some of the cremated remains of the Buddha, who died about 480 BC.

The British crown claimed William Peppe’s find under the 1878 Indian Treasure Trove Act, and the bones and ash were given to the Buddhist monarch King Chulalongkorn of Siam in present-day Thailand.

Most of the 1,800 gems went to what is now the Indian Museum in Kolkata. But Peppe was permitted to retain about a fifth of them, some of which were described as “duplicates” by British colonial administrators at the time.

What the controversy is about

The gems are expected to sell for 100 million Hong Kong dollars (US$13m) at Sotheby’s in Hong Kong on Wednesday. But the sale has raised eyebrows.

Commentators argued that the Piprahwa gems are the heritage of both the Buddha’s descendants and of Buddhists worldwide.

“Are the relics of the Buddha a commodity that can be treated like a work of art to be sold on the market?” Naman Ahuja, a Delhi-based art historian, told the BBC. “And since they aren’t, how is the seller ethically authorised to auction them?

“Since the seller is termed the ‘custodian’, I would like to ask – custodian on whose behalf? Does custodianship permit them now to sell these relics?” he asked.

For its part, India’s government has called on Sotheby’s and Chris Peppe to halt the sale of the gems, issue a public apology to Buddhists worldwide and to provide a full disclosure of the provenance of the relics.

Failure to comply, according to the letter on the Ministry of Culture’s Instagram page, would result in legal proceedings in Indian and Hong Kong courts and through international bodies “for violations of cultural heritage laws”.

The ministry added that it would launch a public campaign highlighting Sotheby’s role “in perpetuating colonial injustice and becoming a party to [the] unethical sale of religious relics”.

It said the sellers “had no right to alienate or misappropriate the asset, … an extraordinary heritage of humanity where custodianship would include not just safe upkeep but also an unflinching sentiment of veneration towards these relics”.

The letter also noted that “the relics of the Buddha cannot be treated as ‘specimens’ but as the sacred body and originally interred offerings to the sacred body of the Buddha” and the proposed auction “offends the sentiments of over 500 million Buddhists worldwide”.

Earlier this year, Chris Peppe told the BBC that his family explored donating the ancient gems. However, he said an auction seemed the “fairest and most transparent way to transfer these relics to Buddhists”.

He also wrote a post on Sotheby’s website in February in which he said: “I wanted the power of these gems to reach everyone, Buddhist or not.”

After this week’s private sale, he said, “I hope that many people will be able to see the gems and connect with the Buddhists who gave them over two thousand years ago, with our shared human experience of wonder and awe and with the Buddha and his teachings.”

Have such auctions been controversial in the past?

Museums in the West have rarely been forced by legal rulings to give up artefacts taken from the Global South during colonial rule. However, some have handed stolen objects back to their countries of origin under public pressure

In 2022, for instance, six artefacts looted by British soldiers 125 years ago from Benin City in what is now Nigeria were repatriated from the Horniman Museum in South London to Nigeria’s National Commission for Museums and Monuments.

That same year, Germany handed over two Benin Bronzes and more than 1,000 other items from its museums to Nigeria. “It was wrong to take the bronzes, and it was wrong to keep them,” said Annalena Baerbock, Germany’s foreign minister.

But instances of successful repatriations are far outnumbered by private auctions of stolen artefacts. In 2020, for instance, Christie’s went ahead with the sale of Igbo statues that Nigerian museum officials said were stolen during the country’s civil war in the 1960s.

Another high-profile case was the sale of a 3,000-year-old quartzite head of the Egyptian “boy king” Tutankhamun, auctioned off in the United Kingdom despite an outcry in Egypt, which claimed the piece was likely removed from the country illegally.

Man City complete Women’s World Sevens line-up

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Manchester City have joined Manchester United in signing up for the inaugural Women’s World Sevens tournament in May.

The seven-a-side competition runs between 21-23 May – three days before the Women’s Champions League final – in Estoril, Portugal with a prize money pool of $5m (£3.76m).

Manchester United confirmed their involvement last month with manager Marc Skinner hailing it as an “exciting opportunity”.

The two Women’s Super League clubs will battle it out with Bayern Munich, Roma, Paris St-Germain, Ajax, Benfica and FC Rosengard in the eight-team tournament.

Therese Sjogran, Manchester City Women’s director of football, said the club are proud to be part of this “milestone moment”.

The competition will begin with a two-day group phase before moving on to a knockout stage and a final.

Manchester City could play up to five 30-minute fixtures – depending on how far they progress.

Interim head coach Nick Cushing will oversee a side made up from the first-team squad.

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Windies drop Hetmyer for tour of England & Ireland

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Batter Shimron Hetmyer has been left out of West Indies’ one-day international squad to play England and Ireland this month.

Left-hander Hetmyer, currently playing in the Indian Premier League (IPL) and one of West Indies’ most high-profile players, featured in the Windies’ 2-1 win over an understrength England last year.

He missed a series against Bangladesh that followed through illness and was replaced by 27-year-old Amir Jangoo, who made a debut century in the third match.

West Indies play a three-match one-day international series in Ireland from 21-25 May, before matches in England on 29 May, 1 June and 3 June.

Three T20s against England follow from 6 June.

It will be the first white-ball series for England since Harry Brook was named permanent white-ball captain.

There is no place in West Indies’ squad for Nicholas Pooran, who has not played an ODI since 2023.

The touring party is largely the same as the one that beat England, with batter Shai Hope captain, and Alzarri Joseph, Jayden Seales and Shamar Joseph among the seam bowlers.

Former Ireland all-rounder Kevin O’Brien will work with Hope’s side during the Ireland leg of the tour.

“These matches form a critical component towards the 2027 World Cup and there are signs of the team building consistency following the series sweep against Bangladesh and the win over England late last year,” said coach Darren Sammy.

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Why US Tariff On Movies Outside Nollywood ‘Not A Big Worry’ – Filmmaker Akinmolayan

Nigerian filmmaker Niyi Akinmolayan has downplayed concerns over the United States’ proposed tariff on foreign-produced movies, describing it as “not a big worry” for Nollywood and the African film industry.

Speaking on Channels Television’s entertainment programme, Akinmolayan explained that Nollywood’s primary market remains Nigeria, with international distribution largely driven by streaming platforms.

“Typically, the most common way we get our films shown in the U.S. recently has been via streaming — Netflix and Amazon Prime Video, to be precise.

“What usually happens is they have what they call a worldwide licence, and then they have a U.S. and Canada licence. This is because the U.S. and Canada licence is a bit different in terms of taxation — about 30 to 35 percent tax on the licence deal — whereas, all over the world, it’s a completely different thing,” he said.

He noted that, “We make films predominantly for the Nigerian market first, before trying to appeal to an international audience. Usually, in those discussions, there is some tax calculation very specific to the United States, but I honestly do not think that is what this particular Trump tariff issue is.

“I think he’s being very specific about the key American studios that are now doing a lot of their productions outside America.”

READ ALSO: [Currency Abuse:] Iyabo Ojo Confirms EFCC Interrogation After Daughter’s Wedding

US President Donald Trump speaks during an announcement that Washington, DC, will host the 2027 NFL Draft, during an event in the Oval Office of the White House in Washington, DC, on May 5, 2025. (Photo by Jim WATSON / AFP)

On Monday, U.S. President Donald Trump announced plans to impose a 100% tariff on all films produced outside the United States, citing national security concerns and the decline of the domestic film industry due to foreign tax incentives attracting U.S. productions abroad.

The proposal has sparked heated debate across the entertainment world. Critics argue that the global nature of filmmaking — involving international locations, crews, and post-production — makes it difficult to define what qualifies as a “foreign” film. There are also fears over the potential impact on independent films and co-productions that rely heavily on overseas budgets.

Reflecting on the possible implications, Akinmolayan expressed skepticism about the practical impact of the measure.

“Where exactly does the tariff come in? Is it from the production budget or the sales? The gross? What happens if you make the film and it doesn’t sell? What happens when you make a film targeted for festivals — and not as a commercial decision? It feels like a lot of it is still floating in the air,” he said.

“My thoughts would be that nothing much will change in terms of how much they need to spend if they are here or in any other part of the world apart from America — at least not in the immediate — because we do not know where the tariffs are going to be taken from,” Akinmolayan explained. “Typically, tariffs are taken ultimately from consumers in a place like America, which then motivates producers to save costs and do more of their work in America.”

He also highlighted the growing global nature of storytelling and collaboration: “I do not even see a future in such a thing because the world is becoming a global space.

“America is looking for stories to tell from all over the world — that’s why companies like Netflix and Amazon Prime have worked with us in Nigeria. So I do not even see this working in the long run. But we’re open to seeing how that goes.”

Looking ahead, Akinmolayan emphasised the importance of building trust and infrastructure in Nigeria to attract foreign productions.

“One of the things I was thinking about — even in Nigeria with initiatives like nollywoodfilmmaker.com — is to build a system of trust and reliability where Hollywood can actually come to film major productions in places like Nigeria. There are capable hands, good security, and all the like.